Posted by admin | Posted in Cords and Cables | Posted on 31-08-2008
Tags: audio, cable, guitar, music, prs guitar kit, prs guitars, prs guitars for sale, reference, trs guitar, trs guitar cable
I have bought a Seymour Duncan Woody hc acoustic guitar pickup?
It has a male TRS jack but I already have a hole drilled in my acoustic for a female plug. How can I convert the 14ft cable with the male TRS jack on into a female plug to plug a normal guitar lead into.
Thanks.
You can splice the cable and put a female stereo plug on the end of it or just get an adapter. An adapter is probably your best bet.
EarCandy FAQ How to test guitar signal speaker TRS microphone cable with a multi meter
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Steel Tears $99.52 Features:ARABALABAMA 2)Long as we’re dreaming 3)Can I get a witness 4)Old Habits Like You 5)Love is Forever 6)I Don’t Care… |
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Terry Gibbs: Hootenanny My Way [Vinyl LP] [Stereo] STEREO VINYL LP! Hootenanny My Way With Terry Gibbs! 1963 Time Records Series 2000 Release! Jazz vibraphonist Terry Gibbs plays a program of traditional folk songs! Personnel: Terry Gibbs (Vibes); Jimmy Raney (Guitar); Al Belding (Drums); Al Epstein (Tenor Sex and Conga Drum); William Wood (Bass); & Alice McLeod [Alice Coltrane] (Piano). TRACKS: A1. Joshua; A2. John Henry; A3. When Johnny Comes Ma… |
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Behringer NU3000 iNuke Ultra-Lightweight, High-Density 3000-Watt Power Amplifier $299.97 Behringer iNUKE NU3000 Power amplifiers pack massive amounts of output power into exceptionally lightweight, rack-mountable packages. The iNUKE NU3000 features revolutionary high-density Class-D technology combined with ultra-efficient switch-mode power supplies ensures these feather-light powerhouses will drive your rig effortlessly for many years to come. Behringer spent years fine-tuning the hi… |
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QSC K10 Powered PA Speaker (10 Inch, 1000 Watts) $655.00 The New Standard in Active Loudspeakers. The QSC K10 is a 10-inch, 2-way active loudspeaker system featuring an all-new 1000 Watt QSC Class D power module outputting a remarkable 129 dB (peak). The K10 wide, DMT(TM) (Directivity Matched Transition) 90-degree dispersion pattern (vertical or horizontal) provides for even coverage of its 56 Hz – 20 kHz frequency response across the entire sound field… |
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QSC K8 Powered PA Speaker (8 Inch, 1000 Watts) $639.99 The New Standard in Active LoudspeakersThe QSC K8 is an 8-inch, 2-way active loudspeaker system featuring an all-new 1000 Watt QSC Class D power module outputting a remarkable 127 dB (peak). The K8 ultra-wide, DMT(TM) (Directivity Matched Transition) 105-degree dispersion pattern (vertical or horizontal) provides for even coverage of its 61 Hz – 20 kHz frequency response across the entire sound fi… |
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Rock Band Guitar Strap Gothic Design $7.51 Features include: •Game sold separately…. |
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Speaker Grill Cloth Fabric Burgundy/Beige Stripe Yard 36 $30.00 Restore That Vintage Guitar Amp… …or add flair to your custom-built project! This woven OEM speaker grill fabric is the perfect solution for restoring your old Fender®, Marshall®, Peavey®, plus many other vintage guitar and bass, amps and speaker cabinets. Although a common or original application is listed, only your imagination can limit its uses. 36″ wide and sold per linear yard. Colo… |
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Speaker Grill Cloth Fabric Silver Turquoise Stripe Yard 36 $30.00 Restore That Vintage Guitar Amp… …or add flair to your custom-built project! This woven OEM speaker grill fabric is the perfect solution for restoring your old Fender®, Marshall®, Peavey®, plus many other vintage guitar and bass, amps and speaker cabinets. Although a common or original application is listed, only your imagination can limit its uses. 36″ wide and sold per linear yard. Colo… |
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Behringer V-AMP3 Next-Generation Virtual Guitar Amplifier with USB Audio Interface And Energyxt2.5 Recording Software $108.99 If a lack of money and floor space is all that’s been standing between you and a home recording studio full of wicked vintage guitar amps and effects pedals, get ready to love the V-AMP 3. This red rocker comes loaded with 32 amp models, 15 speaker cabinet models and 16 classic effects. But that’s only the beginning–you also get the UCA222 USB audio interface and free energyXT2.5 Compact software… |
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Killer Instinct DVD with Demi Barbito JKD Vunak Why are men who hunt professional killers doing all they can to spend ONE HOUR with this guitar-playing streetfighter from LA who HATES TO FIGHT? Find out for yourself! Soldiers, cops and other streetfighters say that Demi is one of the best hand-to-hand fighters — and best combat teachers — in the country. And you’ll have to agree 100%. Demi Barbito became a streetfighter before he turned 13,… |
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T.R.S. $4.99 We believe it is important to preserve what makes music special, and make it easy to craft listening experiences. At MOG, browse millions songs and play them instantly. Or just turn on radio where you can stop and replay songs. You can also create playlists for any occasion, and even download songs to your mobile. We are dedicated to employing the cleanest but most powerful technology so you can enjoy music as much as ever. |
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Hosa XLR to TRS AdapterGXP-143 $4 Hosa XLR to TRS Adapter |
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Cup,Cold,10 Oz,100/Pk,Trs $3.99 CUP,COLD,10 OZ,100/PK,TRS |
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Cup,Cold,5oz,100/Pk,Trs $1.99 CUP,COLD,5OZ,100/PK,TRS |
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Cup,Cold,12 Oz,50/Pk,Trs $1.99 CUP,COLD,12 OZ,50/PK,TRS |
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TRS TRS Heo AT 7 $31.95 98% Baumwolle, 2% Lycra Zusätzliche Infos: Unser Model ist 175 cm groà und hat normalerweise GröÃe 30 . Hier trägt er den Artikel ÂTRS Heo AT 7 in GröÃe 30/33 |
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HOSA PRO CABLE 1/4IN TRS - $13.99 HOSA PRO CABLE 1/4IN TRS - |
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Gloves,Poly,Fdsvr, Lg,Trs $5.99 GLOVES,POLY,FDSVR, LG,TRS |
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Hosa XLR to TRS Adapter $5.99 1 x 3-pin XLR Male 1 x TRS Male 2 Audio Adapter GXP-246 Hosa Hosa Technology, Inc TRS XLR XLR to TRS Adapter www.hosatech.com |
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Guitar $18.4 Guitar |
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TRS-Million Twinkle $30 Download the TRS-Million Twinkle font for Mac or Windows in OpenType, TrueType or PostScript format. |
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3.5mm TRS Plug Ni/Silver $1 3.5MM TRS PLUG NI/SILVER ORDER MIN = 10 |
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Hosa Technology / Hosa XLR to TRS Adapter / GXP-143 $17.74 Hosa Technology – Hosa XLR to TRS Adapter – GXP-143 |
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Hosa Technology / Hosa XLR to TRS Adapter / GXP-246 $17.92 Hosa Technology – Hosa XLR to TRS Adapter – GXP-246 |
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3Ft Y Cable 1/4 TRS To Dual 1/4 TRS $5.14 Y Cable, 1/4″ TRS to Dual 1/4″ TRS – 3′This cable is designed to duplicate a stereo signal. It may be used to connect a balanced phone output to two balanced phone inputs. |
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5Ft Y Cable 1/4 TRS To Dual 1/4 TRS $6.17 Y Cable, 1/4″ TRS to Dual 1/4″ TRS – 5′This cable is designed to duplicate a stereo signal. It may be used to connect a balanced phone output to two balanced phone inputs. |
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Cables To Go / 6ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40073 $18.71 Cables To Go – 6ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40073 |
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Cables To Go / 12ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40074 $21.76 Cables To Go – 12ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40074 |
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Cables To Go / 50ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40076 $38.92 Cables To Go – 50ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40076 |
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Cables To Go / 25ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40075 $27.88 Cables To Go – 25ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40075 |
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Cables To Go / 3ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40072 $16.69 Cables To Go – 3ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40072 |
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TRS-Million Complete Family Pack $30 Download the TRS-Million Complete Family Pack font for Mac or Windows in OpenType, TrueType or PostScript format. |
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TRS Missy Momo $23.95 Schmale Röhre mit Stretchanteil und ausgebleichten Partien um die Taschen, entlang des Vorderbeins, am Po und am hinteren Oberschenkel. Auf der rechten Potasche prangt das TRS-Logo. 98% Baumwolle, 2% Lycra. Zusätzliche Infos: Unser Model ist 1,70 m groà und hat normalerweise KonfektionsgröÃe 34 / 36. Hier trägt sie den Artikel ÂTRS Missy Momo in Bundweite 28 Straight Leg Bezeichnet eine Hose mit geradem Bein |
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OMP TRS Racing Seat $349 OMP TRS Racing SeatMedium height side bolsters fully upholstered in light padded velour. Tubular steel frame seat. 5 seat belt openings. Bottom and lateral fixing points Type Y and Type W.Available in Blue, Black or Red.Please select color below.Ship |
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Trs/Pl Static Luce Lctv-30Sda- (Mount or Mount parts only, Projector/TV sold separately) $188.99 Trs/Pl Static Luce Lctv-30Sda- |
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Trs/Pl Static Sanyo Lmu-Tk29L1 (Mount or Mount parts only, Projector/TV sold separately) $188.99 Trs/Pl Static Sanyo Lmu-Tk29L1 |
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Lib Tech TRS C2BTX Snowboard 2012 $447.96 Lib Tech TRS C2BTX Snowboard 2012: Engineered for all-mountain, park and pipe terrain, designed and ridden by Jacob Wilhelmson, Sammy Luebke, Eric Jackson, and Martin Cernik; the Lib Tech TRS C2BTX Narrow Snowboard is stiff and absorbs shocks with ease. Featuring C2 Banana Rocker technology that helps you stay afloat when you venture into pow, responds well in the hard pack, and boost in the park; the Lib Tech TRS C2BTX Snowboard is ready to ride free for aggressive riders. |
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Audio Cable 1M 1/4 TRS To Dual RCA $5.14 Insert Cable, 1/4″ TRS to Dual RCA – 1M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification. |
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2Ft Balanced Interconnect 1/4 TRS To XLR Male $5.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 2′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications. |
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5Ft Balanced Interconnect 1/4 TRS To XLR Male $7.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 5′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications. |
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10Ft Balanced Interconnect 1/4 TRS To XLR Male $8.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 10′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications. |
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15Ft Balanced Interconnect 1/4 TRS To XLR Male $9.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 15′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications. |
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20Ft Balanced Interconnect 1/4 TRS To XLR Male $11.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 20′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications. |
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Y Cable 1/4 TRS To Dual 1/4 TRSF $4.11 Y Cable, 1/4″ TRS to Dual 1/4″ TRSFThis cable is designed to duplicate a stereo signal. It is ideal for use as a headphone adaptor, adapting one headphone jack to two headphones. |
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Y Cable 1/4 TRS To Dual 3.5mm TRSF $4.11 Y Cable, 1/4″ TRS to Dual 3.5MM TRSFThis cable is designed to duplicate a stereo signal. It is ideal for use as a headphone adaptor, adapting one headphone jack to two headphones. |
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Impedance Transformer 18 XLR3F To 3.5mm TRS $19.56 Impedance Transformer, XLR3F to 3.5MM TRS – 18″This adaptor is designed to match 600R output impedance to 2.5K input impedance. It may be used to connect a microphone to a portable recording device, camcorder, or PC. |
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Audio Cable 2M 1/4 TRS To Dual RCA $6.17 Insert Cable, 1/4″ TRS to Dual RCA – 2M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification. |
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Audio Cable 3M 1/4 TRS To Dual RCA $7.2 Insert Cable, 1/4″ TRS to Dual RCA – 3M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification. |
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Audio Cable 4M 1/4 TRS To Dual RCA $9.26 Insert Cable, 1/4″ TRS to Dual RCA – 4M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification. |
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Audio Cable 3M 1/4 TRS To XLR3M And XLR3F $13.38 Insert Cable, 1/4″ TRS to XLR3M and XLR3F – 3M This cable is designed to connect a channel insert on a mixing console to an effects processor with XLR input and output. The send and return signals are both unbalanced |
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Audio Cable 4M 1/4 TRS To XLR3M And XLR3F $15.44 Insert Cable, 1/4″ TRS to XLR3M and XLR3F – 4M This cable is designed to connect a channel insert on a mixing console to an effects processor with XLR input and output. The send and return signals are both unbalanced |
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Stereo Y-Cable 1/4 TRS To Dual RCAF $4.35 Stereo Breakout, 1/4″ TRS to Dual RCAFThis cable is designed to split a stereo signal. Black- and red-coded phono jacks indicate left and right respectively. It may also be used in reverse. |
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Seismic Audio – Blue 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Black 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Blue 2 foot TRS to TRS Patch Cables – Snake Microphone Cord $26.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Green 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Orange 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Purple 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Red 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Yellow 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Black 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Blue 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Green 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Orange 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Purple 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Red 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Yellow 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Black 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 8 Pack of Black 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $45.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Blue 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Blue 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Black 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Green 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Green 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Orange 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Orange 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Red 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Red 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Yellow 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Yellow 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Colored 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Black 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Black 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Purple 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Blue 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Blue 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Green 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Green 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 8 Pack of Black 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $41.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Orange 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Orange 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Purple 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Purple 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Red 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Red 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – Yellow 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Seismic Audio – 6 Pack of Yellow 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS. |
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Cables To Go 40073 6ft ProAudio 1/4in TRS Male to 1/4in TRS Male Cable $18.08 Use this Tip/Ring/Sleeve (TRS) configuration cable to connect balanced line outputs to balanced line inputs. This proaudio cable is made from 22 AWG twisted pair audio cable under an aluminum foil shield and 60 copper braid for maximum shielding from noise. The highly flexible 7mm PVC jacket reduces the risk of the cable kinking and damaging the conductors.Bright nickel plating on solid brass connectors resists wear from reconfiguring and moving equipment from one venue to another. Spring strain relief on the 1/4in plug reduces the effects of age on the solder joints and contacts.Connector 1: 1/4in TRS MaleConnector 2: 1/4in TRS Male |
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Cables To Go 40074 12ft ProAudio 1/4in TRS Male to 1/4in TRS Male Cable $21 Use this Tip/Ring/Sleeve (TRS) configuration cable to connect balanced line outputs to balanced line inputs. This proaudio cable is made from 22 AWG twisted pair audio cable under an aluminum foil shield and 60 copper braid for maximum shielding from noise. The highly flexible 7mm PVC jacket reduces the risk of the cable kinking and damaging the conductors.Bright nickel plating on solid brass connectors resists wear from reconfiguring and moving equipment from one venue to another. Spring strain relief on the 1/4in plug reduces the effects of age on the solder joints and contacts.Connector 1: 1/4in TRS MaleConnector 2: 1/4in TRS Male |
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TRS Kurt R96 $31.95 100% Baumwolle Zusätzliche Infos: Unser Model ist 175 cm groà und hat normalerweise GröÃe 30. Hier trägt er den Artikel ÂKurt R96 in GröÃe 30/32 |
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Cup,Cold,7 Oz,100/Pk,Trs $57.99 CUP,COLD,7 OZ,100/PK,TCLR |
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Cup,Cold,20 Oz,50/Pk,Trs $82.99 CUP,COLD,20 OZ,50/PK,TCLR |
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Straw,Jumbo,7.365",Trs $51.99 STRAW,JUMBO,7.365″,TR |
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Alvin TRS Tractor Stool $77.4 Designed for comfort and durability. Perfect for medical industrial institutional home hobby painting and more. Comfortable black molded ABS high density polymer tractor seat is a generous 18 wide x 17 deep. Features a chrome base with dual wheel carpet casters. Pneumatic gas lift allows height adjustment from 20 to 26 . |
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TRS 80 COBOL Paper $31.2 No Synopsis Available |
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Practicing Programming on the TRS 80 $5.66 No Synopsis Available |
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Club Glove TRS Ballistic Check-In XL Luggage $799 Club Glove TRS Ballistic Check-In XL The CG TRS BALLISTIC premium luggage line is designed for the affluent globetrotter or discerning golfer seeking the world’s most durable and functional luggage. Hand crafted in the USA, backed by a limited lifetime warranty. Features: TRS Ballistic Check-In XL 31” ?H x 15” W x 12” D, 5400 cubic inches Constructed of ?Invista? Courdura? 1050 denier U.S. woven military spec nylon ballistic?fabric ? The world’s most ideal material for high-end luggage Up to 2x the abrasion resistance and up to 4x the tear resistance compared other premium?brands using 1680 D fabrics and is up to 9x stronger than polyester fabrics Patented, ultra-durable CG wheel base and retractable handle for ideal balance and convenience of traveling with one, two or all three pieces Ability to connect with Club Glove’s premium golf travel bags Premium YKK? zippers and ITW Nexus? buckles Internal webbing with superior tensile strength Includes 5 total nylon mesh Packing Modules with YKK zippers: 1 Large: 17H x 12W x 5D 2 Small: 17H x 12W x 3D 3 Mini: 12 H x 8.5 W x ?5 D? |
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Club Glove TRS Ballistic Check-In Luggage $750 Club Glove TRS Ballistic Check-In The CG TRS BALLISTIC premium luggage line is designed for the affluent globetrotter or discerning golfer seeking the world?s most durable and functional luggage. Hand crafted in the USA, backed by a limited lifetime warranty. Features: TRS Ballistic Check-In 28” ?H x 14” W x 11” D, 4100 cubic inches Constructed of ?Invista? Courdura? 1050 denier U.S. woven military spec nylon ballistic?fabric ? The world?s most ideal material for high-end luggage Up to 2x the abrasion resistance and up to 4x the tear resistance compared other premium brands using 1680 D fabrics and is up to 9x stronger than polyester fabrics Patented, ultra-durable CG wheel base and retractable handle for ideal balance and convenience of traveling with one, two or all three pieces Ability to connect with Club Glove?s premium golf travel bags Premium YKK? zippers and ITW Nexus? buckles Internal webbing with superior tensile strength Includes 4 total nylon mesh Packing Modules with YKK zippers: 1 Large: 17H x 12W x 5D 2 Small: 17H x 12W x 3D 3 Mini: 12 H x 8.5 W x ?5 D |
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Club Glove TRS Ballistic Carry On Luggage $699 Club Glove TRS Ballistic Carry On The CG TRS BALLISTIC premium luggage line is designed for the affluent globetrotter or discerning golfer seeking the world?s most durable and functional luggage. Hand crafted in the USA, backed by a limited lifetime warranty. Features: TRS Ballistic Carry On 22.5” ?H x 12” W x 9” D, 2300 cubic inches Constructed of ?Invista? Courdura? 1050 denier U.S. woven military spec nylon ballistic fabric ? The world?s most ideal material for high-end luggage Up to 2x the abrasion resistance and up to 4x the tear resistance compared other premium brands using 1680 D fabrics and is up to 9x stronger than polyester fabrics Patented, ultra-durable CG wheel base and retractable handle for ideal balance and convenience of traveling with one, two or all three pieces Ability to connect with Club Glove?s premium golf travel bags Premium YKK? zippers and ITW Nexus? buckles Internal webbing with superior tensile strength Includes 3 total nylon mesh Packing Modules with YKK zippers 1 Large: 17H x 12W x 5D 2 Small: 17H x 12W x 3D 3 Mini: 12 H x 8.5 W x ?5 D |
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ZAGGskins (Guitar) $19.99 ZAGGskins (Guitar) |
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Psychedelic Guitar $10 Psychedelic Guitar |
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Guitar Hero $10 Guitar Hero |
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Insane Guitar $10 Insane Guitar |
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Distorted Guitar $10 Distorted Guitar |
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Guitar Music $10 Guitar Music |
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Guitar On Fire $10 Guitar On Fire |
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Heavenly Guitar $10 Heavenly Guitar |
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Guitar Tuning $10 Guitar Tuning |
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Fire guitar $10 Fire guitar |
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Chihuahua With Guitar $10 Chihuahua With Guitar |
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Air guitar $10 Air guitar |
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Reggae Guitar $10 Reggae Guitar |
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Style Guitar $6 Style Guitar |
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Boop Guitar $6 Boop Guitar |
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Guitar Skull $6 Guitar Skull |
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Play The Guitar $6 Play The Guitar |
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MY GUITAR $27.99 MY GUITAR |
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GUITAR FOR DUMMIES $27.99 GUITAR FOR DUMMIES |
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GUITAR CABLE $6.99 GUITAR CABLE |
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GUITAR POLISH $6.99 GUITAR POLISH |
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6Ft Stereo Y-Cable RA 3.5mm TRS To Dual RCA $6.17 Stereo Breakout, Right-Angle 3.5MM TRS to Dual RCA – 6′This cable is designed to connect a digital audio player to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver. |
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Audio Cable 1M 1/4 TRS To Dual 1/4 TS $6.84 Insert Cable, 1/4″ TRS to Dual 1/4″ TS – 1M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification. |
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Audio Cable 2M 1/4 TRS To Dual 1/4 TS $7.2 Insert Cable, 1/4″ TRS to Dual 1/4″ TS – 2M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification. |
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Audio Cable 3M 1/4 TRS To Dual 1/4 TS $7.48 Insert Cable, 1/4″ TRS to Dual 1/4″ TS – 3M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification. |
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Audio Cable 4M 1/4 TRS To Dual 1/4 TS $8.61 Insert Cable, 1/4″ TRS to Dual 1/4″ TS – 4M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification. |
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Stereo Y-Cable 2M 3.5mm TRS To Dual XLR Male $11.32 Stereo Breakout, 3.5MM TRS to Dual XLR3M – 2MThis cable is designed to connect a digital audio player or similar device to pro audio gear. It is ideal for connecting an iPod®, laptop, or similar device to a mixing console. |
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Stereo Y-Cable 3M 3.5mm TRS To Dual XLR Male $12.35 Stereo Breakout, 3.5MM TRS to Dual XLR3M – 3MThis cable is designed to connect a digital audio player or similar device to pro audio gear. It is ideal for connecting an iPod®, laptop, or similar device to a mixing console. |
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3Ft Stereo Y-Cable 3.5mm TRS To Dual RCA $5.14 Stereo Breakout, 3.5MM TRS to Dual RCA – 3′This cable is designed to connect a digital audio player or similar device to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver. |
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6Ft Stereo Y-Cable 3.5mm TRS To Dual RCA $6.17 Stereo Breakout, 3.5MM TRS to Dual RCA – 6′This cable is designed to connect a digital audio player or similar device to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver. |
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15Ft Stereo Y-Cable 3.5mm TRS To Dual RCA $8.23 Stereo Breakout, 3.5MM TRS to Dual RCA – 15′This cable is designed to connect a digital audio player or similar device to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver. |
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25Ft Stereo Y-Cable 3.5mm TRS To Dual RCA $12.35 Stereo Breakout, 3.5MM TRS to Dual RCA – 25′This cable is designed to connect a digital audio player or similar device to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver. |
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3Ft Stereo Y-Cable RA 3.5mm TRS To Dual RCA $5.14 Stereo Breakout, Right-Angle 3.5MM TRS to Dual RCA – 3′This cable is designed to connect a digital audio player to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver. |
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Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black Microsuede $479.99 1976-12 Wrangler and Jeep CJ;Black Microsuede;High Density injection molded foam;Integrated full body support;up to a 36 in.-38 in. waist Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black Microsuede |
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Seismic Audio – PA Speaker Cable Connector/Adapter – 1/4 TRS Female to XLR Male $4.99 Converter your male 1/4 inch cables to XLR male cables with these 1/4 inch TRS female to XLR male adapters. |
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Pb-48 – Nady Pb-48 Modular Patch Panel – 48 X Trs $54.81 The Pb-48 is Furmans Standard Patch Bay, Usable in Almost Any Application. It Features 1/4 inch Trs Phone Jacks in All Positions, Front And Rear, With One Switching Jack in The Lower Front Positions. Trs Jacks Have The Advantage of Being Usable in Either Balanced or Unbalanced Systems. [T51255] UPC: 634343002249 UNSPC: 43223309 19L x 3W x 2.25H 3 LB |
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Cables To Go 12ft ProAudio Cable 1/4in TRS Male to 1/4in TRS Male $27.2 Use this Tip/Ring/Sleeve (TRS) configuration cable to connect balanced line outputs to balanced line inputs. This proaudio cable is made from 22 AWG twisted pair audio cable under an aluminum foil shield and 60 copper braid for maximum shielding from noise. The highly flexible 7mm PVC jacket reduces the risk of the cable kinking and damaging the conductors.Bright nickel plating on solid brass connectors resists wear from reconfiguring and moving equipment from one venue to another. Spring strain relief on the 1/4in plug reduces the effects of age on the solder joints and contacts. Color: Black. Length: 12 . |
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Flame Guitar $2.49 Flame Guitar Vinyl Sticker Guitar with flames |
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Audio Cable 1M RA 1/4 TRS To Dual RA 1/4 TS $5.14 Insert Cable, Right-Angle 1/4″ TRS to Dual Right-Angle 1/4″ TS – 1M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Right-angle plugs allow easy access to jacks with minimal clearance. |
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1Ft Microphone Cable Dual XLR3F To RA 3.5mm TRS $10.29 Microphone Cable, Dual XLR3F to Right-Angle 3.5MM TRS – 1′This cable is designed to connect two microphones with XLR outputs to a mini stereo phone input. It is ideal for connecting pro mics to a DV camera or portable audio recorder. |
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2Ft Microphone Cable Dual XLR3F To RA 3.5mm TRS $10.29 Microphone Cable, Dual XLR3F to Right-Angle 3.5MM TRS – 2′This cable is designed to connect two microphones with XLR outputs to a mini stereo phone input. It is ideal for connecting pro mics to a DV camera or portable audio recorder. |
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5Ft Microphone Cable Dual XLR3F To RA 3.5mm TRS $12.35 Microphone Cable, Dual XLR3F to Right-Angle 3.5MM TRS – 5′This cable is designed to connect two microphones with XLR outputs to a mini stereo phone input. It is ideal for connecting pro mics to a DV camera or portable audio recorder. |
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Stereo Y-Cable 1/4 TRS To Dual 1/4 TSF $4.11 Stereo Breakout, 1/4″ TRS to Dual 1/4″ TSFThis cable is designed to split a stereo signal. Black- and red-coded mono phone jacks indicate left and right respectively. It may also be used to adapt a stereo cable with mono phone plugs to a stereo phone jack. |
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Stereo Y-Cable 1/4 TRS To Dual 3.5mm TRSF $4.11 Stereo Breakout, 1/4″ TRS to Dual 3.5MM TRSFThis cable is designed to split a stereo signal. Each mini stereo phone jack applies mono equally to left and right. It is ideal for use with personal mixers and monitor systems, allowing two musicians to use a single system. |
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Stereo Y-Cable 3.5mm TRS To Dual 1/4 TSF $4.48 Stereo Breakout,3.5MM TRS to Dual 1/4″ TSFThis cable is designed to split a stereo signal. Black- and red-coded mono phone jacks indicate left and right respectively. It may also be used to adapt a stereo cable with mono phone plugs to a mini stereo phone jack. |
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Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black/Grey Microsuede $479.99 1976-12 Wrangler and Jeep CJ;Black/Grey Microsuede;High Density injection molded foam;Integrated full body support;up to a 36 in.-38 in. waist Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black/Grey Microsuede |
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Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black Cloth Wide $479.99 1976-12 Wrangler and Jeep CJ;Black Cloth Wide;High Density injection molded foam;Integrated full body support;up to a 38-40 in. waist Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black Cloth Wide |
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Protec Helmet Classic Bucky Lasek Trs Blue 10 M $49.75 Protec Classic Bucky Lasek’ Trs Blue 10 M: NEW for 2010 The original Protec 1970 s helmet with Bucky s own personal styling. Multiimpact two stage liner ABS shell stainless steel rivets and soft tubular webbing. Complete with a sticker sheet of Bucky s sponsors. |
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Protec Helmet Classic Bucky Lasek Trs Blue 10 X $49.75 Protec Classic Bucky Lasek’ Trs Blue 10 XL: NEW for 2010 The original Protec 1970 s helmet with Bucky s own personal styling. Multiimpact two stage liner ABS shell stainless steel rivets and soft tubular webbing. Complete with a sticker sheet of Bucky s sponsors. |
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Protec Helmet Classic Bucky Lasek Trs Blue 10 S $49.75 Protec Classic Bucky Lasek’ Trs Blue 10 S: NEW for 2010 The original Protec 1970 s helmet with Bucky s own personal styling. Multiimpact two stage liner ABS shell stainless steel rivets and soft tubular webbing. Complete with a sticker sheet of Bucky s sponsors. |
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Protec Helmet Classic Bucky Lasek Trs Blue 10 L $49.75 Protec Classic Bucky Lasek’ Trs Blue 10 L: NEW for 2010 The original Protec 1970 s helmet with Bucky s own personal styling. Multiimpact two stage liner ABS shell stainless steel rivets and soft tubular webbing. Complete with a sticker sheet of Bucky s sponsors. |
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Gxp-246 – Hosa Xlr To Trs Adapter – 3-Pin Xlr Male To Trs Male $7.37 [T47578] UPC: 728736014367 UNSPC: 43201500 6.35L x 2.5W x 1H 0.1 LB |
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Gxp-143 – Hosa Xlr To Trs Adapter – 3-Pin Xlr Female To Trs Male $7.13 [T47577] UPC: 728736014350 UNSPC: 43201500 6.35L x 2.5W x 1H 0.1 LB |
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Seismic Audio – 8 Channel 1/4 TRS Patch Effects Snake Cable – 10 ft PA Snake $39.99 Buy a 8 channel TRS snake cable. This 1/4 inch TRS snake cable is 10 feet from fantail to fantail. Each end of the snake has 8 well labeled channels for easy cable management. Order this 10′ pro audio cable by 2:30 and it ships same day Free. |
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Seismic Audio – 8 Channel 1/4 TRS Patch Effects Snake Cable – 5 ft PA Snake $34.99 Buy a 8 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 8 well labeled channels for easy cable management. Order this 5′ pro audio cable by 2:30 and it ships same day Free. |
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Seismic Audio – 8 Channel 1/4 TRS Patch Effects Snake Cable – 15 ft PA Snake $44.99 Buy a 8 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 8 well labeled channels for easy cable management. Order this 15′ pro audio cable by 2:30 and it ships same day Free. |
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Seismic Audio – 16 Channel 1/4 TRS Patch Effects Snake Cable – 15 ft PA Snake $59.99 Buy a 16 channel TRS snake cable. This 1/4 inch TRS snake cable is 15 feet from fantail to fantail. Each end of the snake has 16 well labeled channels for easy cable management. Order this 15′ pro audio cable by 2:30 and it ships same day Free. |
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Seismic Audio – 4 Channel 1/4 TRS Patch Effects Snake Cable – 5 ft PA Snake $21.99 Buy a 4 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 4 well labeled channels for easy cable management. Order this 5′ pro audio cable by 2:30 and it ships same day Free. |
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Seismic Audio – 4 Channel 1/4 TRS Patch Effects Snake Cable – 10 ft PA Snake $25.99 Buy a 4 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 4 well labeled channels for easy cable management. Order this 10′ pro audio cable by 2:30 and it ships same day Free. |
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Seismic Audio – 16 Channel 1/4 TRS Patch Effects Snake Cable – 10 ft PA Snake $54.99 Buy a 16 channel TRS snake cable. This 1/4 inch TRS snake cable is 10 feet from fantail to fantail. Each end of the snake has 16 well labeled channels for easy cable management. Order this 10′ pro audio cable by 2:30 and it ships same day Free. |
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Seismic Audio – 12 Channel 1/4 TRS Patch Effects Snake Cable – 15 ft PA Snake $54.99 Buy a 12 channel TRS snake cable. This 1/4 inch TRS snake cable is 15 feet from fantail to fantail. Each end of the snake has 12 well labeled channels for easy cable management. Order this 15′ pro audio cable by 2:30 and it ships same day Free. |
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Roland CUBE-20XL – 1×8 20-Watt Combo Guitar Amplifier – B-Stock $143 “With over one million CUBE amps sold and going strong, Roland continues to push the envelope with innovative amp technology and design. Today, the top-selling CUBE amp family gets another shot of adrenaline with the new CUBE-XL series, comprising four screamin’ amps: the 15XL, 20XL, 40XL, and 80XL.The CUBE-XL amps turn up the heat with new, ultra-heavy COSM amp models, hard-rockin’ effects, onboard phrase looping, and more. From crystal clean to crushing metal, the XL line provides a mouth-watering menu of COSM amps and effects, including the massive Extreme, Heavy Octave, and Metal Zone, plus the legendary JC-120, Acoustic Guitar Simulator, vintage Spring Reverb, and more (see below for the specific features of each amp).All amps in the XL series offer switchable Lead and Clean channels, with the 20XL, 40XL and 80XL providing a third Solo channel. Hard, heavy, and tough as nails . . . the new CUBE XL series will breathe fire into your music!Features: 20-watt guitar amp with 8″” high-performance speaker Two channels: Independent JC Clean and Lead plus Solo function for extra boost Six Lead types, including the new Extreme amp Nine effects, including the new Heavy Octave and COSM vintage Spring Reverb Power Squeezer for full gain at low volume Convenient audible tuner lets you tune your guitar without unplugging Rated Power Output 20 W Nominal Input Level INPUT: -10 dBu/1 M?, AUX IN: -10 dBu Speaker 20 cm (8 inches) Controls POWER Switch, CH SELECT Switch, TUNER Switch, POWER SQUEEZER Switch, [JC CLEAN Channel] VOLUME Knob [LEAD Channel] TYPE Switch (ACOUSTIC SIM, OVERDRIVE, DISTORTION, METAL, METAL STACK, EXTREME), GAIN Knob, VOLUME Knob [EQUALIZER] BASS Knob, MIDDLE Knob, TREBLE Knob [EFX/SOLO] EFX/SOLO Knob (CHORUS, FLANGER, PHASER, TREMOLO, SOLO, HEAVY OCTAVE) [DELAY/REVERB] DELAY/REVERB Knob (DELAY, REVERB, SPRING) Indicators JC CLEAN Channel, LEAD Channel, TUNER, EFX/SOLO, POWER SQUEEZER Connectors INPUT Jack (1/4-inch phone type), AUX IN Jack (Stereo miniature phone type), FOOT SW Jack (TIP: CH SELECT, RING: EFX/SOLO) (1/4-inch TRS phone type) RECORDING OUT/PHONES Jack (Stereo 1/4-inch phone type) Power Consumption 24 W Dimensions 385 (W) x 240 (D) x 385 (H) mm / 15-3/16 (W) x 9-1/2 (D) x 15-3/16 (H) inches Weight 9 kg / 19 lbs 14 oz Accessory Owner’s Manual Options Foot Switch (BOSS FS-5U, FS-6)” |
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Roland CUBE-20XL – 1×8 20-Watt Combo Guitar Amplifier $159 With over one million CUBE amps sold and going strong, Roland continues to push the envelope with innovative amp technology and design. Today, the top-selling CUBE amp family gets another shot of adrenaline with the new CUBE-XL series, comprising four screamin’ amps: the 15XL, 20XL, 40XL, and 80XL. The CUBE-XL amps turn up the heat with new, ultra-heavy COSM amp models, hard-rockin’ effects, onboard phrase looping, and more. From crystal clean to crushing metal, the XL line provides a mouth-watering menu of COSM amps and effects, including the massive Extreme, Heavy Octave, and Metal Zone, plus the legendary JC-120, Acoustic Guitar Simulator, vintage Spring Reverb, and more (see below for the specific features of each amp). All amps in the XL series offer switchable Lead and Clean channels, with the 20XL, 40XL and 80XL providing a third Solo channel. Hard, heavy, and tough as nails . . . the new CUBE XL series will breathe fire into your music! Features: 20-watt guitar amp with 8" high-performance speaker Two channels: Independent JC Clean and Lead plus Solo function for extra boost Six Lead types, including the new Extreme amp Nine effects, including the new Heavy Octave and COSM vintage Spring Reverb Power Squeezer for full gain at low volume Convenient audible tuner lets you tune your guitar without unplugging Rated Power Output 20 W Nominal Input Level INPUT: -10 dBu/1 M?, AUX IN: -10 dBu Speaker 20 cm (8 inches) Controls POWER Switch, CH SELECT Switch, TUNER Switch, POWER SQUEEZER Switch, [JC CLEAN Channel] VOLUME Knob [LEAD Channel] TYPE Switch (ACOUSTIC SIM, OVERDRIVE, DISTORTION, METAL, METAL STACK, EXTREME), GAIN Knob, VOLUME Knob [EQUALIZER] BASS Knob, MIDDLE Knob, TREBLE Knob [EFX/SOLO] EFX/SOLO Knob (CHORUS, FLANGER, PHASER, TREMOLO, SOLO, HEAVY OCTAVE) [DELAY/REVERB] DELAY/REVERB Knob (DELAY, REVERB, SPRING) Indicators JC CLEAN Channel, LEAD Channel, TUNER, EFX/SOLO, POWER SQUEEZER Connectors INPUT Jack (1/4-inch phone type), AUX IN Jack (Stereo miniature phone type), FOOT SW Jack (TIP: CH SELECT, RING: EFX/SOLO) (1/4-inch TRS phone type) RECORDING OUT/PHONES Jack (Stereo 1/4-inch phone type) Power Consumption 24 W Dimensions 385 (W) x 240 (D) x 385 (H) mm / 15-3/16 (W) x 9-1/2 (D) x 15-3/16 (H) inches Weight 9 kg / 19 lbs 14 oz Accessory Owner’s Manual Options Foot Switch (BOSS FS-5U, FS-6) |
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Roland CUBE-40XL – 1×10 40-Watt Combo Guitar Amplifier $219 With over one million CUBE amps sold and going strong, Roland continues to push the envelope with innovative amp technology and design. Today, the top-selling CUBE amp family gets another shot of adrenaline with the new CUBE-XL series, comprising four screamin’ amps: the 15XL, 20XL, 40XL, and 80XL. The CUBE-XL amps turn up the heat with new, ultra-heavy COSM amp models, hard-rockin’ effects, onboard phrase looping, and more. From crystal clean to crushing metal, the XL line provides a mouth-watering menu of COSM amps and effects, including the massive Extreme, Heavy Octave, and Metal Zone, plus the legendary JC-120, Acoustic Guitar Simulator, vintage Spring Reverb, and more (see below for the specific features of each amp). All amps in the XL series offer switchable Lead and Clean channels, with the 20XL, 40XL and 80XL providing a third Solo channel. Hard, heavy, and tough as nails . . . the new CUBE XL series will breathe fire into your music! Features: 40-watt guitar amp with 10" high-performance speaker Three footswitchable channels, including JC Clean, Lead, and Solo with memory capability 10 COSM amp models, including the new Extreme amp Eight effects, including the new Heavy Octave and COSM vintage Spring Reverb 80-second Phrase Looper built in Power Squeezer for full gain at low volume Hands-free channel switching via footswitch (sold separately) Rated Power Output 40 W Nominal Input Level INPUT: -10 dBu/1 M?, AUX IN: -10 dBu Speaker 25 cm (10 inches) Controls POWER Switch, CH SELECT Switch, TUNER Switch, POWER SQUEEZER Switch, [JC CLEAN Channel] VOLUME Knob [LEAD Channel] TYPE Switch (ACOUSTIC SIM, BLACK PANEL, BRIT COMBO, TWEED, CLASSIC STACK, METAL STACK, R-FIER STACK, EXTREME, DYNA AMP), GAIN Knob, VOLUME Knob [SOLO] ON/OFF, MEMORY Switch, VOLUME Knob, [EQUALIZER] BASS Knob, MIDDLE Knob, TREBLE Knob [EFX] EFX Knob (CHORUS, FLANGER, PHASER, TREMOLO, HEAVY OCTAVE) [DELAY/LOOPER] REC/PLAY/DUB Switch, TAP/STOP Switch, DELAY/LOOPER Knob (DELAY, LOOPER) [REVERB] REVERB Knob (SPRING, PLATE) Indicators JC CLEAN Channel, LEAD Channel, TUNER, SOLO, EFX, DELAY/LOOPER, REC/PLAY/DUB, REVERB, POWER SQUEEZER Connectors INPUT Jack (1/4-inch phone type), AUX IN Jack (Stereo miniature phone type), RECORDING OUT/PHONES Jack (Stereo 1/4- inch phone type), FOOT SW Jack (TIP: CH SELECT, RING:SOLO) (1/4-inch TRS phone type), FOOT SW Jack (TIP:EFX, RING: REVERB) (1/4-inch TRS phone type), FOOT SW Jack (TIP:DELAY/REC/PLAY/DUB, RING: TAP/STOP) (1/4-inch TRS phone type) Power Consumption 43 W Dimensions 385 (W) x 265 (D) x 385 (H) mm / 15-3/16 (W) x 10-7/16 (D) x 15-3/16 (H) inches Weight 10 kg / 22 lbs 1 oz Accessory Owner’s Manual Options Foot Switch (BOSS FS-5L, FS-5U, FS-6) |
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Roland CUBE-80XL – 1×12 80-Watt Combo Guitar Amplifier $379 With over one million CUBE amps sold and going strong, Roland continues to push the envelope with innovative amp technology and design. Today, the top-selling CUBE amp family gets another shot of adrenaline with the new CUBE-XL series, comprising four screamin’ amps: the 15XL, 20XL, 40XL, and 80XL. The CUBE-XL amps turn up the heat with new, ultra-heavy COSM amp models, hard-rockin’ effects, onboard phrase looping, and more. From crystal clean to crushing metal, the XL line provides a mouth-watering menu of COSM amps and effects, including the massive Extreme, Heavy Octave, and Metal Zone, plus the legendary JC-120, Acoustic Guitar Simulator, vintage Spring Reverb, and more (see below for the specific features of each amp). All amps in the XL series offer switchable Lead and Clean channels, with the 20XL, 40XL and 80XL providing a third Solo channel. Hard, heavy, and tough as nails . . . the new CUBE XL series will breathe fire into your music! Features: 80-watt guitar amp with 12" high-performance speaker Three footswitchable channels, including JC Clean, Lead, and Solo with memory capability 11 COSM amp models, including the new Extreme amp Eight effects, including the new Heavy Octave and COSM vintage Spring Reverb 80-second Phrase Looper built in Three-band EQ plus Presence control for fine-tuning your sound Hands-free channel switching via footswitch (sold separately) Rated Power Output 80 W Nominal Input Level INPUT: -10 dBu/1 M?, AUX IN: -10 dBu Speaker 30 cm (12 inches) Controls POWER Switch, CH SELECT Switch, TUNER Switch [JC CLEAN Channel] BRIGHT Switch, VOLUME Knob [LEAD Channel] TYPE Switch (ACOUSTIC SIM, BLACK PANEL, DLX COMBO, BRIT COMBO, TWEED, CLASSIC STACK, METAL STACK, R-FIER STACK, EXTREME, DYNA AMP) GAIN Knob, VOLUME Knob [SOLO] ON/OFF, MEMORY Switch, VOLUME Knob [EQUALIZER] BASS Knob, MIDDLE Knob, TREBLE Knob [PRESENCE] PRESENCE Knob [EFX] EFX Knob (CHORUS, FLANGER, PHASER, TREMOLO, HEAVY OCTAVE) [DELAY/LOOPER] REC/PLAY/DUB Switch, TAP/STOP Switch, DELAY/LOOPER Knob (DELAY, LOOPER) [REVERB] REVERB Knob (SPRING, PLATE) [FOOT SW] FOOT SW TYPE Switch (FS-5L, FS-5U) Indicators JC CLEAN Channel, LEAD Channel, TUNER, SOLO, EFX, DELAY/LOOPER, REC/PLAY/DUB, REVERB Connectors INPUT Jack (1/4-inch phone type), AUX IN Jack (Stereo miniature phone type), LINE OUT Jack (1/4-inch phone type), RECORDING OUT/PHONES Jack (Stereo 1/4- inch phone type), EXT SPEAKER Jack (1/4-inch phone type)*, FOOT SW Jack (TIP: CH SELECT, RING:SOLO) (1/4-inch TRS phone type), FOOT SW Jack (TIP:EFX, RING:REVERB) (1/4-inch TRS phone type), FOOT SW Jack (TIP:DELAY/REC/PLAY/DUB, RING:TAP/STOP) (1/4-inch TRS phone type) *When connecting to an external speaker, make sure the speaker conforms to the following specifications. Impedance: 8 ? or less, Allowable power input: 80 watts or greater Power Consumption 75 W Dimensions 440 (W) x 265 (D) x 440 (H) mm / 17-3/8 (W) x 10-7/16 (D) x 17-3/8 (H) inches Weight 16 kg / 35 lbs 5 oz Accessory Owner’s Manual Options Foot Switch (BOSS FS-5L, FS-5U, FS-6) |
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AKAI Production Monitors with USB Audio Interface RPM3 $72.88 Akai RPM3 monitors provide full-range Frequency response to ensure Audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere.-Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and Record audio to a Computer through the included USB cable. No special Drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, Microphone preamplifier, Guitar effects Processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media. -Features:-USB monitors and audio interface-2×2 USB audio interface allows simultaneous Recording and monitoring of computer audio-Magnetically shielded to prevent interference when placed close to computer monitors-Record and monitor audio using either 1/8″, 1/4″ TRS or RCA Stereo inputs-Lightweight, portable size perfect for desks, project studios and mobile-recording rigs-Volume control, power-switch and 1/8″ Headphone jack located on front panel for quick access |
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ART CleanBOX II Passive Hum Eliminator $55 One of the most frustrating problems in a complex audio system is the dreaded ground or 60-cycle hum. Typically, these loops are created when one or more units are connected together, each with its own ground plane. This creates what are commonly called "ground loops" which can act like antennae, picking up a 60 Hz (or higher harmonics) hum transmitted by electrical wiring, lighting dimmers, transformers and other components and adding that ‘noise’ to the audio signal path. The safest way to eliminate unwanted noise created by ground loops is with the CleanBOX II.The CleanBOX II easily removes ground loops without any signal degradation by isolating grounds between components, for example, breaking the ‘loop’ between a synthesizer and a mixer, a sub mixer and the front-of-house console or between rack effect units and a guitar amps’ Fx send and return.Features: The power ground of a synthesizer, connected to the signal ground of the synth, into a mixer’s ground, then into a mixer’s power ground. The signal ground of a send effect (reverb, delay) into a mixer, and the connecting power grounds of the mixer and the unit. The power ground of a guitar amplifier, connected to a signal processor which has a second guitar amplifier on the other channel, and then the second guitar amp’s power ground. The CleanBOX II easily removes ground loops without any signal degradation. Specifications: Frequency Response: 10Hz ? 50kHz, +/- .5dB @ +4dBu THD: .01% Typical @ 1kHz, +18dBu, <.05% @ 100Hz, +24dBu Insertion Loss: .4dB @ 100kOhm Load, 5.5dB @ 600Ohm Load Connections: 1/4-inch TRS balanced/unbalanced jacks Dimensions: 1.7 H x 4.7 W x 3.0 D (in) / 43 H x 119 W x 76 D (mm) Weight: .75 lbs / .34 kg |
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ART Tube MP Project Series Single Channel Tube Preamplifier System $69 The ultra low noise Project Series TubeMP microphone preamp can easily handle a wide range of input sources with a minimum of coloration. Small and compact for transport, the Project Series TubeMP is a fully featured professional quality tube microphone preamp. The stackable extruded aluminum case has been designed to ensure easy integration into any desktop studio environment. The ultra clean low noise 48 Volt phantom power supply is current limited to prevent damage to sensitive microphones. An input impedance switch allows the XLR balanced microphone in to be impedance matched to the microphone source ensuring maximum performance from any condenser, dynamic or ribbon microphone. A Phase Invert switch allows signal polarity to be properly set right at the source. The high impedance 1/4-inch instrument input is optimized for guitar pickups, allowing every nuance to be heard. A FET Limiter with fast attack and musical release times limits the maximum audio output level to prevent overloading other equipment in the signal path.Features: Extremely Low Noise Discrete Front End Up to 70dB of Clean, "Musical" Gain High Output Signal Drive Capability Fast FET Limiter to Prevent Overload Switch Selectable Input Impedance Precision LED Metering Built-in Low Noise Phantom Power Supply Compact, Stackable all Aluminum Chassis XLR and 1/4-inch Inputs and Outputs Phase Invert Switch High Cut Filter Switch Variable Input and Output Level Controls Additional TubeMP USB Features USB 1.1 Compliant Output Windows 98SE/ME/2000/XP/Vista Compatible Compatible with Mac OS 9.1 and newer Specifications: Input Connections: XLR-F (balanced) 1/4-inch TRS unbalanced Output Connection: XLR-M balanced, (<300 Ohm) 1/4-inch TRS unbalanced (600 Ohm) Frequency Response: 10Hz ? 40kHz, +/-1 dB (typical) Dynamic Range: >100dB (20Hz to 20kHz) Tube Type: Hand Selected 12AX7A (x1) THD: <0.05% (typical) CMRR: >60dB (typical) EIN: <-130dB (XLR to XLR A-weighted) Maximum Input Level: +17dBu (1/4-inch), +16dBu (XLR) Maximum Output Level: +20dBu (1/4-inch), +26dBu (XLR) USB Connection USB 1.1 Compliant (TubeMP USB Only) Maximum Gain: 70dB (XLR – XLR), +50dB (1/4-inch- XLR) Input Gain Pad: Switchable, 20dB XLR Input Impedance: Switchable, 4.7k Ohms / 600 Ohms Low Cut Filter: Switchable, -3dB @ 40Hz Output Phase: Switchable, Normal/Invert Output Limiter Type: Switchable, Fast & Musical FET limiter, >20dB limit range Phantom Power: Switchable, +48V DC, filtered, current limited Signal Metering: Precise LED array with a fast attack and moderate release Chassis Type: Aluminum Anodized with integral/stackable rubber sides Power Requirements: 10Volts AC @ 700ma (typical) Dimensions: DxWxH (in) 1.75 x 5.9 x 6.5 Dimensions: DxWxH (mm) 44.5 x 150 x 165 Weight: 2.5 lbs. (1.14 kg) |
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ART Tube MP with USB Project Series Single Channel Tube Preamplifier System $99 The Project Series TubeMP / USB tube microphone preamp is the perfect audio input to any USB equipped Mac or PC based recording system. The ultra low noise discrete microphone preamp front end has an extremely flat and wide frequency response and can easily handle a wide range of input signal levels with a minimum of coloration. The fully adjustable input gain allows as little ‘tube warmth’ or as much ‘tube drive’ as required for any audio source, making the ART Project Series TubeMP USB the ideal source for any digital recording application. Fully Featured Low Noise Tube Preamp Small and compact for transport, the TubeMP USB is a fully featured professional quality microphone preamp. The extruded aluminum case has been designed to ensure easy integration into any desktop studio environment. The ultra clean low noise 48 Volt phantom power supply is current limited to prevent damage to any sensitive microphone source. An input impedance switch allows the XLR balanced microphone to be impedance matched to the microphone source, ensuring maximum performance from any condenser, dynamic or ribbon microphone. A Phase Invert switch allows signal polarity to be properly set right at the source. A selectable high-pass filter removes very low frequency rumble and wind noise before it has a chance to overload the input, and a Bessel filter design is set at an extremely low 40Hz to preserve bass tonality and time domain response – An essential feature when tracking or interfacing to a computer based audio workstation. The high impedance 1/4-inch instrument inputs are optimized for guitar pickups allowing every nuance to be heard. No More Nasty Clipping A FET Limiter with fast attack and musical release times limits the maximum audio output level to prevent overloading anything following the TubeMP in the signal path, while still maintaining a clear uncompressed sound. This allows you to maximize the dynamic range of your signal before converting to the digital domain, or sending the TubeMP USB?s line level output to any analog source. USB Compliant & Convenient The ART USB TubeMP is fully USB 1.1 compliant, operating under Windows 98SE, XP or newer OS, and will work with any Mac running OS 9.1, OS-X or later. Like all USB equipment, the TubeMP Project Series pre amp can be safely hot swapped while running, and will work with any of the current popular audio programs in the market. Features: Extremely Low Noise Discrete Front End Up to 70dB of Clean, "Musical" Gain High Output Signal Drive Capability Fast FET Limiter to Prevent Overload Switch Selectable Input Impedance Precision LED Metering Built-in Low Noise Phantom Power Supply Compact, Stackable all Aluminum Chassis XLR and 1/4-inch Inputs and Outputs Phase Invert Switch High Cut Filter Switch Variable Input and Output Level Controls Additional TubeMP USB Features USB 1.1 Compliant Output Windows 98SE/ME/2000/XP/Vista Compatible Compatible with Mac OS 9.1 and newer Specifications: Input Connections: XLR-F (balanced) 1/4-inch TRS unbalanced Output Connection: XLR-M balanced, (<300 Ohm) 1/4-inch TRS unbalanced (600 Ohm) Frequency Response: 10Hz ? 40kHz, +/-1 dB (typical) Dynamic Range: >100dB (20Hz to 20kHz) Tube Type: Hand Selected 12AX7A (x1) THD: <0.05% (typical) CMRR: >60dB (typical) EIN: <-130dB (XLR to XLR A-weighted) Maximum Input Level: +17dBu (1/4-inch), +16dBu (XLR) Maximum Output Level: +20dBu (1/4-inch), +26dBu (XLR) USB Connection USB 1.1 Compliant (TubeMP USB Only) Maximum Gain: 70dB (XLR – XLR), +50dB (1/4-inch- XLR) Input Gain Pad: Switchable, 20dB XLR Input Impedance: Switchable, 4.7k Ohms / 600 Ohms Low Cut Filter: Switchable, -3dB @ 40Hz Output Phase: Switchable, Normal/Invert Output Limiter Type: Switchable, Fast & Musical FET limiter, >20dB limit range Phantom Power: Switchable, +48V DC, filtered, current limited Signa |
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Akai EIE Electromusic Interface expander $199 One convenient box to connect all your music gear. The EIE I/O is a tabletop USB audio interface perfectly tailored for your project and portable studio setups. This four-in, four-out (4×4) device enables you on Mac and PC-based systems to record up to 24-bit resolution into virtually any DAW, recording or performance software. The EIE I/O also houses three convenient USB inputs, in addition to its main USB port, enabling you to connect controllers, hard drives or any other peripheral when native ports on a computer may be limited. The compact recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution. Each channel of the EIE I/O has a XLR-?? combo jack, dedicated sturdy, gain-pots and Mic/Line/Guitar switches. The EIE I/O features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual ?? Nickel-plated jacks found on the back of EIE I/O provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four ?? balanced outputs, which are also Nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE I/O has a 1/4? TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully. The EIE I/O sends and receives four audio channels on a single USB cable for simple, universal interface to a computer. The three additional USB ports allow EIE I/O to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. The USB interface is class compliant for plug-and-play operation with Mac OS X and Windows XP, Vista and 7. The EIE I/O features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments. |
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Akai EIE Pro 24-Bit Electromusic Interface Expander $249 “The EIE Pro is a tabletop USB 2.0 audio interface perfectly tailored for your project and portable studio setups. This four-in, four-out (4×4) device features low latency ASIO drivers and enables you to record up to 24-bit resolution and sample rates of 44.1 kHz/48 kHz/88.2 kHz/96 kHz into virtually any DAW, recording or performance software on Mac and PC-based systems. The EIE Pro also houses three convenient USB inputs, in addition to its main USB 2.0 port, enabling you to connect controllers, hard drives or any other peripheral when native ports on a computer may be limited. The compact recording interface contains high-quality components including nickel-plated input jacks, analog-style VU meters and a rugged aluminum casing for a powerful, professional, portable audio solution. Each channel of the EIE Pro has a XLR-¼” combo jack, dedicated sturdy, gain-pots and Mic/Line/Guitar switches. The EIE Pro features four discrete-design preamplifiers with 48V phantom power for use with virtually any microphone. Individual ¼” Nickel-plated jacks found on the back of EIE Pro provide you with channel inserts for processing audio signals externally. You can monitor sessions on multiple sets of studio monitors using the four ¼” balanced outputs, which are also Nickel-plated. Both pairs of outputs can be monitored visually with the high-quality, analog VU meters providing classic features with modern style. For remote tracking and alternative playback, the EIE Pro has a 1/4” TRS headphone output. High quality analog-to-digital and digital-to-analog converters ensure that every detail of your session or performance gets captured and played back faithfully. The EIE Pro sends and receives four audio channels on a single USB cable for simple, universal interface to a computer. The three additional USB ports allow the EIE Pro to function as a hub as well, bridging other MIDI controllers and hard-drives to the computer. The EIE Pro features traditional MIDI In and Out jacks for playing and controlling software with keyboard and pad controllers, workstations, and other MIDI-compatible instruments.Features: USB audio interface with up to 24-bit recording resolution supporting all standard sample rates (44.1kHz/48kHz/88.2kHz/96kHz) Four XLR-1/4″” combo jacks with phantom power and gain control Four nickel-plated 1/4″” outputs Two classic, high-quality VU level meters with switchable sources and RED peak LEDS Three additional USB ports for connecting other devices through to a computer 5 Pin DIN MIDI Interface Headphone output with switchable source and direct monitoring dial Table-top, solid construction with a great-looking, classic design Includes: EIE Pro Power adaptor USB Cable Quick start guide” |
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Akai RPM3 Production Monitors $199 RPM3 monitors provide full-range frequency response to ensure audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere.Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and record audio to a computer through the included USB cable. No special drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, microphone preamplifier, guitar effects processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media.The RPM3 monitors provide a host of options to accommodate audio recording directly into a computer including a stereo _Ú_” jack, a pair of balanced _” TRS inputs and stereo RCA inputs. Volume control, power-switch and _Ú_” headphone jack are also located on the front panel for quick access and easy adjustment.If you need quality monitors and audio recording that won’t dominate your desktop, grab a pair of RPM3 monitors and start recording. |
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Akai RPM3 Studio Production Monitors with USB Audio Interface $99 RPM3 monitors provide full-range frequency response to ensure audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere. Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and record audio to a computer through the included USB cable. No special drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, microphone preamplifier, guitar effects processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media. The RPM3 monitors provide a host of options to accommodate audio recording directly into a computer including a stereo ¹??" jack, a pair of balanced ¼" TRS inputs and stereo RCA inputs. Volume control, power-switch and ¹??" headphone jack are also located on the front panel for quick access and easy adjustment. If you need quality monitors and audio recording that won’t dominate your desktop, grab a pair of RPM3 monitors and start recording.Features: USB monitors and audio interface 2×2 USB audio interface allows simultaneous recording and monitoring of computer audio Magnetically shielded to prevent interference when placed close to computer monitors Record and monitor audio using either 1/8", 1/4" TRS or RCA stereo inputs Lightweight, portable size perfect for desks, project studios and mobile-recording rigs Volume control, power-switch and 1/8" headphone jack located on front panel for quick access |
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Alesis M1 Active 320 USB Speakers $99 Alesis delivers pro-grade USB speaker performance to the Computer desktop. M1 Active 320 USB speakers enable you to play Audio from your computer and Record audio coming into the speaker to your computer. Simply plug in the USB cable to your computer; no special Drivers required. M1 Active 320USB speakers are not only substantial audio monitors, but also serve as a convenient audio interface. Keyboards, MIC pre?s, Guitar effects, DJ Mixers, or standard CD and tape players can all easily connect directly to the M1Active 320 USB. Record them directly into your computer. Full range, superb Sound quality insures that you get more accurate audio reproduction to check your mixes. A Bass Boost Switch helps emphasize bass frequencies; great for various room situations where you want to hear more bass emphasis. -USB 1.1 audio interface-16-Bit / 44.1-48 KHz Recording and playback-Pro-grade 1/4″ plugs and standard RCA jacks-TRS Headphone output-Two ?” phone jacks inputs-Stereo 1/8″ TRS mini-jack input-Stereo RCA inputs-1/8″ TS output to passive speaker-Switchable power supply-Magnetically shielded for placement near TV and computer monitors-Woofer: 3″ lightweight, magnetically shielded-Tweeter: 1″ silk dome-Frequency Response: 80 Hz – 20 kHz-Power: 10W per Channel RMS-Signal-to-Noise Ratio: 88dB weighted-Digital Conversion: 16 bit delta sigma, 44.1kHz or 48kHz sampling rate |
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Alesis SR18 Portable Drum Machine with Effects $259 Alesis knows drums. Our SR16 has dominated the drum machine market since 1990 and continues to be in demand today. The next-generation SR18 is loaded with cutting-edge drumsets, electronic drums, one-shot hits, and modern percussion sounds for any cutting-edge musician’s performances and compositions. From hip-hop to country and everything in between, SR18 nails it on the first take. SR18 has an effects engine with Alesis reverb, EQ, and compression so you can output recording or performance-ready sounds.Alesis’ exclusive Dynamic Articulation? technology modifies sample sounds so they change as you play them. This results in sounds that respond accurately not only to dynamic changes, but also with the appropriate timbral and color changes you’d expect from their acoustic counterparts. You can plug in an instrument, such as a guitar, and play along for setup simplicity. You can play in bass parts using the pads on SR18 or connect a MIDI keyboard for fast, musical low end. SR18 can be powered by AC or batteries, so whenever or wherever you need to lay down a groove, you’re ready to roll. It’s time for you to step up to the next Alesis drum machine. Features: Large, 32MB sound set with percussion bank and bass synth Over 500 drum and percussion sounds and 50 bass sounds Built-in Alesis effects: reverbs, EQs, and compression Pattern Play Mode enables different patterns to be triggered from the pads directly Programmable Drum Roll function Mute/Solo Function: mute drums, bass, and percussion or individual pads Flexible wall (adapter included) and battery powering (six AA, not included) Backlit LCD 100 preset patterns, 100 user locations 12 velocity sensitive pads Tap tempo for instant beats exactly as you want them Specifications: Sound set: 32MB, multi-sampled Polyphony: 32 voices Inputs: 1/4" instrument (guitar) Outputs: 1/4" stereo pair, 1/4" TRS, 1/4" TRS stereo headphone MIDI: in, out/thru Footswitch: two inputs – start/stop, count/A/B/fill Includes: SR18 drum machine, AC adapter, Quick start guide |
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Alesis iO Dock Pro Audio Dock for iPad and iPad 2 $148.95 The world s 1st pro audio dock for iPad connect microphones and instruments; including guitar studio monitors PA speakers headphones and MIDI controllers. Musicians can perform craft create and play back music in virtually any conceivable manner or location. Universal device works with virtually every audio and MIDI app in the App Store; Core MIDI compliant. Video output for connection to TVs and projectors. Inputs: 2 x XLR-1/4 for use with audio gear instruments and computer audio. Input channel gain controls and switchable phantom power for use with condenser microphones. Guitar-direct switch for use with amplifier and effects modeling app. Outputs: 2 x 1/4 main 1/4 TRS headphone with separate volume controls and RCA composite (requires compatible apps). Control: MIDI-in MIDI-out USB MIDI and assignable 1/4 foot switch input (function assigned by apps). Encases iPad screen in a protective bezel on 3 of its 4 edges; shielding from potential damage while traveling. Compatible with 1st generation (1G) and 2nd generation (2G) iPad. Includes power supply |
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Alesis iO Dock Pro Audio Dock for iPad and iPad 2 $179.99 The iO Dock is the first device that enables anyone with an iPad to create, produce, and perform Music with virtually any pro Audio gear or instruments. The iO Dock is a universal Docking station specifically designed for the iPad, and it gives musicians, Recording engineers, and music producers the Connectivity they need to create and perform with iPad. Connect all your pro audio gear to virtually any APP approved by Apple for the iPad.-Features: -Connect microphones and instruments including guitar, studio monitors, PA speakers, headphones, and MIDI controllers-Universal device works with virtually every audio and MIDI app approved by Apple for the iPad; Core MIDI compliant-Perform, craft, create and play back music in virtually any conceivable manner or location-Video Output for connection to TVs and projectors-Inputs: two combo XLR-1/4″ for use with audio gear, instruments, and Computer audio-Input Channel gain controls and switchable phantom power for use with condenser microphones-Guitar-direct switch for use with amplifier- and effects-modeling app-Outputs: pair 1/4″ and 1/4″ headphone with separate volume controls-Control: MIDI In, MIDI Out, USB MIDI, and assignable 1/4-inch footswitch input -Includes: StudioDock docking station for iPad, power supply, quick start guide-Specifications: -Auido Inputs: 2x XLR-1/4″; individual gain controls; phantom power, switchable; guitar (high-impedance) switch on Input 2-Audio Outputs: 2x 1/4″ Main; 1/4″ TRS Headphone; individual level controls-Video Output: RCA Composite (requires compatible apps)-Control I/O: MIDI In (DIN); MIDI Out (DIN); USB MIDI (Host); 1/4″ Footswitch (function assigned by apps)-Works with iPad and iPad2 models |
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Alesis iO4 Four-Channel 24-Bit Recording Interface $199 Features – : Four-channel computer audio-recording interface : Record up to 24-bit, 48 kHz audio into virtually any software : Monitor sessions with balanced studio monitor and headphone outputs : High-quality A/D and D/A converters, discrete-design preamps, 48V phantom power : Inputs for microphones, line-level sources, and instruments including guitars : Tricolor stereo level meter and lighted status indicators for visual monitoring : MIDI Input and Output jacks for playing and controlling software with instruments : Includes – : iO4 interface : USB cable : AC Adaptor : Software CD : Specifications – : Inputs – 4x XLR and 1/4, mic/line/guitar level, switchable phantom power, discrete-design preamplifiers : Outputs – 2x 1/4 Main, 1/4 TRS Headphone : USB – 4 In, 4 Out (max) : Resolution – 24-bit, 48 kHz (max) : Metering – Tricolor stereo LED tree : Control – MIDI In, MIDI Out, USB |
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Alesis iO4 Four-Channel 24-Bit Recording Interface $122.88 Features: -Four-channel Computer audio-recording interface-Record up to 24-bit, 48 KHz audio into virtually any software-Monitor sessions with balanced studio monitor and Headphone outputs-High-quality A/D and D/A converters, discrete-design preamps, 48V phantom power-Inputs for microphones, line-level sources, and instruments including guitars-Tricolor Stereo level meter and lighted status indicators for visual monitoring-MIDI Input and Output jacks for playing and controlling software with instruments-Includes: -iO4 interface-USB cable-AC Adaptor-Software CD-Specifications: -Inputs: 4x XLR and 1/4″, mic/line/guitar level, switchable phantom power, discrete-design preamplifiers-Outputs: 2x 1/4″ Main, 1/4″ TRS Headphone-USB: 4 In, 4 Out (max)-Resolution: 24-bit, 48 kHz (max)-Metering: Tricolor stereo LED tree-Control: MIDI In, MIDI Out, USB |
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Apex AFS2 Dual On/Off Footswitch $15.99 Dual On/Off footswitch w/LED’s – metal box – detachable 10.25" TRS cable |
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Apex AFS2 Dual On/Off Footswitch $15.99 Dual On/Off footswitch w/LED’s – metal box – detachable 10.25 TRS cable |
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Apex AFS3 Triple On/Off Footswitch $23.99 Triple On/Off footswitch w/LED’s – metal box – detachable 10′ 1/4 and 1/4 TRS cables |
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Apex AFS3 Triple On/Off Footswitch $23.99 Triple On/Off footswitch w/LED’s – metal box – detachable 10′ 1/4" and 1/4" TRS cables |
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BBE Acoustimax Sonic Maximizer/Preamp Pedal $199.99 3-band recording-console-quality EQ with sweepable mid and low frequency notch filter. Phase reversal, ground lift, line level out, dedicated tuner out, TRS effects loop, and even a pre/post switchable DI output with pad make this a true studio-quality device that shines onstage. Hardwire bypass, non-slip rubber bottom, included 12V power supply.BBE Acoustimax Sonic Maximizer/Preamp Pedal Features: 3-band EQ with sweepable mid LF notch filter Phase reversal Ground lift Line level out Dedicated tuner out TRS effects loop Pre/post switchable DI output with pad Hardwire bypass Non-slip rubber bottom 12V power supply |
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BBE Acoustimax Sonic Maximizer/Preamp Pedal $199 3-band recording-console-quality EQ with sweepable mid and low frequency notch filter. Phase reversal, ground lift, line level out, dedicated tuner out, TRS effects loop, and even a pre/post switchable DI output with pad make this a true studio-quality device that shines onstage. Hardwire bypass, non-slip rubber bottom, included 12V power supply. |
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BBE BMAX Bass Guitar Preamp w/ Sonic Maximizer $299.99 Bassists seeking a premium electric bass preamplifier The BMAX is a high quality bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. More Infomation On This Product Quality bass preamp with affordability and excellent sound.Features a solid state class A/B front-end, the input of which emulates the loading effect that the input of "classic-design" tube preamp, with a pure and clean electronically-balanced DI output. The BMAX is a high quality bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. The BMAX has the warmth and dynamic range usually found in all-tube designs and delivers the punch and clarity of the best tube preamplifiers.At the heart of the BMAX is a class A/B front-end, the input of which emulates the loading effect that the input of classic-design tube preamp would present to the bass pickups, and one of the key aspects in the warmth and punch of tube preamps. The DI section is pure and clean with electronically-balanced output. 1% metal film resistors, military-spec PC board and custom-made toroidal power transformer complete the no-compromise design of the BMAX. While no expense was spared in the engineering and internal componentry, the packaging of the BMAX received the utmost attention to detail. From the 1/4" thick extruded front panel to thoughfully designed ergonomics to the red-abalone-topped knobs, the fit and finish of the BMAX exudes quality craftsmanship. Applications: The BMAX is perfect anywhere an extremely high-quality, pristine preamplifier is required for the bass guitar In the recording studio where a bass amplifier is impractical due to space or loudness considerations In performance applications, where players will find the BMAX ergonomics intuitive and easy to use The BMAX EQ and Dynamic controls, combined with the patented Sonic Maximizer processor, afford a wide palette of tonal choices Features: Full Function 4th Generation BBE Sonic Maximizer processor Solid-state, Class A/B front-end with interactive 3 band EQ and interactive "bright" switch Electronically balanced DI output Custom torroidial transformer Inputs for both passive pickup and active pickup instruments 1meg ohm input impedance Ground lift switch Balanced XLR and 1/4 inch TRS Outputs Military-spec circuit boards Extra thick, extra wide circuit board traces for unequaled electron flow 1% metal film resistors throughout Solid 1/4 inch thick aluminum extrusion front panel for extreme ruggedness 5 year warranty |
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BBE BMAX-T Tube Bass Guitar Preamp w/ Sonic Maximizer $599.99 This amp is the best choice for a bassist looking for quality sound in the studio. The BMAX-T is a high quality tube bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. Features a class A, DC regulated tube preamp section with hand-picked Groove Tubes 12AX7 tube, and Jensen transformer-balanced DI output. More Infomation On This Product The best in bass preamps for quality and toneThe BMAX-T is a high quality tube bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. At the heart of the BMAX-T is a class A, DC regulated tube preamp section which follows in the tradition of the classic tube preamp designs of the 50′s and 60′s.The BMAX-T features a high voltage (300V) tube front end with hand-picked Groove Tubes 12AX7 tube, providing all of the pre-amp gain and passive interactive tone control. The high-end DI section is transformer-balanced with a genuine Jensen transformer for the ultimate in warmth and presence. 1% metal film resistors, military-spec PC board and custom-made toroidal power transformer complete the no-compromise design of the BMAX-T. While no expense was spared in the engineering and internal componentry, the packaging of the BMAX-T received the utmost attention to detail. From the 1/4 inch thick extruded front panel to thoughfully designed ergonomics to the red-abalone-topped knobs, the fit and finish of the BMAX-T exudes quality craftsmanship. Applications: The BMAX-T is perfect anywhere an extremely high-quality, pristine preamplifier is required for the bass guitar In the recording studio where a bass amplifier is impractical due to space or loudness considerations In performance applications, where players will find the BMAX-T ergonomics intuitive and easy to use Features: Full Function 4th Generation BBE Sonic Maximizer processor All tube Class A front-end with interactive 3-band EQ and interactive "bright" switch Hand-selected premium quality Groove Tubes 12AX7 Jensen transformer balanced DI output Custom torroidial transformer Inputs for both passive pickup and active pickup instruments 1meg ohm input impedance Ground lift switch Balanced XLR and 1/4 inch TRS Outputs Military-spec circuit boards Extra thick, extra wide circuit board traces for unequaled electron flow 1% metal film resistors throughout Solid 1/4 inch thick aluminum extrusion front panel for extreme ruggedness 5 year warranty |
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BOSS ME-20B Bass Multiple Effects Guitar Pedal $219 Boss Authorized Dealer – N030273YRock out live with amazing effects using the BOSS ME-20B Multiple Effects Guitar Pedal. The ME-20B is a powerful multi-effects unit optimized for live performance. Easy to use and road tough, the ME-20B provides effects like compressor, overdrive, distortion, T-Wah, phaser, flanger, chorus, delay, reverb, defretter, synth, and more.–Performance-based Bass guitar processor-Tough metal chassis with 3 footswitches, 5 realtime control knobs, and expression pedal-EZ Edit for quick Sound creation-Unique effects such as Synth, Octave, Defretter, and more-BASS ENHANCE function for instant presence boost-Realtime operation-Battery or AC powered – Included DC 9 V: Dry battery LR6/R6 (AA) type (alkaline) x 6 or Optional AC Adaptor (PSA series)-AD Conversion: 24-bit + AF method (Adaptive Focus method – improves the signal-to-noise (S/N) ratio of the A/D and D/A converters)-DA Conversion: 24-bit-Sampling Frequency: 44.1 kHz-Patches: 30 (user)-Nominal Input Level: INPUT: -10 dBu, AUX IN: -18 dBu-Input Impedance: INPUT: 1 M ohm, AUX IN: 22 k ohms-Nominal Output Level: -10 dBu-Output Impedance: 2 k ohms-Display: 7 segments, 2 characters LED-Controls: SFX/1 pedal, COMP/2 pedal, DELAY/3 pedal, Expression pedal-INPUT jack (1/4 inch phone type), AUX IN jack (Stereo miniature phone type)-OUTPUT jacks L/MONO, R (1/4 inch phone type), PHONES jack (Stereo 1/4 inch phone type), FOOT SW jack (1/4 inch TRS phone type), AC Adaptor jack-Current Draw: 90 mA Expected battery life under continuous use: Alkaline: 13 hours, Carbon: 3.5 hours (Varies depending on the actual conditions of use)-Options: Footswitch: FS-6, FS-5U, Connection Cable: Roland PCS-31 (Stereo 1/4 inch phone plug – 1/4 inch phone plug x 2)-Width x Depth x Height: 11-5/8″ (294 mm) x 7-1/16″ (179 mm) x 2-1/8″ (54 mm)-Weight: 1.6 kg; 3 lbs. 9 oz. |
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Behringer Ultimate Stereo Sound Enhancement Processor $82.5 * Dramatically improves your sound by adding clarity, dimension & depth * Produces natural brightness through harmonic enhancement & tighter bass w/increased punch through phase compensation * Pro. & home recording studios – brings out the full sound spectrum of your tracks, mixdown & mastering * PA, nightclub & DJ systems – improves the performance of any sound system by adding sparkling high end & super-tight bass without the need for additional speakers or amps * Churches & worship houses – dramatically increases voice intelligibility & your music gains presence * Guitar, bass & keyboard rack – improves articulation & restores cutting power often lost in miking & amplification * Broadcasting & webcasting – adds loudness & live presence even on small car or computer speakers * 5.1 & hi-fi setups – DVDs become stunningly lifelike & the spatial dimension of your sound system increases dramatically * Dedicated Low contour & Process controls per channel for ultimate sound enhancement * Accurate 5-segment LED level meters for optimum performance * Servo-balanced inputs & outputs w/ TRS & gold-plated XLR connectors * High-quality components & exceptionally rugged construction ensure long life * Conceived & designed by BEHRINGER Germany Introducing the Breathtaking SONIC ULTRAMIZER SU9920 from BEHRINGERThe SONIC ULTRAMIZER SU9920 stereo sound enhancement processor gives your music the additional dimension youve been looking for. This processor is the ultimate sound improvement tool for home recording studios, DJ systems, keyboard racks, web-casting plus 5.1 & hi-fi setups. The SU9920 provides increased clarity & punchy bottom end to your sound system. It improves the natural brightness through harmonic enhancement & adds density to the low frequencies through phase compensation. Dedicated Low contour & Process controls for each channel enable fast & easy setup as well as ultimate sound improvement. Fasten your seat belt & take off w/a new sound dimension! |
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Cakewalk FA-66 24-bit/192kHz FireWire Audio Capture $329.99 The FA-66 is a 6-channel portable FireWire Audio Interface designed with the Mobile Recording and performance Professional in mind. The FA-66 offers incredible audio fidelity, stability, and a practical set of Input and Output options. It also offers two XLR/TRS combo inputs with phantom power, plus two RCA inputs, four balanced +4dBu outputs, Optical S/PDIF I/O, a built-in Analog limiter, zero-latency direct monitoring, solid metal construction, and FireWire Bus power, all in a durable compact case.-Features: -Simultaneous 6-input / 6-output performance at 24-bit / 96 KHz -Simultaneous 4-input / 4-output performance at 24-bit / 192 kHz -Two premium XLR/ TRS combo inputs with professional MIC preamps and independent sensitivity control -Hi-Z input for Electric Guitar or Bass recording -Built-in Analog Limiter -S/PDIF Optical I/O with Digital Sync indicator -MIDI I/O -Responsive Low Latency Driver Performance with WDM, ASIO 2.0 and Core Audio support plug and play on Mac OS X with Apple Standard Driver support -Zero-Latency, Direct Monitoring -FireWire Bus Powered, no AC adaptor required, ideal for mobile use -Compact and rugged solid-metal construction-Includes the Production Plus Pack Music creation software-Specifications: -Number of Audio Record/Playback Channels: -Digital Output: 44.1/48/96 kHz -Digital Input: 44.1/48/96 kHz -AD/DA Conversion: 44.1/48/96/192 kHz-Signal Processing: Computer interface: 24-bit, AD/DA Conversion: 24-bit (linear)-Sampling Frequency: -Digital output: 44.1/48/96 kHz, Digital input: 44.1/48/96 kHz, AD/DA Conversion: 44.1/48/96/192 kHz-Frequency Response: -96 kHz: 20 Hz to 40 kHz (+0/-2 dB), 48 kHz: 20 Hz to 22 kHz (+0/-2dB), 44.1 kHz: 20 Hz to 20 kHz (+0/-2dB)-Nominal Input Level: |
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DBX 286s Microphone Preamp – Channel Strip Processor $199.95 The dbx® 286s is a full featured Channel Strip Processor that delivers a studio quality microphone/instrument preamplifier and four processors that can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? The sonically pristine dbx 286s Mic Preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. Use the patented dbx OverEasy® compressor to transparently smooth out uneven acoustic tracks or deliver that classic "in your face" vocal performance that only a dbx compressor can. Eliminate vocal sibilance and high frequency distortion from instruments such as cymbals with the frequency tunable De-Esser. Fine-tune the Enhancer HF Detail control to add sparkle and crispness to your tracks and make adjustments to the LF Detail control to add fullness and depth to vocals and bass instruments while cleaning up the muddy low midrange frequencies. And, the separate threshold and ratio controls on the Expander/Gate allow you to subtly reduce headphone leakage or radically gate noisy guitar amps. The dbx 286s offers a full compliment of metering and status LEDs to visually guide you to achieving the right sound. The floating balanced XLR Mic Input accepts balanced or unbalanced inputs to easily connect to professional and home studio microphones. The additional 1/4" TRS Line Input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mixdown. Use the Insert jack to interface between the Mic Preamp and the signal processing sections to "loop out" to external processors (such as EQ or delay unit) or to mix the Mic Preamp’s signal out to an external destination. The cost and hassle of patching together multiple processors for use on one track can be frustrating. The dbx 286s provides you with all the mic processing you need in one box, with the shortest, cleanest signal path to keep your music sounding its best! Features: Studio quality Mic Preamp/Channel Strip Processor Classic dbx Compression puts great sound within easy reach Frequency tunable De-Esser reduces sibilance and high frequency distortion Enhancer increases the detail and definition of the high and low frequencies Program adaptive Expander/Gate Insert jack allows you to add an external processor Full compliment of meters and status LEDs +48V Phantom Power Precision detented controls |
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DigiTech BP200 Bass Modeling Processor EFX Unit $149.95 Digitech’s BP200 is a full featured bass amp modeling processor with 24Bit A/D/A Converters, 9 Fully Programmable Effects at a Time, 6-Character Alpha Numeric Display and a Headphone Output. It’s fully programmable with 40 User/40 Factory Presets and a Rhythm Trainer (30 patterns). Effects include Compressor, Fretless Simulator, Wah, 3-band EQ, Noise Gate, Auto Swell, Chorus, Flanger, Phaser, Tremolo, Pitch Shift, Detune, Whammy?, YaYa?, AutoYa?, Synth Talk?, Envelope Filter, OctaBass, Rotary Speaker, Analog Delay, Ping Pong Delay and Reverb. Also with Chromatic Tuner, Simple Knob/Matrix Interface, Stereo TRS Output, Jam-A-Long Input and built-in Expression Pedal. |
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DigiTech BP200 Bass Modeling Processor Pedal $149.95 The BP200 is a revolutionary Amp Modeling/Multi-effects processor designed specifically for bass guitar. Under the hood of the BP200 is the powerful AudioDNA DSP processor, providing 16 bass amp and stompbox models and a host of other effects (22 total) for creating your own signature sound. The built-in expression pedal can be assigned to control your choice of parameters in real time. Each effect includes up to 3 adjustable parameters giving you the flexibility to create the exact sound you are looking for. The 6 character alpha-numeric display and 3 knob matrix based user interface provide simple, straight forward editing functions. The Rhythm Trainer is a great tool for polishing up your timing with your choice of different patterns, tempo, and adjustable volume level. A chromatic tuner lets you quickly check or tune your instrument to one of 4 different tuning references. The BP200 comes ready to use with 40 great Factory Presets, and includes 40 User Presets for your own custom creations. The rear panel features a single 1/4 input, a 1/4 TRS stereo output, 1/8 stereo headphone output and a 1/8 stereo Jam-A-Long input. |
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Digitech FS3X Footswitch $49.95 The DigiTech FS3X is a welcomed addition to several DigiTech products; The Jimi Hendrix Experience?, The JamMan® and Expression Factory? to name a few. The FS3X provides increased functionality and convenient Hands-free? control over UP/DOWN selection of Models, Mode changes, Loop selection, auto START/STOPS and arms auto record where applicable. Compact and portable its small foot-print takes very little space on stage or in your gig bag. Durable 3 button metal chassis construction. A ’10 stereo TRS cable is included with each unit. GET THE MOST OUT OF YOUR DIGITECH PRODUCTS WHILE PERFORMING OR PRACTICING. |
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Ernie Ball 25K Stereo Volume Pedal for use with Active Electronics or Keyboards $139.99 The potentiometer has a 25k ohm resistance suitable for the audio path of active instruments or buffered effect returns. Use the A input / A output for the left channel and the B input / B output for the right channel. For use as a mono volume pedal, use the A input and A output. For use with stereo cable installations using TRS type stereo plugs use the B input and B output. Overall Volume Pedal dimensions: 4 W x 11 L x 2 3/4 H. |
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Ernie Ball 25K Stereo Volume Pedal for use with Active Electronics or Keyboards $139.99 The potentiometer has a 25k ohm resistance suitable for the audio path of active instruments or buffered effect returns. Use the A input / A output for the left channel and the B input / B output for the right channel. For use as a mono volume pedal, use the A input and A output. For use with stereo cable installations using TRS type stereo plugs use the B input and B output. Overall Volume Pedal dimensions: 4 W x 11" L x 2 3/4" H. |
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FireWire Solo – FireWire Mobile Audio Interface for Songwriters/Guitarists $249.95 The FireWire Solo is designed from the ground up as an easy-to-use, high-quality interface for songwriters to record guitars, vocals and more on the computer. Compatible with most popular music software, this compact bus-powered unit is small enough to go anywhere you want to take your music. In addition to the 1/4″ guitar input right on the front panel, a professional XLR microphone input also lets you record vocals and acoustic instruments. There are also dual line inputs for effects, drum machines, and other outboard gear. FireWire connectivity, up to 24-bit/96kHz sample rate support, and digital I/O all add up to outstanding sonic performance. As simple to connect and operate as it is powerful, FireWire Solo is the foundation of your computer-based songwriting studio.Features:• 6 x 4 24-bit/96kHz audio interface• Front-panel microphone in (XLR) with phantom power, gain control, clip LED• 2 line inputs (1/4″ unbalanced) on rear panel• Front-panel switch toggles front/rear inputs• 2 line outputs (1/4″ TRS balanced/unbalanced)• S/PDIF digital I/O (coax) with 2-channel PCM• and much more. |
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Focusrite ISA One – Analog Microphone Preamp $499.99 The ‘ISA One’ microphone pre-amplifier delivers Focusrite’s prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. The pre-amp is complemented by a line input (XLR and TRS Jack) and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals. A variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the pre amp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia. Independent input metering for both channels is provided in the form of a moving coil VU meter with variable calibration to suit analogue and digital recording media, alongside two six-LED peak meters; inputs can be metered either pre- or post-insert. The meter calibrations utilise all the same reference points as Digidesign’s Pro Tools HD system, allowing effortless line-up. With processors whose bandwidth is strictly limited to the audible (20Hz to 20kHz) bandwidth alone, significant roll-off can still occur, affecting the higher audible frequencies of the signal. Therefore, in order to capture every subtle nuance, exactly as it occurs whilst avoiding any roll-off, the pre-amp must operate over a far greater bandwidth. The extremely broad frequency response of Focusrite pre-amps – close to 200kHz at the top end – guarantees accurate phase response across the much narrower range of human hearing, the roll-off point being moved entirely outside of the audible hearing range. Features: ISA Series Transformer-based Pre-amplifier Flexible Independent D.I. Channel Switchable Impedance Headphone Output with Volume Control Dedicated Insert Point Optional Stereo 192kHz ADC |
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Korg PX5D Pandora Personal USB Multi-Effects Guitar Processor Bundle With Stereo Headphones & Cables $189.95 The Pandora series for the mobile age! Back in the 1990s, the first Korg Pandora placed its indelible stamp on the pocket multi-effects processor category. Today, Pandora is still king of the category. Today’s highly-evolved Korg PX5D is your personal rehearsal hall, an all-hours amp shop, your own audio recording suite as well as your digital doorway to the modern studio. And best of all, the battery-powered PX5D still fits in your pocket, so your great sound is always with you! Bundle Also Includes Stereo Headphones, Hosa 1/4in Male to 1/4in Male 10ft Molded Cable, Hosa CMP-153 Y Cable 3.5mm Mini Stereo TRS To 2 1/4IN TS 3ft. |
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Lexicon Lambda Personal Recording Studio $119.95 There is no easier way to get into desktop recording! Just add a microphone, computer and musical inspiration. Anywhere you can take your laptop, Lambda lets you record both a vocal track and an accompanying instrument at the same time (or two singers/ two instruments). It has two studio- quality balanced microphone inputs with phantom power for professional condenser microphones and TRS inserts that let you add outboard equipment, such as compressors or equalizers. Two line level inputs are provided for adding keyboards, drum machines, turntables or pre-recorded backing tracks from CD or MP3 players. A separate front-panel high-impedance input is included so you can plug your electric guitar or bass right in. Via the separate headphone jack, you can monitor as you record, listen to a backing or click track while recording or hear tracks played back from your computer. Balanced analog line outputs let you connect to powered monitor speakers or a mastering deck. |
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Line-6 POD 2.0 Guitar Desktop Recording Device $199.99 The industry standard for direct recording in the studio, POD® 2.0 delivers the tones heard on hit records everywhere.NEED TO PRACTICE? The ultimate way to get inspiring, stage-perfected tones with headphones. IN THE STUDIO Become more productive and creative. INSTANTLY GET THE SOUNDS YOU NEED! Classic clean to modern high-gain tones all perfectly dialed in. POD 2.0 allows you to quickly choose amps and effects without the long set up times and expensive equipment. ARE YOU FRUSTRATED TRYING TO RECORD GREAT GUITAR AMP SOUNDS? POD® 2.0 is the answer. You get a wide variety of classic and modern guitar sounds with convenient, easy-to-use effects built right in. Our revolutionary A.I.R.? modeling accurately captures the tone and feel of speaker cabinets, microphones, and studio room characteristics for an amazing recorded sound direct to any recording setup or PA. Sounds like having a great amp mic’d by a great engineer in a great studio! EFFECTS POD® 2.0 comes with a built in set of effects that are tweaked to perfection. This "best of" collection of effects makes searching for the perfect sounds ultra easy. Multiple versions of the effects give you rack or stompbox versions, and the combination effects give you classic setups like Delay and Chorus simultaneously. There’s even a full time Reverb, Tap Tempo for getting your delay’s in time with the band, and an Effect Tweak knob for custom tailoring your effects. Plus, you’ll never be out of tune because you’ll get a Chromatic Tuner with a silent mute function for tuning between songs. INS AND OUTS POD® is equipped to handle today’s guitar recording needs with +4dBu balanced or -10dBV unbalanced 1/4" connectors. MIDI lets you automate every move and our optional FBV? generation foot controllers let you do it all with your feet. POD 2.0 also comes with a high-power headphone output for silent jamming. Input – Plug your guitar in here. Phones – Plug in your headphones here for silent practicing. Left & Right Output – These are balanced 1/4" TRS connectors, and ready to rock with pro +4 dBu balanced equipment. They will also work happily with unbalanced -10 dBV equipment and standard guitar cables. A.I.R.? Mode – If you want to plug POD into a guitar amp as "front end," flip the A.I.R. Mode switch to AMP, and set your amp for a clean tone. This defeats the speaker-microphone-room tone simulation of the A.I.R. processing. If you’re using POD in almost any other setup (plugging direct into a mixer, recorder, PA, power amplifier, etc.) you want the DIRECT position on the A.I.R. switch. Foot Pedal Connector – POD® 2.0 is now compatible with the entire line of current foot controllers including FBV Express? and FBV Shortboard?! MIDI In & Out – Connect POD to your MIDI equipment to select channel memories or automate POD settings. |
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M-Audio Audio Buddy Dual Microphone Preamp for Musicians $119.95 With the proliferation of computer-based Recording systems, musicians and recordists are trying all sorts of make-do solutions for interfacing microphones and guitars with line level PC Sound cards. To the rescue comes Midiman Audio Buddy, the ultra-quiet, phantom powered dual microphone preamp and direct box. It’s the ideal companion for the two most critical, non-line level instruments: microphones and electric guitars Audio Buddy features: 2 independent XLR, fully balanced inputs 2 alternate, independent 1/4″ unbalanced, inputs, high impedance to match typical electric guitars Separate gain controls plus signal and clipping LEDs for each of two preamplifiers Switchable XLR phantom power for both mike preamps Dual purpose independent 1/4-inch outputs, which accept either balanced TRS plugs or unbalanced TS plugs Size: 1.7″H x 5.5″W x 3.3″D Frequency Response: 5Hz > 50kHz +0, -3dB 9V, 300 milliamp AC Adapter included All steel construction; under 1/2 pound |
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Mackie SRM150 Active Speaker (Black) $249.99 The SRM150 combines Mackie’s proven mixer and SRM Active loudspeaker technologies to create a powerful, great-sounding 3-channel PA system that is ultra-compact, versatile and expandable. The Mackie SRM150 Compact Active PA System is ideal for a wide variety of applications ranging from boardroom A/V to live musical performance in coffee houses, piano bars, or rehearsals, just to name a few. Don’t be fooled by the small size. The SRM150 is big on features and sound quality. The built-in three-channel mixer features two combo XLR/line inputs (with true 48V phantom power), a stereo channel for CD/MP3 players, and Mackie’s powerful 3-band Active EQ. The SRM150 can even be mounted on a mic stand, making it the ideal personal monitor. Put simply, with its tremendous feature set and 150-watts of world-class sound, the Mackie SRM150 is the perfect solution for any application requiring superior sound quality. BUILT-IN MACKIE MIXER At the very heart of the SRM150 is a Mackie mixer, with all the versatility and features you’ve come to expect from the manufacturer of the world’s best selling compact mixers. Channels 1 and 2 can be used for mic/line sources, thanks to the handy combo jack, which accepts either 1/4 TRS or XLR connections. True 48V phantom power is supplied, so you can use even the most finicky condenser mics with confidence. Channel 1 also has an added feature. Simply plug in your guitar, bass (or any other Hi-Z instrument), press the CH1 Instrument switch and you get all the benefits of a DI box, without the hassle and added expense. DEDICATED STEREO INPUTS Channel 3 is reserved for stereo devices, such as an MP3, CD or tape player. Just connect to the dual RCA jacks from your device and use the Channel 3 Level control to balance the gain with your other inputs. This is a truly handy feature for performers working with backing tracks, MIDI sequencers or drum machines. GLORIOUS MACKIE 3-BAND EQ We invested tremendous resources optimizing the center fre |
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Native Instruments AUDIO KONTROL 1 USB 2.0 Audio/MIDI Interface $249 The new AUDIO KONTROL 1 is a high-end audio interface offering crystal-clear 192 kHz, 24 bit-quality sound. But it is far more than just a sound card. Freely-assignable buttons and a controller knob, combined with advanced MIDI, high-end Cirrus Logic A/D/A converters, and key command functionality, grant full control of software applications. Setup files for popular programs such as iTunes, Winamp, or Final Cut Pro ensure it’s hassle-free. It has individual gain controls with activity and clip LEDs. 4 – 1/4 TRS outputs with 2 stereo level controls. USB 2.0 bus powered, it includes full versions of TRAKTOR 3 LE, GUITAR COMBOS, and XPRESS KEYBOARDS. Merging innovation and quality, AUDIO KONTROL 1 does so with an ear for practicality. High-quality, portable audio interface with sturdy brushed-aluminium casing24-bit/192kHz conversion qualityHigh-end Cirrus Logic A/D/A converters103dB-A SNRXLR/1/4 TRS Neutrik jack with phantom power supplied)Line/Hi-Z TRS jackIndividual gain controls with acitvity and clip LEDs4 – 1/4 TRS outputs with 2 stereo level controlsHeadphone output with A/B source switching and level control3 freely-assignable buttons and 1 controller knobMIDI and key commands support for audio software control and other media applications such as iTunes, Winamp, or Final Cut ProDirect monitoring with mono switch and mix controlLow-latency ASIO/Core Audio driverUSB 2.0 bus poweredMIDI I/OIncludes full versions of TRAKTOR 3 LE, GUITAR COMBOS, and XPRESS KEYBOARDS |
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Peavey 03597430 Windsor Studio 15W Combo Guitar Amplifier $399 The single-channel Windsor Studio features a footswitchable Boost button, which increases the preamp level to allow the flexibility of a dual-channel amp plus control over the dynamic response and rich Distortion characteristics of its class-A Tube power topology. The Boost function can be used as an overdrive feature for the power section or simply as a volume boost for soloing. This 15-watt amplifier uses two 12AX7 preamp tubes and one EL34 power-amp tube in a single-ended configuration with no negative feedback. The power section is designed to accommodate 6L6GC, 6550, 6CA7, KT88 and KT66 octal power tubes, as well as variations on those types. Peavey’s exclusive new Power Sponge Output attenuator incrementally adjusts the power output of the amplifier while maintaining the distortion characteristics of the power amp at any chosen volume level. Also onboard is a transformer-balanced XLR direct output with a unique Microphone simulator that allows you to send the amplifier signal to a Recording device or front-of-house mix without the use of a microphone. Additional features include true spring reverb, preamp volume, master volume, three-band tone equalization, footswitchable effects loop and a single 12″ loudspeaker. -Class A Power Amp can use various octal power tubes including EL34 (stock), 6L6GC, 6550, 6CA7, KT88, KT66, or any variation on these types -two 12AX7/ECC83 Preamp tubes -15-20W (rms) into 4, 8, or 16 Ohms with “Power Sponge” output power attenuator -No negative feedback in Power Amp -High & Low Gain Inputs -Preamp Volume -Low, Mid, and High EQ -Footswitchable Boost function -Footswitchable Effects Loop -Spring Reverb -Transformer balanced XLR Recording Output w/passive mic simulator -XLR Ground Lift switch -Dual Speaker Outputs -Impedance Selector -1/4″ TRS footswitch jack for Boost and Loop defeat -12″ Blue Marvel Speaker |
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Peavey Open Box 03597430 Windsor Studio 15W Combo Guitar Amplifier $164.9 The single-channel Windsor Studio features a footswitchable Boost button, which increases the preamp level to allow the flexibility of a dual-channel amp plus control over the dynamic response and rich Distortion characteristics of its class-A Tube power topology. The Boost function can be used as an overdrive feature for the power section or simply as a volume boost for soloing. This 15-watt amplifier uses two 12AX7 preamp tubes and one EL34 power-amp tube in a single-ended configuration with no negative feedback. The power section is designed to accommodate 6L6GC, 6550, 6CA7, KT88 and KT66 octal power tubes, as well as variations on those types. Peavey’s exclusive new Power Sponge Output attenuator incrementally adjusts the power output of the amplifier while maintaining the distortion characteristics of the power amp at any chosen volume level. Also onboard is a transformer-balanced XLR direct output with a unique Microphone simulator that allows you to send the amplifier signal to a Recording device or front-of-house mix without the use of a microphone. Additional features include true spring reverb, preamp volume, master volume, three-band tone equalization, footswitchable effects loop and a single 12″ loudspeaker. -Class A Power Amp can use various octal power tubes including EL34 (stock), 6L6GC, 6550, 6CA7, KT88, KT66, or any variation on these types -two 12AX7/ECC83 Preamp tubes -15-20W (rms) into 4, 8, or 16 Ohms with “Power Sponge” output power attenuator -No negative feedback in Power Amp -High & Low Gain Inputs -Preamp Volume -Low, Mid, and High EQ -Footswitchable Boost function -Footswitchable Effects Loop -Spring Reverb -Transformer balanced XLR Recording Output w/passive mic simulator -XLR Ground Lift switch -Dual Speaker Outputs -Impedance Selector -1/4″ TRS footswitch jack for Boost and Loop defeat -12″ Blue Marvel Speaker |
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Peavey Windsor Studio Amplifier $399.99 Windsor Studio The single-channel Windsor Studio features a footswitchable Boost button, which increases the preamp level to allow the flexibility of a dual-channel amp plus control over the dynamic response and rich distortion characteristics of its class-A tube power topology. The Boost function can be used as an overdrive feature for the power section or simply as a volume boost for soloing. This 15-watt amplifier uses two 12AX7 preamp tubes and one EL34 power-amp tube in a single-ended configuration with no negative feedback. The power section is designed to accommodate 6L6GC, 6550, 6CA7, KT88 and KT66 octal power tubes, as well as variations on those types. Peavey’s exclusive new Power Sponge output attenuator incrementally adjusts the power output of the amplifier while maintaining the distortion characteristics of the power amp at any chosen volume level. Also onboard is a transformer-balanced XLR direct output with a unique microphone simulator that allows players to send the amplifier signal to a recording device or front-of-house mix without the use of a microphone. Additional features include true spring reverb, preamp volume, master volume, three-band tone equalization, footswitchable effects loop and a single 12" loudspeaker.Peavey Windsor Studio Amplifier Features: Class A Power Amp can use various octal power tubes including EL34 (stock), 6L6GC, 6550, 6CA7, KT88, KT66, or any variation on these types two 12AX7/ECC83 Preamp tubes 15-20W (rms) into 4, 8, or 16 Ohms with ?Power Sponge" output power attenuator No negative feedback in Power Amp High & Low Gain Inputs Preamp Volume Low, Mid, and High EQ Footswitchable Boost function Footswitchable Effects Loop Spring Reverb Transformer balanced XLR Recording Output w/passive mic simulator XLR Ground Lift switch Dual Speaker Outputs Impedance Selector 1/4" TRS footswitch jack for Boost and Loop defeat 12" Blue Marvel Speaker Weight Packed: 41.30 lb(18.733 kg) Width Packed: 14.12 Depth Packed: 25 Height Packed: 21.37 |
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Pigtronix Echolution Analog Delay Pedal $479 Echolution is the world’s finest delay pedal. A hybrid of analog and digital techonology, Echolution’s etheral tape echo sound can be manipulated by a creative arsenal of features. Virtual tape heads at fractions of the master delay time add up to six delays at once, all synced to a master clock. Echolution drenches your tone in analog goodness with a world class pre-amp driving a pair of proprietary non-linear tape emulation filters, a hi-cut stage and stereo outputs. The echoes are further massaged by chorus (pitch modulation) and tremolo (amplitude modulation) circuits with independant depth controls and a shared LFO. Independent Tap Tempo and Modulation modes allow you to switch between different sounds on the fly, with a maximum delay time of 12 seconds. A newly updated precision tap tempo algorithm matchs the beat with only two stomps and an expression pedal jack allows for external adjustment of delay time in the modualtion mode. The Modulation mode operates over three distinct time ranges, providing easy access to a huge array of delay based effects. The short setting (10ms-120ms) provides stereo chorus, reverb and slapback sounds. The medium setting (100ms-1.2sec) covers classic BBD and tape echo territory with lush modulation and rich dub tone. The long setting (1sec-12sec) allows for epic sound on sound jams, sampling, reverse playback and rhythmic multi-tap patterns. The Multi-Tap toggle switches introduce any combination of five additional echoes at musical fractions of the master delay time. This is like having up to 6 delay pedals in a row! The fractions can be based on quarter notes and triplets or aligned to the Golden Ratio using the PHI switch. The Golden Ratio is a naturally occurring spiral rhythm that is found throughout the universe. It is observed in the shapes of galaxies, sea shells, DNA, the Egyptian Pyramids as well as in the work of many great musicians. Other thoughtful features include a stereo blend control that mixes the pure analog input signal with the echo signal, a Trails switch that allows echoes to fade gradually after the effect is bypassed and an input Drive control, which can push the echoes into massive saturation. True stereo outputs provide breathtaking 3D sound when used with two amps or direct into a mixer. The Echolution contains a Loop feature that freezes the content of the delay line and repeats the captured audio. When the loop function is engaged, all of the modulation and multi-tap functions remain active, allowing you to warp and manipulate the sample beyond all recognition and then back again to its original sonic form. The Echolution can also operate its delay line in Reverse for backward sounds that are truly psychedelic. Reverse and Loop Functions are both switchable via a two button TRS remote switch. Features: Unique analog/digital hybrid architecture Switchable tap tempo and modulation delay Analog LFO modulation for chorus and tremolo Reverse and loop modes with remote switching 6-Part multi tap with (PHI) Golden Ratio switch Trails switch lets echoes fade naturally after bypass Capable of self oscillation without digital clipping Non-linear filters provide analog saturation Pigtronix 15VDC power supply included Circuit design by Howard Davis True Stereo Bypass |
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Pigtronix Synthesizer/Intelligent Ring Modulator Pedal $479 Pigtronix Mothership is an analog synthesizer featuring VCO, Sub-Octave and Intelligent Ring Modulator. Incredibly fast note recognition and enormous analog sound make this unique synthesizer ideal for use with guitar, bass, horns, vocals or any other musical instrument. No special pickup or interface is required. At the heart of the Mothership is a newly designed note detection circuit that achieves high-speed and accurate pitch to voltage translation. The Mothership is a true analog monosynth with a limitless array of tuning options between its voices. This pedal is capable of otherworldly tones that have never before been available in such a compact and easy to use format as well as some new sounds that reach into bizarre and uncharted musical territory. Are you ready to go there? VCO – The main voice of the Pigtronix Mothership is a VCO (voltage controlled oscillator) that outputs either triangle or square waves. The VCO can be tuned anywhere from two octaves above the input signal to two octaves below the input signal and functions over the entire range of both 5 string bass and 6 string electric guitar. An adjustable portamento (glide) effect can be added to produce subtle slides from note to note or outrageous multi-octave glissando maneuvers. An expression pedal jack for Whammy control provides tunable pitch bending up to one octave using a standard TRS 20K Expression pedal. That’s right? ANALOG WHAMMY! Sub-Octave ? The Pigtronix octave down is massive; it will shake your house. The Sub Octave is always locked to the input signal, providing a warm and solid fundamental for whatever harmony you create with the other voices. A dedicated SUB Out jacks allows low frequencies from the Sub Octave and Ring Modulator to be sent to a separate bass amp for maximum booty. Intelligent Ring Modulator ? In designing the Mothership, Pigtronix has created something never before heard by mankind: the pitch tracking ring modulator. Tune this ring modulator to the sound you desire and it will follow every note you play, retaining the exact harmonic intervals between its output and the signal it is tracking. A "ring mod source," switch lets the ring modulator follow either the input signal or the VCO signal, providing an immense array of analog textures and interactive harmony. The glide and whammy functions also apply to the intelligent ring modulator, letting the musician morph one harmony into another and then back again. Features: Triangle or Square wave VCD Pitch tracking ring modulator Fast and accurate tracking variable portamento F.A.T. Sub-Octave Analog Whammy! External Gate Individual voice levels + Master volume Pigtronix 40VDC Power supply included Circuit design by Howard Davis True Bypass |
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PreSonus Firestudio Tube 16×8 Recording System $799 The FireStudio Tube delivers all the Analog I/O needed for Professional Recording sessions, featuring sixteen analog inputs including two tube SuperChannels on the front panel, eight class A award-winning XMAX Microphone preamplifiers and six balanced TRS line inputs on the rear panel. Outputs include six balanced TRS outputs and PreSonus? signature ultra loud and clear Headphone output that ?goes to 11″. MIDI I/O is also included on the rear panel for MIDI instruments, keyboards and controllers. The FireStudio Tube?s combination of microphone, instrument and line inputs is perfect for a band to simultaneously record drums, bass, guitar, vocals and keyboards without any additional preamplifiers.-24-bit/96K FireWire (IEEE 1394)-16 inputs/6 outputs simultaneous record/playback channels-2 SuperChannels (tube microphone/instrument preamplifier with analog limiter)-8 XMAX microphone preamplifiers-2 PreSonus microphone/instrument preamplifiers-6 balanced TRS line outputs- MIDI Input/Output-16×8 FireControl DSP mixer/router-JetPLL Sync for improved imaging and clarity-High performance A/D/A converters (114 dynamic range)-Windows and Macintosh compatible-ProPak Software Suite including Cubase LE 4 Audio production software |
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Presonus FireStudio Tube Audio Interface $699.95 The FireStudio Tube is a world-class 24-bit/96k professional FireWire recording system loaded with the perfect combination of inputs and outputs for bands, producers, musicians and engineers to produce commercial-quality recordings. The FireStudio Tube is bundled with PreSonus Studio One Artist, our groundbreaking music creation program, and over 4 GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately. The front panel of the FireStudio Tube is loaded with two "SuperChannels" featuring class A vacuum tube microphone and instrument preamplifiers along with full-featured analog limiters. The tube preamplifiers use a high gain, military grade 12AX7 tube for maximum gain, low noise and high headroom. Neutrik combo connectors allow both XLR microphone input and hi-Z instrument input. Preamp controls include preamp gain and tube drive to achieve a wide range of sounds from smooth, clean and clear, to warm tube saturation. An 80Hz high pass filter is also located on the front panel to remove room rumble and unwanted lows. The FireStudio Tube’s Limiter features a VCA-based ultra fast Dual Domain RMS and peak detection circuit used in the award-winning DigiMax 96K, delivering the most musical limiter available. The Analog Dual Domain Limiters in the SuperChannel are located after the preamplifier and BEFORE the analog to digital converter in the signal path. This allows you to maintain high resolution recording levels without clipping, allowing you to keep the vocals up front, the kick and snare consistent, and the bass solid and punchy. Controls for the limiter include Threshold and Gain make-up as well as a Limiter in/out button. Fast-acting LED metering on the front panel displays preamp input and limiter gain reduction for the two tube SuperChannels. The FireStudio Tube delivers all the analog I/O needed for professional recording sessions, featuring sixteen analog inputs including two tube SuperChannels on the front panel, eight class A award-winning XMAX microphone preamplifiers and six balanced TRS line inputs on the rear panel. Outputs include six balanced TRS outputs and PreSonus’ signature ultra loud and clear headphone output that "goes to 11". MIDI I/O is also included on the rear panel for MIDI instruments, keyboards and controllers. The FireStudio Tube’s combination of microphone, instrument and line inputs is perfect for a band to simultaneously record drums, bass, guitar, vocals and keyboards without any additional preamplifiers. The FireStudio Tube is bundled with an exceptional software package, featuring PreSonus Studio One Artist, the amazing new DAW software for Mac OS X and Windows XP and Vista that makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds.Presonus FireStudio Tube Features: 24-bit/96K firewire (IEEE 1394) 16 inputs/6 outputs simultaneous record/playback channels 2 SuperChannels (tube microphone/instrument preamplifier with analog limiter) 8 XMAX microphone preamplifiers 2 PreSonus microphone/instrument preamplifiers 6 balanced TRS line outputs MIDI Input/Output 16×8 FireControl DSP mixer/router JetPLL Sync for improved imaging and clarity High performance A/D/A converters (114 dynamic range) Windows and Macintosh compatible Daisy-chain multiple FireStudio Project’s and FireStudio Tube’s (see instructions) PreSonus Studio One Artist Audio Production Software |
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Production Monitors – Akai -RPM3 $73.35 DESCRIPTIONS: RPM3 monitors provide full-range frequency response to ensure audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere.Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and record audio to a computer through the included USB cable. No special drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, microphone preamplifier, guitar effects processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media. The RPM3 monitors provide a host of options to accommodate audio recording directly into a computer including a stereo /8 jack, a pair of balanced TRS inputs and stereo RCA inputs. Volume control, power-switch and /8 headphone jack are also located on the front panel for quick access and easy adjustment. If you need quality monitors and audio recording that won’t dominate your desktop, grab a pair of RPM3 monitors and start recording. Features: USB monitors and audio interface 2×2 USB audio interface allows simultaneous recording and monitoring of computer audioMagnetically shielded to prevent interference when placed close to computer monitorsRecord and monitor audio using either 1/8 , 1/4 TRS or RCA stereo inputs Lightweight, portable size perfect for desks, project studios and mobile-recording rigs Volume control, power-switch and 1/8 headphone jack located on front panel for quick access. |
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Pyle Professional 4000 Watts Stereo Power Amplifier $263.99 * 4000 Watts Max Peak Power Amplfier-* Two Channels Stereo Or Bridge (Mono) Output-* Independent Volume Control For Each Channel-* Balanced XLR And ” TRS Inputs-* High Speed Coolng Fan-* Lowest Noise Smooth Operation-* Signal And Clip Led Indicators For Protection And Performance-* Speakon-Binding Post Speaker Terminals-* Thermal And Overload Protection-* Power Output: 260W (RMS, Stereo, 8 OHM)-* Power Output: 400W (RMS, Stereo, 4OHM)-* Power Output: 800W (Bridged, 8 OHM) -* Power Output: 4000W (Max Peak) -* Distortion (Typical): 10K Ohm Balance :> 20K Ohm-* S/N: >103Db -* Frequency Response: 20Hz-20 KHz, +0/-0 Specification.5dB -* Raise Rate: >45V/Us -* Damping Factor: >220-* Cross Talk: Electric Guitar-* 15 Watt’s Amplifier with 6.5 Speaker-* Distortion Effect/Headphone Output/Mic Input/Cary Handle -* 10 Foot ” To ” Guitar Cable Included-* Instructional DVD Which Covers Tuning, Some Riffs, Along With Some Great Tunes & Technique |
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Pyle Professional 6000 Watts Stereo Power Amplifier $302.99 * 6000 Watts Max Peak Power Amplfier-* Two Channels Stereo Or Bridge (Mono) Output-* Independent Volume Control For Each Channel-* Balanced XLR And ” TRS Inputs-* High Speed Coolng Fan-* Lowest Noise Smooth Operation-* Signal And Clip Led Indicators For Protection And Performance-* Speakon-Binding Post Speaker Terminals-* Thermal And Overload Protection-* Power Output: 520W (RMS, Stereo, 8 OHM)-* Power Output: 800W (RMS, Stereo, 4OHM)-* Power Output: 2000W (Bridged, 8 OHM) -* Power Output: 4000W (Max Peak) -* Distortion (Typical): 10K Ohm Balance :> 20K Ohm-* S/N: >103Db -* Frequency Response: 20Hz-20 KHz, +0/-0 Specification.5dB -* Raise Rate: >45V/Us -* Damping Factor: >220-* Cross Talk: 15 Watt’s Guitar amplifier with 6.5” Speaker-* Distortion Effect/Headphone Output/MIC Input-* Three Band EQ-* Original Tone/Overdrive Select-* 10 Foot ” to ” guitar cable-* Instructional DVD which covers Tuning, some Riffs, along with some great tunes & technique |
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Rane SM 82 Stereo Mixer $599 The Rane SM 82 is a product offering incredible power and versatility. It is the equivalent of a sixteen channel mixer in one rack space. Measuring only 5.25 inches deep, it can do the job of mixers costing several times as much while only occupying a fraction of the rack space. It is ideally suited for keyboards, synthesizer expander modules and drum machines, as well as such things as effects mixing in guitar racks. It also functions as an excellent submixer for stereo line inputs and effects to a larger console. Because of shorter internal signal paths, it is much cleaner than many mixers ten times the cost and size. Each of the eight stereo (two channel) input channels feature a stereo rotary input Level control, a stereo aux Send level control slider and a left to right Balance control slider. When a single mono input is used, the Balance control acts as a pan pot. The aux return section provides a rotary Return Level control and a slide control for left to right Balance. The output stage includes a rotary Output Level control and a slide control for left to right Balance. The human engineering applied to the SM 82 makes it extremely easy to operate. The segregation of function between rotary and slide controls (rotary for all input and output Levels and slide for Balance and Send) makes it simple to use, even in the dark. The SM 82 is fully expandable using the 1/4″ TRS Main Expand In and Out jacks. Expansion is as simple as connecting a 1/4″ TRS jumper cable from the first unit’s Expand Out jack to the second unit’s Expand In jack. Now, two SM 82 units create a 16 channel stereo (32 input) line level Mixer in just two rack spaces. Or, get 24 channels (48 inputs) in three rack spaces. You get it! |
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Roland AC-60 Acoustic Chorus Guitar Amplifier $549 AC-60 Although there are many acoustic amps on the market today, few of them can compete with the rich, natural tone of the compact AC-60 Acoustic Chorus amplifier. This innovative stereo amp uses sophisticated digital signal processing to deliver a crisp sound with lush stereo/multi-band chorus – including a new "wide" mode – plus delay/reverb and impressive Auto Anti-Feedback control. And with its 2-channel Mic/Line design and stand-mountable configuration, the AC-60 is clearly heads above the competition.Big Sound in a Compact Package Talk about impressive. The AC-60 is a marvel of amplifier design, using the latest DSP technology to deliver a pure, rich acoustic sound with projection far beyond its compact size. This stereo acoustic amp (30w x 2) offers brilliant stereo/multi-band chorus including a new "wide" mode, plus shimmering reverb tailored specifically for acoustic guitar. And if it’s more low-end you crave, the AC-60 even gives you a Subwoofer output. A Marvel of Convenience The dual-channel AC-60 offers both a Guitar channel and a Mic/Line channel with Phantom Power. This makes it the perfect companion for coffeehouses and small club gigs. The Guitar channel gives you a choice between piezo and magnetic pickup inputs, plus powerful Anti-Feedback controls. Rounding out this package is a Mute switch for silent tuning and a Stereo Line Out for connection to mixing consoles and PA systems. Specifications: Rated Power Output : 30W + 30W Nominal Input Level (1 kHz) : GUITAR Channel: -10 dBu, MIC/LINE Channel: -50/-10 dBu, AUX IN: -10 dBu Nominal Output Level (1 kHz) : DI/TUNER OUT: +4 dBu, LINE OUT: +4 dBu, SUB WOOFER OUT: +4 dBu Speakers : 16.5 cm (6.5 inches) x 2 Controls : [GUITAR Channel] PICKUP Switch (PIEZO/MAGNETIC), SHAPE Switch, VOLOME knob, Equalizer knobs (BASS, MIDDLE, TREBLE), CHORUS Switch [MIC/LINE Channel] PHANTOM Switch, SELECT Switch (MIC/LINE), VOLUME Knob, Equalizer knobs (BASS, MIDDLE, TREBLE), CHORUS Switch, [CHORUS Knob] [REVERB/DELAY Knob] [ANTI-FEEDBACK] FREQUENCY knob, START Button [MUTE Switch] [MASTER Knob] [POWER Switch] Indicator : CHORUS (GUITAR Channel, MIC/LINE Channel), ANTI-FEEDBACK, MUTE, POWER Connectors : GUITAR Channel Input Jack (1/4-inch phone type), MIC/LINE Input Jack (XLR type, 1/4-inch phone type), AUX IN Jacks (RCA phono type, 1/4-inch phone type), DI/TUNER OUT Jack (1/4-inch TRS phone type), LINE OUT Jacks (XLR type, 1/4-inch phone type), SUB WOOFER OUT Jack (1/4-inch phone type), PHONES Jack (1/4-inch TRS phone type), FOOT SWITCH Jack (1/4-inch TRS phone type) Power Supply : AC 117/230/240 V Power Consumption : 68 W Accessories : Owner’s Manual, Soft Case Width : 15 inches Depth : 10-11/16 inches Height : 10-9/16 inches Weight : 21 lbs. 10 oz. * 0 dBu = 0.775 Vrms |
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Roland AC-60 Acoustic Chorus guitar amplifier $549 Roland Authorized Dealer – N030273YFew acoustic amps can compete with the rich, natural tone of the compact Roland AC-60 Acoustic Chorus amplifier. This Stereo amp uses sophisticated Digital signal Processing to deliver a crisp Sound with lush stereo/multi-band chorus?including a new ?wide” mode?plus delay/reverb and impressive Auto Anti-Feedback control. It also has a 2-channel Mic/Line design and stand-mountable configuration.–2-Channel design: Guitar Input and Mic/Line input with Phantom Power-Stereo 30-watt/dual 6.5-inch speaker configuration loud enough for club gigs and small PA applications-Onboard DSP delivers lush stereo/multi-band chorus, newly developed ?wide” chorus and delay/reverb with footswitch control-Built-in Auto Anti-Feedback controls allow for maximum volume without feedback-Convenient Mute switch for silent Tuning on stage-Stereo Line Out for PA and Recording applications; Subwoofer output-Built-in tilt stand offers better acoustic projection; can also be mounted on commercially available speaker stands-Controls: [GUITAR Channel] PICKUP Switch (PIEZO/MAGNETIC), SHAPE Switch, VOLOME knob, Equalizer knobs (BASS, MIDDLE, TREBLE), CHORUS Switch [MIC/LINE Channel] PHANTOM Switch, SELECT Switch (MIC/LINE), VOLUME Knob, Equalizer knobs (BASS, MIDDLE, TREBLE), CHORUS Switch, [CHORUS Knob] [REVERB/DELAY Knob] [ANTI-FEEDBACK] FREQUENCY knob, START Button [MUTE Switch] [MASTER Knob] [POWER Switch]-Connectors: GUITAR Channel Input Jack (1/4-inch phone type), MIC/LINE Input Jack (XLR type, 1/4-inch phone type), AUX IN Jacks (RCA phono type, 1/4-inch phone type), DI/TUNER OUT Jack (1/4-inch TRS phone type), LINE OUT Jacks (XLR type, 1/4-inch phone type), SUB WOOFER OUT Jack (1/4-inch phone type), PHONES Jack (1/4-inch TRS phone type), FOOT SWITCH Jack (1/4-inch TRS phone type)-Power Consumption: 68 W-Size incl. casters (W x D x H): 15 x 10-11/16 x 10-9/16 inches (380 x 270 x 268 mm) -Weight: 21 lbs. 10 oz. (9.8 kg) |
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Roland CUBE-20XL 20-Watt Bass Amplifier $229 Roland Authorized Dealer – N030273YJust as the CUBE guitar-amp family received an XL upgrade, now it’s time for the CUBE Bass line to reach XL status. The new CUBE XL BASS amplifiers remain portable and travel friendly, a CUBE tradition, but they benefit from new-generation XL performance enhancements. These new amps deliver a knock-out punch with custom FFP and COSM technology. FFP is one of Roland’s core technologies in which each Component – amp, cabinet, and speaker – achieves maximum efficiency and performance for incredible power from a compact body.–The most portable of the family, the CUBE-20XL BASS, features 20 Watts of power, an 8-inch custom speaker, six COSM amp models, pro-quality effects (Reverb, Delay, Chorus, Solo, Poly Octave, Compression, and Overdrive), Power Squeezer for big Sound at low volume, and 3-band EQ. -Features-Ultra-compact 20-watt bass amp with custom-designed 8-inch speaker-Six COSM amp models onboard-Seven effects, including the new DRIVE and POLY OCTAVE-POWER SQUEEZER for big, rich sound at low volumes; great for home practice and other volume sensitive environments-Three-band EQ for fine-tuning your sound-Built-in bass tuner-Specifications-Rated Power Output: 20 W-Speaker: 20 cm (18 inches) -Controls: POWER Switch, SHAPE Switch, TUNER Switch, POWER SQUEEZER Switch -Connectors: BASS Input Jack (1/4″ phone type), AUX IN Jack (Stereo miniature phone type), FOOT SW Jack (TIP:EFX/SOLO, RING:COMP/DRIVE) (1/4″ TRS phone type), Recording OUT/PHONES Jack (Stereo 1/4″ phone type)-Dimensions (WxDxL): 13-3/16 x 12-7/8 x 13-3/6 inches-Weight: 20 pounds 12 ounces |
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Roland CUBE-60XL 60-Watt Bass Amplifier $428 Roland Authorized Dealer – N030273YJust as the CUBE guitar-amp family received an XL upgrade, now it’s time for the CUBE Bass line to reach XL status. The new CUBE XL BASS amplifiers remain portable and travel friendly, a CUBE tradition, but they benefit from new-generation XL performance enhancements. These new amps deliver a knock-out punch with custom FFP and COSM technology. FFP is one of Roland’s core technologies in which each Component – amp, cabinet, and speaker – achieves maximum efficiency and performance for incredible power from a compact body.–The mid-size CUBE-60XL BASS provides 60-watts of power in a portable cabinet that’s great for rehearsals and gigs alike. It has a Solo Channel with memory, eight COSM amp models, 3-band EQ, onboard effects, and a world’s first, built-in Looper for constructing stacks of Sound in real-time. -Features-Compact 60-watt bass amp with custom-designed 10-inch coaxial speaker-Dual custom-designed Air Flow Port for deep bass and punchy sound-Eight COSM amp models, including the new SUPER LOW amp-Seven effects, including the new DRIVE and POLY OCTAVE-SOLO function with memory for use as a second channel-POWER SQUEEZER for big, rich sound at low volumes-Phrase Looper onboard for sound-on-sound Recording with unlimited overdubs-Three-band EQ for fine-tuning your sound-Built-in chromatic bass Tuner with drop tuning support-Specifications-Rated Power Output: 60 W-Speaker: 25 cm (10 inches) + Tweeter (Coaxial, 2-way) Controls: POWER Switch, TUNER Switch, POWER SQUEEZER Switch -Connectors: BASS Input Jack (1/4″ phone type); AUX IN Jack (Stereo miniature phone type); LINE OUT Jack (1/4″ phone type); DI OUT Jack (XLR type); RECORDING OUT/PHONES Jack (Stereo 1/4″ phone type); FOOT SW Jack (TIP:SOLO, RING:COMP/DRIVE) (1/4″ TRS phone type); FOOT SW Jack (TIP:EFX, RING:REVERB) |
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Roland FANTOMG6 Workstation Keyboard $2799 Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer and more. Advanced Sound Engine Driven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation. SuperNATURAL ARX Expansion Fantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis. Power Sequencer Onboard The Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input. Luxurious Extra-Wide LCD One look and touch and you’ll know that the Fantom-G is an instrument without equal. Only the highest-quality materials have been use |
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Roland Fantom-G6 61-Key Keyboard Workstation – FREE Sinevibes Download Roland Rebate Available $2799 Roland Fantom-G6 Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL? expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer and more. Purchase a Roland Fantom-G, JUNO-STAGE or JUNO-G keyboard workstation and get the Sinevibes introductory patch collections FREE! Experience the power and creativity of Sinevibes sounds, from one of the world’s leading developers of dedicated sound libraries for Roland synthesizers. Offer available to all new and current Roland Fantom-G, JUNO-STAGE and JUNO-G keyboard workstation owners! Features: Advanced sound engine with double wave capacity of previous flagship workstations 2 x ARX expansion with SuperNATURAL? – the world’s greatest performance-expression technology Graphic user interface with extra-large 8.5" wide color LCD and mouse connectivity Newly developed onboard audio/MIDI sequencer with 128 tracks, including 24 audio tracks Multi-FX for each part; up to 22 effects routings can be programmed simultaneously Top-of-the-line keyboard action; weighted PHA II "Ivory Feel" keyboard on Fantom-G8 Heavy-duty casing with aluminum panel Advanced Sound Engine Driven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation. SuperNATURAL? ARX Expansion Fantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis. Power Sequencer Onboard The Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input. Luxurious Extra-Wide LCD One look and touch and you’ll know that the Fantom-G is an instrument without equal. Only the highest-quality materials have been used to create this dream synth, with a stylish, futuristic design that will turn heads. Front and center is the extra-large 8.5" wide TFT color LCD for enhanced productivity. A first-class assortment of hands- on controls is provided as well, including eight sliders, four knobs, and ten buttons below the LCD. Amazing FX Fantom-G is loaded with a state-of-the-art effects engine, with multi-effects available for each Fantom-G sound/part. In 16-part multi-timbre mode, up to 22 effect routings can be used simultaneously. Create complex setups with 16 insert effects per multi-timbral patch group, plus global reverbs and choruses. Mastering effects are provided for polishing songs created with the onboard sequencer. |
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Roland Fantom-G6 61-Key Workstation Keyboard $3299 Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL™ expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer and more. Advanced Sound Engine Driven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation. SuperNATURAL™ ARX Expansion Fantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis. Power Sequencer Onboard The Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input. Luxurious Extra-Wide LCD One look and touch and you’ll know that the Fantom-G is an instrument without equal. Only the highest-quality materials h |
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Roland Fantom-G6 Music Workstation Bundle with Headphones, 20-Foot Instrument Cable, 10-Foot MIDI Cable, 10-Foot XLR Cable, Velcro Cable Ties, and Polishing Cloth $2799 Bundle includes Roland Fantom-G6 Music Workstation, Headphones, 20-Foot Instrument Cable, 10-Foot MIDI Cable, 10-Foot XLR Cable, Velcro Cable Ties, and Polishing Cloth. Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer and more. Advanced Sound Engine Driven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation. SuperNATURAL ARX Expansion Fantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis. Power Sequencer Onboard The Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and l |
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Roland Fantom-G8 88-Key Keyboard Workstation $3999 “Roland Fantom-G8Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL? expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer, first-class “”Ivory Feel”" weighted keys (Fantom-G8) and more.Features: Advanced sound engine with double wave capacity of previous flagship workstations 2 x ARX expansion with SuperNATURAL? – the world’s greatest performance-expression technology Graphic user interface with extra-large 8.5″” wide color LCD and mouse connectivity Newly developed onboard audio/MIDI sequencer with 128 tracks, including 24 audio tracks Multi-FX for each part; up to 22 effects routings can be programmed simultaneously Top-of-the-line keyboard action; weighted PHA II “”Ivory Feel”" keyboard on Fantom-G8 Heavy-duty casing with aluminum panel Advanced Sound EngineDriven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation.SuperNATURAL? ARX ExpansionFantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis.Power Sequencer OnboardThe Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input.Luxurious Extra-Wide LCDOne look and touch and you’ll know that the Fantom-G is an instrument without equal. Only the highest-quality materials have been used to create this dream synth, with a stylish, futuristic design that will turn heads. Front and center is the extra-large 8.5″” wide TFT color LCD for enhanced productivity. A first-class assortment of hands- on controls is provided as well, including eight sliders, four knobs, and ten buttons below the LCD.Amazing FXFantom-G is loaded with a state-of-the-art effects engine, with multi-effects available for each Fantom-G sound/part. In 16-part multi-timbre mode, up to 22 effect routings can be used simultaneously. Create complex setups with 16 insert effects per multi-timbral patch group, plus global reverbs and choruses. Mastering effects are provided for polishing songs created with the onboard sequencer.Supreme Keyboard Feel & ActionThe Fantom-G8 is outfitted with Roland’s top-of-the-line PHA II “”Ivory Feel”" keyboard. This amazing keyboard technology reproduces the real surface feel of ivory acoustic piano keys providing a familiar stability and comfort to the pianist. The white keys have a two-piece structure which reduces the developed keyboard surface material is designed to absorb moisture, ensuring a secure, slip-proof feel that your fingers will love.” |
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Roland Fantom-G8 88-Key Keyboard Workstation – B-Stock $3150 “Condition Notes: This keyboard is a B-Stock model that has a few small scratches on the top, but is in otherwise excellent condition!Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer, first-class “”Ivory Feel”" weighted keys (Fantom-G8) and more. Features: Advanced sound engine with double wave capacity of previous flagship workstations 2 x ARX expansion with SuperNATURAL – the world’s greatest performance-expression technology Graphic user interface with extra-large 8.5″” wide color LCD and mouse connectivity Newly developed onboard audio/MIDI sequencer with 128 tracks, including 24 audio tracks Multi-FX for each part; up to 22 effects routings can be programmed simultaneously Top-of-the-line keyboard action; weighted PHA II “”Ivory Feel”" keyboard on Fantom-G8 Heavy-duty casing with aluminum panel Advanced Sound Engine Driven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation. SuperNATURAL-ARX Expansion Fantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis. Power Sequencer Onboard The Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input. Luxurious Extra-Wide LCD One look and touch and you’ll know that the Fantom-G is an instrument without equal. Only the highest-quality materials have been used to create this dream synth, with a stylish, futuristic design that will turn heads. Front and center is the extra-large 8.5″” wide TFT color LCD for enhanced productivity. A first-class assortment of hands- on controls is provided as well, including eight sliders, four knobs, and ten buttons below the LCD. Amazing FX Fantom-G is loaded with a state-of-the-art effects engine, with multi-effects available for each Fantom-G sound/part. In 16-part multi-timbre mode, up to 22 effect routings can be used simultaneously. Create complex setups with 16 insert effects per multi-timbral patch group, plus global reverbs and choruses. Mastering effects are provided for polishing songs created with the onboard sequencer. Supreme Keyboard Feel & Action The Fantom-G8 is outfitted with Roland’s top-of-the-line PHA II “”Ivory Feel”" keyboard. This amazing keyboard technology reproduces the real surface feel of ivory acoustic piano keys providing a familiar stability and comfort to the pianist. The white keys have a two-piece structure which reduces the developed keyboard surface material is designed to absorb moisture, ensuring a secure, slip-proof feel that your fingers will love.” |
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Roland Fantom-G8 88-Key Workstation Keyboard $4699 Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL™ expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer, first-class “Ivory Feel” weighted keys and more. Advanced Sound Engine Driven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation. SuperNATURAL™ ARX Expansion Fantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis. Power Sequencer Onboard The Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input. Luxurious Extra-Wide LCD One look and touch and you’ll know that the Fantom-G is an instrument without |
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Roland Tri-Capture: 3-Channel USB Audio Interface $129 The new head of its class is the multifaceted TRI-CAPTURE USB interface ? a unique, compact audio interface optimized for personal and mobile recording, vocal and guitar recording, and streaming-internet applications. With its mixer-like design and dedicated front-panel controls, TRI-CAPTURE makes it easy to mix, control, and monitor a variety of signals. Plug a microphone into the XLR input, an instrument into the 1/4-inch jack, and a stereo instrument or device into the AUX input. The unique REC MODE section provides instant selection of recording scenarios, including LOOP BACK for web streaming applications. TRI-CAPTURE is full-featured yet portable, and is USB bus powered for a clean, simple setup.Features: Affordable, easy-to-use interface for guitarists, vocalists, and other musicians Also works great for video production, web streaming, and creating podcasts with unique LOOP BACK function XLR mic input with phantom power, plus 1/4-inch input with Hi-Z switch for connecting a guitar directly Stereo AUX input with dedicated volume control Balanced 1/4-inch TRS outputs and headphone jack Low-latency ASIO driver; recording and playback at rates up to 24-bit/96 kHz USB bus powered with 24-bit/96 kHz operation Cakewalk SONAR X1 LE included |
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Roland UA-33 TRI-CAPTURE USB Audio Interface $129 Roland Authorized Dealer – N030273YThe new Roland UA-33 TRI-CAPTURE USB Audio Interface is the latest additions to the growing lineup of USB audio capture devices for computer-based recording. The new portable interface offers both high performance and affordability for computer audio enthusiasts using either Windows or Mac OS platforms. –The TRI-CAPTURE UA-33 is an inexpensive, easy-to-use Stereo audio interface that’s great for guitarists, vocalists, and other musicians. It also works well for Video production, Web streaming, and creating podcasts. Powered via USB, the TRI-CAPTURE is equipped with three kinds of inputs – an XLR-mic input with phantom power, a 1/4-inch input with a Hi-Z Switch that allows users to connect a guitar directly, and a stereo AUX input with a Dedicated volume control for connecting a stereo Sound source such as a keyboard, rhythm machine, mixer, or portable music player. Sound Output from the computer is provided on stereo 1/4-inch TRS output jacks and a Headphone jack. The three unique recording modes provide instant selection of recording scenarios, including LOOP BACK for web streaming applications. The TRI-CAPTURE records and plays back 24-bit audio at sample rates-up to 96 kHz, and is bundled with the Cakewalk SONAR X1 LE.–Audio Drivers for the TRI-CAPTURE are available for both Windows and Mac OS X operating systems. |
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Roland VB-99 V-Bass System, Bass Guitar Effect Processor $1499 Stunning New Possibilities in Bass Recording and PerformanceWhen Roland introduced the original V-Bass System, serious bass players worldwide took notice. Now, we are proud to introduce the VB-99 V-Bass, which delivers three times the sonic firepower of the original model! Based on an all-new custom processing engine and 10 years of research and development, the VB-99 serves up a wide range of inspiring new COSM® bass and amplifier models, powerful polyphonic effects, new string modeling technology, dual independent signal paths for blending sounds, and new controllers. It also features a host of thoughtful improvements that bassists demanded, such as bass-to-MIDI converters, streaming audio via USB, and much more.Features: Most advanced bass processor ever Dozens of COSM® instrument models, including coveted vintage and modern basses, amps, synth basses, effects and even electric guitars Converts bass to MIDI and streams audio via USB Dual independent stereo signal paths can be layered or switched: allows two different virtual sounds at the same time Allows users to play polyphonic synth bass sounds without tracking issues Table top configuration, rack mountable, or stand mountable Stereo XLR, stereo 1/4", MIDI, SP/DIF and USB outputs Advanced new realtime controllers: D-Beam, ribbon and V-Link Specifications: AD Conversion: 24 bits + AF method DA Conversion: 24 bits Sampling Frequency: 44.1 kHz Program Memories: 400: 200 (User) + 200 (Preset) Nominal Input Level: BASS INPUT: -10 dBu Input Impedance: BASS INPUT: 2.2 M ? Nominal Output Level: MAIN OUT: -10 dBu, SUB OUT (XLR): +4 dBu, BASS OUT: -10 dBu Output Impedance: MAIN OUT: 1 k ?, SUB OUT (XLR): 600 ? Dynamic Range: 100 dB or greater (IHF-A) Controls Top Panel: OUTPUT LEVEL knob, Function knobs x 6 (F1?F6), BALANCE knob, V-BASS LEVEL knob, V-LINK button, DIRECT PATCH, buttons x 5 (1?5), CONTROL buttons x 2 (1, 2), COSM BASS buttons x 2 (A, B), BASS DIRECT button, POLY FX A/B buttons x 2 (A, B), FX buttons x 2 (A, B), COSM AMP buttons x 2 (A, B), MIXER buttons x 2 (A, B), DELAY/REVERB button, DYNAMIC button, CHAIN button, CONTROL ASSIGN button, NAME/KEY/BPM button, Function buttons x 6 (F1?F6), EXIT button, WRITE button, PAGE buttons x 2 (Left, Right), BASS TO MIDI button, SYSTEM button, GLOBAL button, TUNER button, CATEGORY button, PATCH/VALUE dial, Power switch, D BEAM (D Beam Controller, PITCH button, FILTER button, ASSIGNABLE button) RIBBON CONTROLLER Ribbon Controller, PITCH button, FILTER button, ASSIGNABLE button, Rear Pane: Ground Lift switch (SUB OUT) Display: 240×64 dots graphic LCD (with backlit) Connectors: Top Panel: GK IN connector (13-pin DIN type), Rear Panel: BASS INPUT jack (1/4" phone type), BASS OUTPUT jack (1/4" phone type), SUB OUT jacks x 2 (L, R) (XLR type), MAIN OUT jacks x 2 (L/MONO, R) (1/4" phone type), PHONES jack (Stereo 1/4" phone type), DIGITAL OUT jack (Coaxial type, conforms to IEC60958-3), EXP PEDAL jack (1/4" TRS phone type), CTL 3,4 jack (1/4" TRS phone type), USB connector (B type), RRC2 IN connector (RJ45 type), MIDI connectors x 2 (IN, OUT) (5-pin DIN type), DC IN jack Power Supply AC Adaptor (PSB-1U) Current Draw: 1.3 A Dimensions: 384.0 (W) x 218.0 (D) x 93.5 (H) mm, 15-1/8 (W) x 8-5/8 (D) x 3-11/16 (H) inches * EIA-5U rack mount type: optional rack mount adaptor RAD-99 Weight: 2.1 kg / 4 lbs 11 oz (excluding AC Adaptor) Accessories: Owner’s Manual, GK cable (5 m), USB cable, RRC2 cable, VB-99 Software CD-ROM, AC adaptor (PSB-1U), Knob Bolt x 4 |
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Roland VB-99 V-Bass System, Bass Guitar Effect Processor, with GK-3B Divided Pickup $1599 Stunning New Possibilities in Bass Recording and PerformanceWhen Roland introduced the original V-Bass System, serious bass players worldwide took notice. Now, we are proud to introduce the VB-99 V-Bass, which delivers three times the sonic firepower of the original model! Based on an all-new custom processing engine and 10 years of research and development, the VB-99 serves up a wide range of inspiring new COSM® bass and amplifier models, powerful polyphonic effects, new string modeling technology, dual independent signal paths for blending sounds, and new controllers. It also features a host of thoughtful improvements that bassists demanded, such as bass-to-MIDI converters, streaming audio via USB, and much more.Features: Most advanced bass processor ever Dozens of COSM® instrument models, including coveted vintage and modern basses, amps, synth basses, effects and even electric guitars Converts bass to MIDI and streams audio via USB Dual independent stereo signal paths can be layered or switched: allows two different virtual sounds at the same time Allows users to play polyphonic synth bass sounds without tracking issues Table top configuration, rack mountable, or stand mountable Stereo XLR, stereo 1/4", MIDI, SP/DIF and USB outputs Advanced new realtime controllers: D-Beam, ribbon and V-Link Specifications: AD Conversion: 24 bits + AF method DA Conversion: 24 bits Sampling Frequency: 44.1 kHz Program Memories: 400: 200 (User) + 200 (Preset) Nominal Input Level: BASS INPUT: -10 dBu Input Impedance: BASS INPUT: 2.2 M ? Nominal Output Level: MAIN OUT: -10 dBu, SUB OUT (XLR): +4 dBu, BASS OUT: -10 dBu Output Impedance: MAIN OUT: 1 k ?, SUB OUT (XLR): 600 ? Dynamic Range: 100 dB or greater (IHF-A) Controls Top Panel: OUTPUT LEVEL knob, Function knobs x 6 (F1?F6), BALANCE knob, V-BASS LEVEL knob, V-LINK button, DIRECT PATCH, buttons x 5 (1?5), CONTROL buttons x 2 (1, 2), COSM BASS buttons x 2 (A, B), BASS DIRECT button, POLY FX A/B buttons x 2 (A, B), FX buttons x 2 (A, B), COSM AMP buttons x 2 (A, B), MIXER buttons x 2 (A, B), DELAY/REVERB button, DYNAMIC button, CHAIN button, CONTROL ASSIGN button, NAME/KEY/BPM button, Function buttons x 6 (F1?F6), EXIT button, WRITE button, PAGE buttons x 2 (Left, Right), BASS TO MIDI button, SYSTEM button, GLOBAL button, TUNER button, CATEGORY button, PATCH/VALUE dial, Power switch, D BEAM (D Beam Controller, PITCH button, FILTER button, ASSIGNABLE button) RIBBON CONTROLLER Ribbon Controller, PITCH button, FILTER button, ASSIGNABLE button, Rear Pane: Ground Lift switch (SUB OUT) Display: 240×64 dots graphic LCD (with backlit) Connectors: Top Panel: GK IN connector (13-pin DIN type), Rear Panel: BASS INPUT jack (1/4" phone type), BASS OUTPUT jack (1/4" phone type), SUB OUT jacks x 2 (L, R) (XLR type), MAIN OUT jacks x 2 (L/MONO, R) (1/4" phone type), PHONES jack (Stereo 1/4" phone type), DIGITAL OUT jack (Coaxial type, conforms to IEC60958-3), EXP PEDAL jack (1/4" TRS phone type), CTL 3,4 jack (1/4" TRS phone type), USB connector (B type), RRC2 IN connector (RJ45 type), MIDI connectors x 2 (IN, OUT) (5-pin DIN type), DC IN jack Power Supply AC Adaptor (PSB-1U) Current Draw: 1.3 A Dimensions: 384.0 (W) x 218.0 (D) x 93.5 (H) mm, 15-1/8 (W) x 8-5/8 (D) x 3-11/16 (H) inches * EIA-5U rack mount type: optional rack mount adaptor RAD-99 Weight: 2.1 kg / 4 lbs 11 oz (excluding AC Adaptor) Accessories: Owner’s Manual, GK cable (5 m), USB cable, RRC2 cable, VB-99 Software CD-ROM, AC adaptor (PSB-1U), Knob Bolt x 4 |
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Tascam 6-in/4-out USB 2.0 Audio/ MIDI Interface US600 $124.99 The Tascam US-600 6-in/4-out USB 2.0 Audio/MIDI Interface is the perfect choice for portable recording of multiple sources from your laptop computer. Four high-definition XLR microphone inputs include phantom power for detailed recording with condenser microphones. All channels can be passed to your computer with 96kHz/24-bit audio resolution. Each input on the US-600 uses an XLR/TRS combo jack to support microphone or line level sources and includes a signal/clip LED to help you set your input level. Input 1 has an instrument-level switch for direct recording of guitar or bass, and a direct monitor path allows musicians to hear their performance without a delay from the computer. On the rear panel, the US-600 includes a pair of unbalanced outputs, MIDI input and output and a stereo S/PDIF digital in and out. A copy of Cubase LE5 is included — the latest version of Steinberg’s 48-track workstation software. VST plug-in support, automated mixing and MIDI tracks allow you to craft large productions without adding any other software. If you want to use your own software, the US-600 supports most Mac and Windows software such as Logic Pro, Live, Nuendo, Digital Performer, Fruity Loops, and Pro Tools 9. Perfect for laptop musicians, the Tascam US-600 makes multi-microphone computer recording portable and affordable. |
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Tascam 6-in/4-out USB 2.0 Audio/ MIDI Interface US600 $199 The Tascam MIDI Interface US600 is a Hub that provides more opportunity for MIDI recording, playback, and performance.-The TASCAM US-600 6-in/4-out USB 2.0 Audio/MIDI Interface is the perfect choice for portable recording of multiple sources from your laptop computer. Four High-Definition XLR Microphone inputs include phantom power for detailed recording with condenser microphones. All Channels can be passed to your computer with 96kHz/24-bit audio resolution. -Each input on the US-600 uses an XLR/TRS combo jack to support microphone or line level sources and includes a signal/clip LED to help you set your input level. Input 1 has an instrument-level Switch for direct recording of Guitar or bass, and a direct Monitor path allows musicians to hear their performance without a delay from the computer. On the rear panel, the US-600 includes a pair of unbalanced outputs, MIDI input and output and a Stereo S/PDIF Digital in and out. -Features:-6-in/4-out USB 2.0 Audio/MIDI Interface-Four mic preamps with phantom power, XLR/TRS combo jacks-Two unbalanced RCA outputs-S/PDIF stereo digital input and output-MIDI input and output-Signal Present and Overload meter LEDs on each input-Line Out/Phones level control-Monitor mix level control for direct input monitoring-Mono/stereo monitoring switch for input 1/2 and 3/4-Instrument (high impedance) switch for input 1 with indicator LED-Includes Cubase LE5 48-track workstation recording Software |
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Tascam US-1800 16-IN/4-Out USB 2.0 Audio Interface $299.99 The US-1800 Audio Interface from TASCAM offers more inputs than any interface in its class. Up to 16 inputs and 4 outputs are transmitted to Mac or Windows over high-speed USB 2.0 connection. The US-1800 features eight XLR Microphone inputs with phantom power and 60dB of clean gain. Six balanced line inputs are also provided, as well as Stereo S/PDIF Digital and MIDI in and out. Included with the US-1800 is Cubase LE5, the latest workstation Software from Steinberg. This 48-track audio workstation includes must-have features like automation, plug-ins, mixing, Editing and MIDI tracks. Cubase LE5 uses standard VST plug-ins for adding virtual instruments and effects. If you want the most inputs into your computer, TASCAM’s US-1800 is the choice! -Specifications: -16 simultaneous inputs -4 simultaneous outputs -14 Analog inputs -(8x) XLR Mic inputs with phantom power -(2x) 1/4″ TRS LINE/GUITAR inputs on the front panel -(4x) 1/4″ TRS LINE inputs on the rear panel -Stereo S/PDIF Digital Input/Output -Zero-latency Hardware Monitoring -Independent Monitor and Headphone Outputs -Stereo monitor output (DAW return (stereo) and input (mono)) -16-channel MIDI Input and Output -USB 2.0 connection to Mac/Windows -Up to 96kHz/24-bit Audio Resolution -Cubase LE 5 48-track workstation software included -ASIO and Core Audio support -Windows XP, Windows Vista, Windows 7 and Mac OS X compatible |
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Tascam US-600 – 6-in/4-out USB 2.0 Audio/MIDI Interface $199.99 The TASCAM US-600 6-in/4-out USB 2.0 Audio/MIDI Interface is the perfect choice for portable recording of multiple sources from your laptop computer. Four high-definition XLR microphone inputs include phantom power for detailed recording with condenser microphones. All channels can be passed to your computer with 96kHz/24-bit audio resolution. Each input on the US-600 uses an XLR/TRS combo jack to support microphone or line level sources and includes a signal/clip LED to help you set your input level. Input 1 has an instrument-level switch for direct recording of guitar or bass, and a direct monitor path allows musicians to hear their performance without a delay from the computer. On the rear panel, the US-600 includes a pair of unbalanced outputs, MIDI input and output and a stereo S/PDIF digital in and out. A copy of Cubase LE5 is included ? the latest version of Steinberg’s 48-track workstation software. VST plug-in support, automated mixing and MIDI tracks allow you to craft large productions without adding any other software. If you want to use your own software, the US-600 supports most Mac and Windows software such as Logic Pro, Live, Nuendo, Digital Performer, Fruity Loops, and Pro Tools 9.Features: 6-in/4-out USB 2.0 Audio/MIDI Interface Four mic preamps with phantom power, XLR/TRS combo jacks Two unbalanced RCA outputs S/PDIF stereo digital input and output MIDI input and output Signal Present and Overload meter LEDs on each input Line Out/Phones level control Monitor mix level control for direct input monitoring Mono/stereo monitoring switch for input 1/2 and 3/4 Instrument (high impedance) switch for input 1 with indicator LED Includes Cubase LE5 48-track workstation recording software |
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Tascam US600 2.0 Audio / MIDI Interface $159 The TASCAM US-600 6-in/4-out USB 2.0 Audio/MIDI Interface is the perfect choice for portable recording of multiple sources from your laptop computer. Four high-definition XLR microphone inputs include phantom power for detailed recording with condenser microphones. All channels can be passed to your computer with 96kHz/24-bit audio resolution. Each input on the US-600 uses an XLR/TRS combo jack to support microphone or line level sources and includes a signal/clip LED to help you set your input level. Input 1 has an instrument-level switch for direct recording of guitar or bass, and a direct monitor path allows musicians to hear their performance without a delay from the computer. On the rear panel, the US-600 includes a pair of unbalanced outputs, MIDI input and output and a stereo S/PDIF digital in and out. A copy of Cubase LE5 is included ? the latest version of Steinberg?s 48-track workstation software. VST plug-in support, automated mixing and MIDI tracks allow you to craft large productions without adding any other software. If you want to use your own software, the US-600 supports most Mac and Windows software such as Logic Pro, Live, Nuendo, Digital Performer, Fruity Loops, and Pro Tools 9. Perfect for laptop musicians, the TASCAM US-600 makes multi-microphone computer recording portable and affordable. |
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Traynor DG60R Guitar Amplifier $383 DG60R The Traynor DG60R offers two fully discrete footswitchable channels, an in line effects loop, 12-inch Celestion speaker and a digital reverb. Ideal for practice, but loud enough for most club gigs, the DG60R Series employs three-stage dynamic tube emulation circuitry and a proprietary continuously variable ‘Contour’ control to ensure you can dial in anything from a vintage tone the most ultra-scooped modern rock sound. The Transconductive amplifier design used exclusively in the DynaGain series ensures the solid-state amplifier reacts like a tube amp. Scalable Output Master Volume in the DG60R acts like a power soak more than a simple Master Volume Control. It emulates tube compression and drive at the output stage allowing the DG60R to simulate low wattage tube ‘tone boxes’ at lower volumes, or clean high headroom output at full volume. DynaSound speaker emulation on the headphone output, and speaker defeat switch makes the Traynor DynaGain DG60R amplifier the perfect amplifier for the practicing musician.Traynor DG60R Guitar Amplifier Features: 65-Watts 12-inch Celestion Speaker Discrete Footswitchable Clean and Overdrive Channels Independent Channel EQ’s on Clean and Overdrive Channels In-line Effects Send & Return (Preamp Out / Power Amp In) Global Contour Tone Shaping Control Scalable Output Master 24-bit Digital Reverb Auxiliary Line Input for CD or MP3 Player 1/4-inch TRS Headphone Jack with DynaSound speaker emulation |
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Traynor DynaGain DG10 Amplifier $103 DG10 The Traynor DynaGain DG10 delivers a full 10-watts through its high quality 8-inch Celestion speaker. Capable of delivering pristine clean tones or a searing overdrive at the touch of a switch, the DG10 is ready for any style of music.Traynor DynaGain DG10 Amplifier Features: 10-Watts 8-inch Celestion Speaker Overdrive Bass / Mid / Treble Controls Auxiliary Line Input for CD or MP3 Player 1/4-inch TRS Headphone Jack |
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Traynor DynaGain DG15 Guitar Amplifier $151 DG15 The Traynor DynaGain DG15 delivers a full 15-watts through its high quality 10-inch Celestion speaker. A two-channel design allows the player to switch between a pristine clean tone or a searing overdrive channel for awesome leads at the touch of a switch.Traynor DynaGain DG15 Features: 15-Watts 10-inch Celestion Speaker Clean and Overdrive Channels Bass / Mid / Treble Controls Auxiliary Line Input for CD or MP3 Player 1/4-inch TRS Headphone Jack |
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Traynor DynaGain DG15R 15-Watt Guitar Combo Amplifier $175 The Traynor DynaGain DG15R delivers a full 15-watts through its high quality 10-inch Celestion speaker. A two-channel design allows the player to switch between a pristine clean tone or a searing overdrive channel for awesome leads at the touch of a switch. The Traynor DG15R’s spring reverb adds a true vintage vibe to your tone pallet.Features: 15-Watts 10-inch Celestion? Speaker Clean and Overdrive Channels Bass / Mid / Treble Controls Vintage Spring Reverb Auxiliary Line Input for CD or MP3 Player 1/4-inch TRS Headphone Jack |
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Traynor DynaGain DG30D2 Amplifier $263 DG30D2 The Traynor DynaGain DG30D2 delivers a full 30-watts through its high quality 12-inch Celestion speaker, making it perfect for personal practice or rehearsals with the band. A two-channel design allows the player to switch between from pristine clean to searing lead channel at the touch of a switch, or remotely with the optional AFS2 footswitch. The DG30D2?s 24-bit digital multi effects processor offers chorus, flange, vibrato and special effects.Traynor DynaGain DG30D2 Amplifier Features: 30-Watts 12-inch Celestion Speaker Footswitchable Clean and Overdrive Channels Bass / Mid / Treble Controls On-board 24-bit Digital Effects Processor (including Chorus, Flange Vibrato & Special Effects) 24-bit Digital Reverb Auxiliary Line Input for CD or MP3 Player 1/4-inch TRS Headphone Jack |
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Voodoo Lab Pedal Switcher – Line Selection Foot Switch $199 On a traditional pedal board, even when the effects are off, your signal still goes through numerous tone-trashing buffers, solid-state switches and patch cables. Pedal Switcher? uses 4 true bypass loops to send your signal only to the pedals you’re using. Built with the finest gold relays sealed in nitrogen, your tone will stay pure and dynamic no matter what kind or how many pedals you use. With Pedal Switcher?, you can use all those great classic and modern stomp boxes without destroying that pure "straight to amp" sound. Now you have the freedom to use any pedals you want, and never have to worry that the buffer in your overdrive is killing your vintage fuzz! Pedal Switcher? features 4 instant access switches, buffered and non-buffered inputs, and a TRS insert for putting devices like a volume pedal between effects. Loops can also be used as a mute for silent tuning onstage, and A/B amp switching. Add a Commander and you can control an unlimited number of Pedal Switcher units allowing you to store combinations of pedals. Features: 4 True Bypass audio loops 4 Instant access on/off switches A/B Amp selector (loop 4) Loops can be used for signal mute and silent tuning TRS Insert (between loops 3&4) Programmable presets via Commander Fully compatible with Ground Control Pro and GCX Audio Switcher MIDI In/out |
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Voodoo Lab Pedal Switcher Guitar Footswitch $219 On a traditional pedalboard, even when the effects are off, your signal still goes through numerous tone-trashing buffers, solid-state switches and patch cables. The Voodoo Lab Pedal Switcher uses 4 true bypass loops to send your signal only to the pedals you’re using. Built with the finest gold relays sealed in nitrogen, your tone will stay pure and dynamic no matter what kind or how many guitar effect pedals you use.With Voodoo Lab Pedal Switcher, you can use all those great classic and modern stompboxes without destroying that pure straight to amp sound. Have the freedom to use any pedals you want, and never have to worry that the buffer in your overdrive is killing your vintage fuzz!Pedal Switcher features 4 instant access switches, buffered and non-buffered inputs, and a TRS insert for putting devices like a volume pedal between effects. Loops can also be used as a mute for silent tuning onstage, and A/B amp switching. Add a Commander and you can control an unlimited number of Pedal Switcher units allowing you to store combinations of pedals. Check out Commander here.4 True Bypass audio loops4 Instant access on/off switchesA/B Amp selector (loop 4)Loops can be used for signal mute and silent tuningTRS Insert (between loops 3&4)Programmable presets via CommanderFully compatible with Ground Control Pro and GCX Audio SwitcherMIDI In/out |
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Yamaha P2500S Series II Power Amp, 1300w $419.99 Yamaha’s P Series II Amps are are equipped with a specially designed circuit that delivers output tailored to the specific response of the Club Series speakers for superior audio quality and performance. All models feature both XLR and 1/4-inch TRS inputs and Neutrik Speakon, phone plug, and 5-way binding post outputs to make connections quick and easy. They also feature Yamaha’s exclusive EEEngine technology, which delivers high performance with exceptional efficiency, sweepable high and low pass filters for optimizing output to any loudspeakers, compact and durable 2U chassis, and variable speed cooling fans. Available in four models: P2500S, P3500S, P5000S and P7000S.Features: Big Output Power Delivered with Great Efficiency: P7000S delivers 3200 watts, the P5000S delivers 2600 watts, the P3500S delivers 2000 watts and the P2500S delivers 1300 watts. Perfect Match with Your Club Speakers: The P-Series power amps can be used with any loudspeaker system, but if you use the Club Series, they will provide power and performance tailored to deliver maximum performance from your system. Lightweight: Makes transport and setup easy Flexible Connectivity: All models have Neutrik Speakon output jacks and 1/4-inch output jacks for each channel in addition to 5-way binding post. Channel inputs consist of both XLR and 1/4-inch TRS jacks. EEEngine: Energy Efficient Engine technology makes more efficient use of AC power by reducing power consumption and heat generation without degrading output power or sound quality. YS Processing: Yamaha Speaker Processing allows you to get direct compatibility with Yamaha’s Club Series loudspeaker systems. |
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Yamaha P3500S Series II Power Amp, 2000w $529.99 Yamaha’s P Series II Amps are are equipped with a specially designed circuit that delivers output tailored to the specific response of the Club Series speakers for superior audio quality and performance. All models feature both XLR and 1/4-inch TRS inputs and Neutrik Speakon, phone plug, and 5-way binding post outputs to make connections quick and easy. They also feature Yamaha’s exclusive EEEngine technology, which delivers high performance with exceptional efficiency, sweepable high and low pass filters for optimizing output to any loudspeakers, compact and durable 2U chassis, and variable speed cooling fans. Available in four models: P2500S, P3500S, P5000S and P7000S.Features: Big Output Power Delivered with Great Efficiency: P7000S delivers 3200 watts, the P5000S delivers 2600 watts, the P3500S delivers 2000 watts and the P2500S delivers 1300 watts. Perfect Match with Your Club Speakers: The P-Series power amps can be used with any loudspeaker system, but if you use the Club Series, they will provide power and performance tailored to deliver maximum performance from your system. Lightweight: Makes transport and setup easy Flexible Connectivity: All models have Neutrik Speakon output jacks and 1/4-inch output jacks for each channel in addition to 5-way binding post. Channel inputs consist of both XLR and 1/4-inch TRS jacks. EEEngine: Energy Efficient Engine technology makes more efficient use of AC power by reducing power consumption and heat generation without degrading output power or sound quality. YS Processing: Yamaha Speaker Processing allows you to get direct compatibility with Yamaha’s Club Series loudspeaker systems. |
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Yamaha P5000S Series II Power Amp, 2600w $629.99 Yamaha’s P Series II Amps are are equipped with a specially designed circuit that delivers output tailored to the specific response of the Club Series speakers for superior audio quality and performance. All models feature both XLR and 1/4-inch TRS inputs and Neutrik Speakon, phone plug, and 5-way binding post outputs to make connections quick and easy. They also feature Yamaha’s exclusive EEEngine technology, which delivers high performance with exceptional efficiency, sweepable high and low pass filters for optimizing output to any loudspeakers, compact and durable 2U chassis, and variable speed cooling fans. Available in four models: P2500S, P3500S, P5000S and P7000S.Features: Big Output Power Delivered with Great Efficiency: P7000S delivers 3200 watts, the P5000S delivers 2600 watts, the P3500S delivers 2000 watts and the P2500S delivers 1300 watts. Perfect Match with Your Club Speakers: The P-Series power amps can be used with any loudspeaker system, but if you use the Club Series, they will provide power and performance tailored to deliver maximum performance from your system. Lightweight: Makes transport and setup easy Flexible Connectivity: All models have Neutrik Speakon output jacks and 1/4-inch output jacks for each channel in addition to 5-way binding post. Channel inputs consist of both XLR and 1/4-inch TRS jacks. EEEngine: Energy Efficient Engine technology makes more efficient use of AC power by reducing power consumption and heat generation without degrading output power or sound quality. YS Processing: Yamaha Speaker Processing allows you to get direct compatibility with Yamaha’s Club Series loudspeaker systems. |
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Yamaha P7000S Series II Power Amp, 3200w $749.99 Yamaha’s P Series II Amps are are equipped with a specially designed circuit that delivers output tailored to the specific response of the Club Series speakers for superior audio quality and performance. All models feature both XLR and 1/4-inch TRS inputs and Neutrik Speakon, phone plug, and 5-way binding post outputs to make connections quick and easy. They also feature Yamaha’s exclusive EEEngine technology, which delivers high performance with exceptional efficiency, sweepable high and low pass filters for optimizing output to any loudspeakers, compact and durable 2U chassis, and variable speed cooling fans. Available in four models: P2500S, P3500S, P5000S and P7000S.Features: Big Output Power Delivered with Great Efficiency: P7000S delivers 3200 watts, the P5000S delivers 2600 watts, the P3500S delivers 2000 watts and the P2500S delivers 1300 watts. Perfect Match with Your Club Speakers: The P-Series power amps can be used with any loudspeaker system, but if you use the Club Series, they will provide power and performance tailored to deliver maximum performance from your system. Lightweight: Makes transport and setup easy Flexible Connectivity: All models have Neutrik Speakon output jacks and 1/4-inch output jacks for each channel in addition to 5-way binding post. Channel inputs consist of both XLR and 1/4-inch TRS jacks. EEEngine: Energy Efficient Engine technology makes more efficient use of AC power by reducing power consumption and heat generation without degrading output power or sound quality. YS Processing: Yamaha Speaker Processing allows you to get direct compatibility with Yamaha’s Club Series loudspeaker systems. |
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York MicroMix Series M608 – Mixer/Amp – 2x 300w, 8 inputs $679 The Canadian made Yorkville M608 delivers 300 watts per channel in a compact and convenient wedge mixer format. The 8-channel layout has four dedicated high quality mono / mic channels with 3-band EQ.The mono line inputs on channels 3 and 4 are pre-EQ’d for Hi-Z instrument level input, making them an ideal place to start when looking for that perfect live acoustic guitar or direct bass sound. Channels 5/6 and 7/8 are stereo input channels with 2-band EQ’s and 1/4-inch L/R inputs making them perfect for keyboards, drum machines or MP3 Sources. XLR inputs on the stereo channels provide two additional mic inputs, giving the M608 up to six mic inputs for live applications.The 600-watt M608 has two integrated 300-watt power amplifiers that can be assigned as stereo mains, or mono main and mono monitor. Each amplifier is attached to an innovative master EQ section designed specifically for these new mixers. The master EQ has a 9-band graphic EQ with additional high and low shelving EQ’s at either end of the frequency band. The nine graphic sliders are essentially all of the middle bands of a 15-band graphic EQ with the low and high frequency bands covered by separate shelving controls. This gives the user more control over the feedback-prone mid frequency bands; with high and low tone-shaping frequencies controlled by additional simple +/- 15 dB trim controls.Features: Eight channels (four mono channels plus two stereo channels) TRS balanced inputs (dual inputs for stereo channels 5/6 and 7/8) Two additional XLR inputs on stereo channels 3-Band EQ on mono channels / 2-Band EQ on stereo channels 9-band graphic EQ for each output with shelving EQ for precise control 300 watts per channel @ 4 ohm (Assignable Left/Right or Main/Monitor) 24-Bit Digital Effect Processor Effects Bypass Footswitch Jack Mute switch (channels 1-8) for quick change-over between band and DJ Dual RCA Tape/CD In and Rec Out jacks All metal chassis Made in Canada |
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Yorkville M1610 – Mixer/Amp – 2x 800-Watt, 10 Inputs $1079 M1610 – Mixer/Amp – 2x 800w, 10 inputs A new shape makes the M1610 and M810 the most versatile compact powered mixers on the market. The convenience, lighter weight and small ‘footprint’ of a box mixer with the tilt-back visibility and channel control access of a desk mixer makes these new ‘wedge’ mixers an ideal high power, high quality powered mixer solutions. High-powered high-efficiency class-H power amplifiers, newly designed input strips, on-board DSP, a new, more effective master EQ section and ten very useful and usable input channels complete the new ‘wedge’ mixer packages. The 1600-watt M1610 has two integrated 800-watt power amplifiers that can be assigned as stereo mains, or mono main and mono monitor. Each amplifier is attached to an innovative master EQ section designed specifically for these new mixers. The master EQ has a 9-band graphic EQ with additional high and low shelving EQ’s at either end of the frequency band. The nine graphic sliders are essentially all of the middle bands of a 15-band graphic EQ with the low and high frequency bands covered by separate shelving controls. This gives the user more control over the feedback-prone mid frequency bands; with high and low tone-shaping frequencies controlled by additional simple +/- 15 dB trim controls. The M1610 has 10 input channels. The first six channels have balanced XLR microphone and TRS balanced inputs, input trim control, three-band EQ, master volume and trim set light. The mono line inputs on channels 5 and 6 are pre-EQ’d for Hi-Z instrument level input, making them an ideal place to start when looking for that perfect live acoustic guitar or direct bass sound. When the input trim level is properly set, users will have ample overall gain while taking full advantage of the new clip elimination circuit which makes it virtually impossible to distort the input of the microphone and instrument channels. Yorkville Box Mixers feature 15mm plywood and heavy-gauge metal construction to withstand all the rocking and rolling associated with life on the road. Inside we use high quality epoxy circuit boards coated with thick copper laminate and precision, low noise components. A large heatsink and a variable speed fan ensure that the mixers keep their cool. Of course MicroMIX mixers also come with Yorkville’s standard two year (even if you break it!) transferable warranty in the USA and Canada. These are just a few of the characteristics which make MicroMIX mixers the "Best Bang for the Box".Yorkville M1610 Mixer/Amp Features: 10 Channels 800 watts per channel @ 4 ohm (Assignable Left/Right or Main/Monitor) Gold plated dual contact XLR connectors (all channels) TRS balanced inputs (dual inputs for stereo channels 7/8 and 9/10) "Set" LED’s for easy and proper adjustment of Trim control 3 bands of EQ on channel strips 9 band graphic EQ for each output with shelving EQ for precise control Built in Digital Effects Footswitch jack for bypassing effects Mute switch (channels 1-8) for quick change-over between band and DJ Dual RCA Tape/CD In and Rec Out jacks |
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Yorkville M1610-2 Mixer + Amp with 2x800W & 10 inputs $1349 The 1600-watt M1610-2 has two integrated 800-watt power amplifiers that can be assigned as stereo mains, or mono main and mono monitor. Each amplifier is attached to an innovative master EQ section designed specifically for these new mixers. The master EQ has a 9-band graphic EQ with additional high and low shelving EQ’s at either end of the frequency band. The nine graphic sliders are essentially all of the middle bands of a 15-band graphic EQ with the low and high frequency bands covered by separate shelving controls. This gives the user more control over the feedback-prone mid frequency bands; with high and low tone-shaping frequencies controlled by additional simple +/- 15 dB trim controls. The M1610 has 10 input channels. The first six channels have balanced XLR microphone and TRS balanced inputs, input trim control, three-band EQ, master volume and trim set light. The mono line inputs on channels 5 and 6 are pre-EQ’d for Hi-Z instrument level input, making them an ideal place to start when looking for that perfect live acoustic guitar or direct bass sound. When the input trim level is properly set, users will have ample overall gain while taking full advantage of the new clip elimination circuit which makes it virtually impossible to distort the input of the microphone and instrument channels. Yorkville Box Mixers feature 15mm plywood and heavy-gauge metal construction to withstand all the rocking and rolling associated with life on the road. Inside we use high quality epoxy circuit boards coated with thick copper laminate and precision, low noise components. A large heatsink and a variable speed fan ensure that the mixers keep their cool. Of course MicroMIX™ mixers also come with Yorkville’s standard two year (even if you break it!) transferable warranty in the USA and Canada. These are just a few of the characteristics which make MicroMIX™ mixers the “Best Bang for the Box”. |
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Yorkville M810 – Mixer/Amp – 2x 400-Watt, 10 Inputs $999 M810 – Mixer/Amp – 2x 400w, 10 inputs A new shape makes the M1610 and M810 the most versatile compact powered mixers on the market. The convenience, lighter weight and small ‘footprint’ of a box mixer with the tilt-back visibility and channel control access of a desk mixer makes these new ‘wedge’ mixers an ideal high power, high quality powered mixer solutions. High-powered high-efficiency class-H power amplifiers, newly designed input strips, on-board DSP, a new, more effective master EQ section and ten very useful and usable input channels complete the new ‘wedge’ mixer packages. The 800-watt M810 has two integrated 400-watt power amplifiers that can be assigned as stereo mains, or mono main and mono monitor. Each amplifier is attached to an innovative master EQ section designed specifically for these new mixers. The master EQ has a 9-band graphic EQ with additional high and low shelving EQ’s at either end of the frequency band. The nine graphic sliders are essentially all of the middle bands of a 15-band graphic EQ with the low and high frequency bands covered by separate shelving controls. This gives the user more control over the feedback-prone mid frequency bands; with high and low tone-shaping frequencies controlled by additional simple +/- 15 dB trim controls. The M810 has 10 input channels. The first six channels have balanced XLR microphone and TRS balanced inputs, input trim control, three-band EQ, master volume and trim set light. The mono line inputs on channels 5 and 6 are pre-EQ’d for Hi-Z instrument level input, making them an ideal place to start when looking for that perfect live acoustic guitar or direct bass sound. When the input trim level is properly set, users will have ample overall gain while taking full advantage of the new clip elimination circuit which makes it virtually impossible to distort the input of the microphone and instrument channels. Yorkville Box Mixers feature 15mm plywood and heavy-gauge metal construction to withstand all the rocking and rolling associated with life on the road. Inside we use high quality epoxy circuit boards coated with thick copper laminate and precision, low noise components. A large heatsink and a variable speed fan ensure that the mixers keep their cool. Of course MicroMIX mixers also come with Yorkville’s standard two year (even if you break it!) transferable warranty in the USA and Canada. These are just a few of the characteristics which make MicroMIX mixers the "Best Bang for the Box". |
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dbx iEQ15 Digital Equalizer with Analog Look and Feel $529.95 A new era in EQ’s. Digital EQ’s have long been considered much higher quality over analog EQ’s, but much more difficult to use in live or changing situations. This new EQ offers digital quality and performance in an easy to use Analog Interface. Perfect for live performance groups, guitar rigs, bass rigs, small PA’s and churches. With an EQ heritage that has produced countless industry standard patents and dates back more than 30 years, the dbx iEQ-31 easily lives up to the dbx legacy of uncompromised sonic integrity. In addition to unsurpassed equalization specs, the iEQ-15 also offers the built-in necessities which include AFS? feedback Suppression, Type V? noise reduction and PeakStopPlus® limiting. Besides including two 15-band channels of 2/3-octave equalization, the iEQ-15 also offers +12 dB input gain range; switchable +6 or +15 dB boost/cut range, 40mm faders, XLR, 1/4” and Euroblock inputs and outputs, nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability. The iEQ series represents a major step forward in the performance of EQs. The iEQ series is now able to offer state-of-the-art digital EQ performance and specs with an analog look and feel. From its amazing 10Hz to 22kHz frequency response, to its 113dB dynamic range and Advanced Feedback Suppression (AFS?), dbx proprietary Type V? noise reduction and PeakStopPlus® limiting, the iEQ-15 offers out of this world specifications with a downto- earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the iEQ-15 is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional?s choice in signal processing. With such pristine design and quality, the iEQ-15 offers the maximum sonic flexibility in a straight forward interface and rock-solid construction. More Infomation On This Product Advanced Feedback Suppression (AFS) Type V Noise Reduction " PeakStopPlus" Limiting " 2/3-octave Constant Q frequency bands Switchable boost/cut ranges of 6 or 15dB 18 dB per octave 40Hz low-cut filter 12dB input gain range XLR, TRS and Euroblock Inputs and Outputs Internal Toroidal Transformer Frequency Response of 10Hz to 22kHz Dynamic range of greater than 113dB User Power Up Features Relay Bypass for Power Failure System Protection |