Digi-CordComputer Cords and Cables

Wires on road connected to solar panels?

There’s a hill in our neighborhood where everyone likes to speed.

About a week ago, I noticed an insulated wire with a plug-looking thing (almost like a TRS connector) at the end. The end without the plug was connected to a solar panel stuck into the grass next to the sidewalk, while the other end (with plug) traversed the road, stopping a few feet short of the other sidewalk. There’s always two of them parallel to and a few feet from each other. They seem to be in a different spot every day.

I suspect it’s a device to catch speeders. We have rich cops.

What do you think?

what i normally see are road tubes across the roadway. there are two of them about 3′ apart. these are traffic counters used to measure the number of vehicles that travel over that road in a certain period of time. this is used in transportation studies.

when a vehicle drives over the tubes a count is received for each axel. two counts will show as a car when more that two axels drive across the tubes all axels are counted.

hope this helps

San Diego Comic Con 2010! Tron, The Haunted Mansion, Expendables, Don’t Be Afraid – TRS

Waterpik TRS-559 Elements 5-Mode Handheld Shower, Brushed Nickel $22.79 This brushed nickel handheld showerhead has a lifetime PVD coating. It features 5 spray modes ranging from an invigorating pulsating massage to a powerful rinse spray. The mode ring tab makes for easy transition between modes, and the nozzle is easy to clean nozzle. It includes and 5-foot hose….

Timberline TRS-260 Ogee Raised Panel Door Making Router Bit Set, 3-Piece $113.02 Timberline by Amana 3-piece Carbide Tipped Raised Panel Router Bit Set with 1/2-inch shank. This professional bit set contains Rail, Stile and Raised Panel Bit. The bits you need to make raised-panel doors. Includes a custom-made hardwood storage case….

Timberline TRS-230 Shaker Raised Panel 1/2 Shank Door Making Router Bit Set with Back Cutter, 3-Piece $135.84 3-Piece Shaker Raised Panel Cabinet Door Making Set w/Back Cutter…

Panel Short Knit Silk Turquoise Small $10.83 Panel Knit shorts are low riding waist band sits low on the hips belly button. Boxer style shorts are snug tight with full coverage front, sides and back. Sexy biker style shorts for men are great for everyday wear or hanging out. Perfect gift for all occasions. Soft and delicate silk, comfortable and breathable to wear. Waist 28 inches through 30 inches. Panel Shorts Knit Silk features white wais…

Auzentech AZT-FORTE X-Fi Forte 7.1 Sound Card $119.99 The Auzen X-Fi Forte 7.1 is Auzentech’s first Low Profile native PCI Express audio card designed especially for gamers and audiophiles. Compared to the X-Fi chipset reference design, the X-Fi Forte improves the circuitry and upgrades the components. You can now listen to your Hi-Fi Headphone and use your professional Mic on your desktop PC, as well as enjoying audiophile-quality audio, thanks to t…

TREMOR S40 2 FLAT PANEL SAT SPK SUBWOOF 40W GRY …

HOSA 15-Foot Microphone Cable XLR3F RA – 3.5mm TRS – MXM-015RS $41.59 Controller Compartment is – 20 x 12.75 Unit Dimensions – 22.625 W x 7.25 H x 19 D, Weight – 13 lbs. Manufacturer’s limited lifetime warranty…

3.5mm Stereo Panel Mount Jack $2.49 Chassis or Panel mounting. 3.5mm, 3 Conductor with solder terminals. Completely sealed jack, non-switching. Features Mounts in 1/4″ hole in panels up to .075″ thick With hardware, attractive knurled nut Nickel-plated with ABS cover…

GLS Audio 1/4 Jacks TS and TRS Panel Mount Jack Locking Style D Series Size – 4 Pack $11.99 We are offering these new Professional Series Female Locking 1/4″ Panel Jacks by GLS Audio. These jacks can be used in both Mono TS and Stereo TRS applications. They have a red plastic button that locks. The GLS Audio Jacks are comparable to Switchcraft and Neutrik, but the GLS Audio price is MUCH BETTER!…

Keystone Jack – 3.5mm Stereo, Flush Type (White) $1.40 Keystone Jack – 3.5mm Stereo, Flush Type (White)…

Pb-48 – Nady Pb-48 Modular Patch Panel – 48 X Trs $54.81 The Pb-48 is Furmans Standard Patch Bay, Usable in Almost Any Application. It Features 1/4 inch Trs Phone Jacks in All Positions, Front And Rear, With One Switching Jack in The Lower Front Positions. Trs Jacks Have The Advantage of Being Usable in Either Balanced or Unbalanced Systems. [T51255] UPC: 634343002249 UNSPC: 43223309 19L x 3W x 2.25H 3 LB

T.R.S. $4.99 We believe it is important to preserve what makes music special, and make it easy to craft listening experiences. At MOG, browse millions songs and play them instantly. Or just turn on radio where you can stop and replay songs. You can also create playlists for any occasion, and even download songs to your mobile. We are dedicated to employing the cleanest but most powerful technology so you can enjoy music as much as ever.

Hosa XLR to TRS AdapterGXP-143 $4 Hosa XLR to TRS Adapter

Cup,Cold,10 Oz,100/Pk,Trs $3.99 CUP,COLD,10 OZ,100/PK,TRS

Cup,Cold,5oz,100/Pk,Trs $1.99 CUP,COLD,5OZ,100/PK,TRS

Cup,Cold,12 Oz,50/Pk,Trs $1.99 CUP,COLD,12 OZ,50/PK,TRS

Nady PB-48 Modular Patch Panel $40.99 3 Year Limited 48 48 x TRS Phone Jack Modular Patch Panel Nady Nady System, Inc PB-48 PB-48 Modular Patch Panel PB48 TRS The PB-48 is Furmans standard patch bay, usable in almost any application. It features 1/4″ TRS phone jacks in all positions, front and rear, with one switching jack in the lower front positions. TRS jacks have the advantage of being usable in either balanced or unbalanced systems. www.nady.com

TRS TRS Heo AT 7 $31.95 98% Baumwolle, 2% Lycra Zusätzliche Infos: Unser Model ist 175 cm groß und hat normalerweise Größe 30 . Hier trägt er den Artikel „TRS Heo AT 7“ in Größe 30/33

HOSA PRO CABLE 1/4IN TRS - $13.99 HOSA PRO CABLE 1/4IN TRS -

Gloves,Poly,Fdsvr, Lg,Trs $5.99 GLOVES,POLY,FDSVR, LG,TRS

MerCruiser Stern Drives 1964-1985 w/TR & TRS, 1986-1987 $26.94 MerCruiser Stern Drives 1964-1985 w/TR & TRS, 1986-1987 MerCruiser Stern Drives, 1964-1985 with TR and TRS, 1986-1987Part #: B740616 pages CHAPTER ONE / GENERAL INFORMATIONCHAPTER TWO / TOOLS AND TECHNIQUESCHAPTER THREE / TROUBLESHOOTINGCHAPTER FOUR / LUBRICATION, MAINTENANCE AND TUNE-UPCHAPTER FIVE / LAY-UP, COOLING SYSTEM AND FITTING OUTCHAPTER SIX / GM INLINE ENGINERemoval installation / Rocker arm cover / Intake exhaust manifold / Crankshaft pulley torsional damper / Timing gear cover and seal / Rocker arm / Camshaft / Oil pan / Oil pump / Cylinder head / Valves and seats / Piston connecting rod / Crankshaft / Flywheel / Cylinder block / Core plug / SpecificationsCHAPTER SEVEN / GM V6 AND V8 ENGINESRemoval installation / Rocker arm cover / Intake exhaust manifold / Crankshaft pulley and torsional damper / Front cover and seal / Timing chain and sprockets / Rocker arm / Camshaft / Oil pan / Oil pump / Cylinder head / Valves and seats / Piston connecting rod / Crankshaft / Rear main oil seal / Flywheel / Cylinder block / Core plugs / SpecificationsCHAPTER EIGHT / FORD V8 ENGINESRemoval installation / Disassembly checklists / Rocker arm cover / Intake manifold / Exhaust manifolds / Crankshaft pulley and vibration damper / Front cover and seal / Timing chain and sprocket / Rocker arm / Camshaft / Oil pan / Oil pump / Cylinder head / Valves and seats / Piston connecting rod / Crankshaft / Rear main bearing oil seal / Flywheel / Cylinder block / Core plugs / SpecificationsCHAPTER NINE / MERCRUISER 60, 80 AND 90 ENGINESRemoval installation / Rocker arm cover / Intake exhaust manifolds / Inner transom plate / Front cover and seal / Rocker arm / Camshaft and timing chain / Oil pan pump / Cylinder head / Valves and seats / Piston connecting rod / Crankshaft / Flywheel / Cylinder block / Core plugs / SpecificationsCHAPTER TEN / MERCRUISER 470, 485, 488, 170MR AND 190MRRemoval installation / Rocker arm cover / Intake exhaust manifold / Alternator rotor/stator / Front cover and seals / Rocker arm / Camshaft / Timing chain and sprockets / Oil pan / Oil pump / Cylinder head / Valves and seats / Piston connecting rod assembly / Crankshaft / Flywheel / Cylinder block / Core plugs / SpecificationsCHAPTER ELEVEN / FUEL SYSTEMCarburetors / Fuel pump / SpecificationsCHAPTER TWELVE / COOLING SYSTEMThermostat / Engine circulating pump / Seawater pickup pump / Seawater engine pump / SpecificationsCHAPTER THIRTEEN / ELECTRICAL SYSTEMSDirect drive alternator charging system / MerCrusier 470 alternator charging system (air-cooled regulator) / MerCrusier 470, 485 and 488 (water-cooled regulator) / Delco-Remy external regulator system / Motorola alternator system / Mando alternator system /Drive belt adjustment replacement / Starting system / Ignition system / Breaker point distributor / Thunderbolt distributor / Ignition coil / Ignition resistance wire / 2-station tachometer switch / Switch panel test / Power trim control panel switch / Power trim indicator sender / Neu

Hosa XLR to TRS Adapter $5.99 1 x 3-pin XLR Male 1 x TRS Male 2 Audio Adapter GXP-246 Hosa Hosa Technology, Inc TRS XLR XLR to TRS Adapter www.hosatech.com

Clymer MerCruiser Stern Drives 1964-1985 w/TR & TRS, 1986-1987 $28.04 MerCruiser Stern Drives, 1964-1985 with TR and TRS, 1986-1987Part #: B740616 pages CHAPTER ONE / GENERAL INFORMATIONCHAPTER TWO / TOOLS AND TECHNIQUESCHAPTER THREE / TROUBLESHOOTINGCHAPTER FOUR / LUBRICATION, MAINTENANCE AND TUNE-UPCHAPTER FIVE / LAY-UP, COOLING SYSTEM AND FITTING OUTCHAPTER SIX / GM INLINE ENGINERemoval installation / Rocker arm cover / Intake exhaust manifold / Crankshaft pulley torsional damper / Timing gear cover and seal / Rocker arm / Camshaft / Oil pan / Oil pump / Cylinder head / Valves and seats / Piston connecting rod / Crankshaft / Flywheel / Cylinder block / Core plug / SpecificationsCHAPTER SEVEN / GM V6 AND V8 ENGINESRemoval installation / Rocker arm cover / Intake exhaust manifold / Crankshaft pulley and torsional damper / Front cover and seal / Timing chain and sprockets / Rocker arm / Camshaft / Oil pan / Oil pump / Cylinder head / Valves and seats / Piston connecting rod / Crankshaft / Rear main oil seal / Flywheel / Cylinder block / Core plugs / SpecificationsCHAPTER EIGHT / FORD V8 ENGINESRemoval installation / Disassembly checklists / Rocker arm cover / Intake manifold / Exhaust manifolds / Crankshaft pulley and vibration damper / Front cover and seal / Timing chain and sprocket / Rocker arm / Camshaft / Oil pan / Oil pump / Cylinder head / Valves and seats / Piston connecting rod / Crankshaft / Rear main bearing oil seal / Flywheel / Cylinder block / Core plugs / SpecificationsCHAPTER NINE / MERCRUISER 60, 80 AND 90 ENGINESRemoval installation / Rocker arm cover / Intake exhaust manifolds / Inner transom plate / Front cover and seal / Rocker arm / Camshaft and timing chain / Oil pan pump / Cylinder head / Valves and seats / Piston connecting rod / Crankshaft / Flywheel / Cylinder block / Core plugs / SpecificationsCHAPTER TEN / MERCRUISER 470, 485, 488, 170MR AND 190MRRemoval installation / Rocker arm cover / Intake exhaust manifold / Alternator rotor/stator / Front cover and seals / Rocker arm / Camshaft / Timing chain and sprockets / Oil pan / Oil pump / Cylinder head / Valves and seats / Piston connecting rod assembly / Crankshaft / Flywheel / Cylinder block / Core plugs / SpecificationsCHAPTER ELEVEN / FUEL SYSTEMCarburetors / Fuel pump / SpecificationsCHAPTER TWELVE / COOLING SYSTEMThermostat / Engine circulating pump / Seawater pickup pump / Seawater engine pump / SpecificationsCHAPTER THIRTEEN / ELECTRICAL SYSTEMSDirect drive alternator charging system / MerCrusier 470 alternator charging system (air-cooled regulator) / MerCrusier 470, 485 and 488 (water-cooled regulator) / Delco-Remy external regulator system / Motorola alternator system / Mando alternator system /Drive belt adjustment replacement / Starting system / Ignition system / Breaker point distributor / Thunderbolt distributor / Ignition coil / Ignition resistance wire / 2-station tachometer switch / Switch panel test / Power trim control panel switch / Power trim indicator sender / Neutral safety switch / SpecificationsCHAPTER FOURTEEN / ME

TRS-Million Twinkle $30 Download the TRS-Million Twinkle font for Mac or Windows in OpenType, TrueType or PostScript format.

3.5mm TRS Plug Ni/Silver $1 3.5MM TRS PLUG NI/SILVER ORDER MIN = 10

Hosa Technology / Hosa XLR to TRS Adapter / GXP-143 $17.74 Hosa Technology – Hosa XLR to TRS Adapter – GXP-143

Hosa Technology / Hosa XLR to TRS Adapter / GXP-246 $17.92 Hosa Technology – Hosa XLR to TRS Adapter – GXP-246

PANEL $33.12 PANEL PANEL

3Ft Y Cable 1/4 TRS To Dual 1/4 TRS $5.14 Y Cable, 1/4″ TRS to Dual 1/4″ TRS – 3′This cable is designed to duplicate a stereo signal. It may be used to connect a balanced phone output to two balanced phone inputs.

5Ft Y Cable 1/4 TRS To Dual 1/4 TRS $6.17 Y Cable, 1/4″ TRS to Dual 1/4″ TRS – 5′This cable is designed to duplicate a stereo signal. It may be used to connect a balanced phone output to two balanced phone inputs.

Cables To Go / 6ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40073 $18.71 Cables To Go – 6ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40073

Cables To Go / 12ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40074 $21.76 Cables To Go – 12ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40074

Cables To Go / 50ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40076 $38.92 Cables To Go – 50ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40076

Cables To Go / 25ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40075 $27.88 Cables To Go – 25ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40075

Cables To Go / 3ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable / 40072 $16.69 Cables To Go – 3ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable – 40072

TRS-Million Complete Family Pack $30 Download the TRS-Million Complete Family Pack font for Mac or Windows in OpenType, TrueType or PostScript format.

TRS Missy Momo $23.95 Schmale Röhre mit Stretchanteil und ausgebleichten Partien um die Taschen, entlang des Vorderbeins, am Po und am hinteren Oberschenkel. Auf der rechten Potasche prangt das TRS-Logo. 98% Baumwolle, 2% Lycra. Zusätzliche Infos: Unser Model ist 1,70 m groß und hat normalerweise Konfektionsgröße 34 / 36. Hier trägt sie den Artikel „TRS Missy Momo“ in Bundweite 28 Straight Leg Bezeichnet eine Hose mit geradem Bein

OMP TRS Racing Seat $349 OMP TRS Racing SeatMedium height side bolsters fully upholstered in light padded velour. Tubular steel frame seat. 5 seat belt openings. Bottom and lateral fixing points Type Y and Type W.Available in Blue, Black or Red.Please select color below.Ship

Trs/Pl Static Luce Lctv-30Sda- (Mount or Mount parts only, Projector/TV sold separately) $188.99 Trs/Pl Static Luce Lctv-30Sda-

Trs/Pl Static Sanyo Lmu-Tk29L1 (Mount or Mount parts only, Projector/TV sold separately) $188.99 Trs/Pl Static Sanyo Lmu-Tk29L1

Lib Tech TRS C2BTX Snowboard 2012 $447.96 Lib Tech TRS C2BTX Snowboard 2012: Engineered for all-mountain, park and pipe terrain, designed and ridden by Jacob Wilhelmson, Sammy Luebke, Eric Jackson, and Martin Cernik; the Lib Tech TRS C2BTX Narrow Snowboard is stiff and absorbs shocks with ease. Featuring C2 Banana Rocker technology that helps you stay afloat when you venture into pow, responds well in the hard pack, and boost in the park; the Lib Tech TRS C2BTX Snowboard is ready to ride free for aggressive riders.

Audio Cable 1M 1/4 TRS To Dual RCA $5.14 Insert Cable, 1/4″ TRS to Dual RCA – 1M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification.

2Ft Balanced Interconnect 1/4 TRS To XLR Male $5.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 2′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications.

5Ft Balanced Interconnect 1/4 TRS To XLR Male $7.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 5′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications.

10Ft Balanced Interconnect 1/4 TRS To XLR Male $8.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 10′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications.

15Ft Balanced Interconnect 1/4 TRS To XLR Male $9.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 15′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications.

20Ft Balanced Interconnect 1/4 TRS To XLR Male $11.99 Balanced Interconnect, 1/4″ to TRS to XLR3M – 20′ This cable is designed to connect gear with balanced phone outputs to gear with XLR inputs. It is ideal for use in a variety of pro audio applications.

Y Cable 1/4 TRS To Dual 1/4 TRSF $4.11 Y Cable, 1/4″ TRS to Dual 1/4″ TRSFThis cable is designed to duplicate a stereo signal. It is ideal for use as a headphone adaptor, adapting one headphone jack to two headphones.

Y Cable 1/4 TRS To Dual 3.5mm TRSF $4.11 Y Cable, 1/4″ TRS to Dual 3.5MM TRSFThis cable is designed to duplicate a stereo signal. It is ideal for use as a headphone adaptor, adapting one headphone jack to two headphones.

Impedance Transformer 18 XLR3F To 3.5mm TRS $19.56 Impedance Transformer, XLR3F to 3.5MM TRS – 18″This adaptor is designed to match 600R output impedance to 2.5K input impedance. It may be used to connect a microphone to a portable recording device, camcorder, or PC.

Audio Cable 2M 1/4 TRS To Dual RCA $6.17 Insert Cable, 1/4″ TRS to Dual RCA – 2M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification.

Audio Cable 3M 1/4 TRS To Dual RCA $7.2 Insert Cable, 1/4″ TRS to Dual RCA – 3M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification.

Audio Cable 4M 1/4 TRS To Dual RCA $9.26 Insert Cable, 1/4″ TRS to Dual RCA – 4M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification.

Audio Cable 3M 1/4 TRS To XLR3M And XLR3F $13.38 Insert Cable, 1/4″ TRS to XLR3M and XLR3F – 3M This cable is designed to connect a channel insert on a mixing console to an effects processor with XLR input and output. The send and return signals are both unbalanced

Audio Cable 4M 1/4 TRS To XLR3M And XLR3F $15.44 Insert Cable, 1/4″ TRS to XLR3M and XLR3F – 4M This cable is designed to connect a channel insert on a mixing console to an effects processor with XLR input and output. The send and return signals are both unbalanced

Stereo Y-Cable 1/4 TRS To Dual RCAF $4.35 Stereo Breakout, 1/4″ TRS to Dual RCAFThis cable is designed to split a stereo signal. Black- and red-coded phono jacks indicate left and right respectively. It may also be used in reverse.

Seismic Audio – Blue 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Black 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Blue 2 foot TRS to TRS Patch Cables – Snake Microphone Cord $26.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Green 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Orange 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Purple 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Red 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Yellow 2 foot TRS to TRS Patch Cable – Snake Microphone Cord $6.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Black 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Blue 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Green 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Orange 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Purple 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Red 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Yellow 3 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.49 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Black 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 8 Pack of Black 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $45.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Blue 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Blue 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Black 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Green 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Green 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Orange 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Orange 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Red 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Red 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Yellow 10 foot TRS to TRS Patch Cable – Snake Microphone Cord $9.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Yellow 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Colored 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Black 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Black 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Purple 10 foot TRS to TRS Patch Cables – Snake Microphone Cord $34.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Blue 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Blue 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Green 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Green 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 8 Pack of Black 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $41.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Orange 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Orange 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Purple 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Purple 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Red 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Red 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – Yellow 6 foot TRS to TRS Patch Cable – Snake Microphone Cord $7.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Seismic Audio – 6 Pack of Yellow 6 foot TRS to TRS Patch Cables – Snake Microphone Cord $31.99 Balanced 1/4″ cables are typically used to connect mixers to equalizers, crossovers, compressors or amplifiers. Some mixers or rack mount gear have XLR connections where others have 1/4″ TRS.

Cables To Go 40073 6ft ProAudio 1/4in TRS Male to 1/4in TRS Male Cable $18.08 Use this Tip/Ring/Sleeve (TRS) configuration cable to connect balanced line outputs to balanced line inputs. This proaudio cable is made from 22 AWG twisted pair audio cable under an aluminum foil shield and 60 copper braid for maximum shielding from noise. The highly flexible 7mm PVC jacket reduces the risk of the cable kinking and damaging the conductors.Bright nickel plating on solid brass connectors resists wear from reconfiguring and moving equipment from one venue to another. Spring strain relief on the 1/4in plug reduces the effects of age on the solder joints and contacts.Connector 1: 1/4in TRS MaleConnector 2: 1/4in TRS Male

Cables To Go 40074 12ft ProAudio 1/4in TRS Male to 1/4in TRS Male Cable $21 Use this Tip/Ring/Sleeve (TRS) configuration cable to connect balanced line outputs to balanced line inputs. This proaudio cable is made from 22 AWG twisted pair audio cable under an aluminum foil shield and 60 copper braid for maximum shielding from noise. The highly flexible 7mm PVC jacket reduces the risk of the cable kinking and damaging the conductors.Bright nickel plating on solid brass connectors resists wear from reconfiguring and moving equipment from one venue to another. Spring strain relief on the 1/4in plug reduces the effects of age on the solder joints and contacts.Connector 1: 1/4in TRS MaleConnector 2: 1/4in TRS Male

TRS Kurt R96 $31.95 100% Baumwolle Zusätzliche Infos: Unser Model ist 175 cm groß und hat normalerweise Größe 30. Hier trägt er den Artikel „Kurt R96“ in Größe 30/32

Cup,Cold,7 Oz,100/Pk,Trs $57.99 CUP,COLD,7 OZ,100/PK,TCLR

Cup,Cold,20 Oz,50/Pk,Trs $82.99 CUP,COLD,20 OZ,50/PK,TCLR

Straw,Jumbo,7.365",Trs $51.99 STRAW,JUMBO,7.365″,TR

Alvin TRS Tractor Stool $77.4 Designed for comfort and durability. Perfect for medical industrial institutional home hobby painting and more. Comfortable black molded ABS high density polymer tractor seat is a generous 18 wide x 17 deep. Features a chrome base with dual wheel carpet casters. Pneumatic gas lift allows height adjustment from 20 to 26 .

TRS 80 COBOL Paper $31.2 No Synopsis Available

Practicing Programming on the TRS 80 $5.66 No Synopsis Available

Club Glove TRS Ballistic Check-In XL Luggage $799 Club Glove TRS Ballistic Check-In XL The CG TRS BALLISTIC premium luggage line is designed for the affluent globetrotter or discerning golfer seeking the world’s most durable and functional luggage. Hand crafted in the USA, backed by a limited lifetime warranty. Features: TRS Ballistic Check-In XL 31” ?H x 15” W x 12” D, 5400 cubic inches Constructed of ?Invista? Courdura? 1050 denier U.S. woven military spec nylon ballistic?fabric ? The world’s most ideal material for high-end luggage Up to 2x the abrasion resistance and up to 4x the tear resistance compared other premium?brands using 1680 D fabrics and is up to 9x stronger than polyester fabrics Patented, ultra-durable CG wheel base and retractable handle for ideal balance and convenience of traveling with one, two or all three pieces Ability to connect with Club Glove’s premium golf travel bags Premium YKK? zippers and ITW Nexus? buckles Internal webbing with superior tensile strength Includes 5 total nylon mesh Packing Modules with YKK zippers: 1 Large: 17H x 12W x 5D 2 Small: 17H x 12W x 3D 3 Mini: 12 H x 8.5 W x ?5 D?

Club Glove TRS Ballistic Check-In Luggage $750 Club Glove TRS Ballistic Check-In The CG TRS BALLISTIC premium luggage line is designed for the affluent globetrotter or discerning golfer seeking the world?s most durable and functional luggage. Hand crafted in the USA, backed by a limited lifetime warranty. Features: TRS Ballistic Check-In 28” ?H x 14” W x 11” D, 4100 cubic inches Constructed of ?Invista? Courdura? 1050 denier U.S. woven military spec nylon ballistic?fabric ? The world?s most ideal material for high-end luggage Up to 2x the abrasion resistance and up to 4x the tear resistance compared other premium brands using 1680 D fabrics and is up to 9x stronger than polyester fabrics Patented, ultra-durable CG wheel base and retractable handle for ideal balance and convenience of traveling with one, two or all three pieces Ability to connect with Club Glove?s premium golf travel bags Premium YKK? zippers and ITW Nexus? buckles Internal webbing with superior tensile strength Includes 4 total nylon mesh Packing Modules with YKK zippers: 1 Large: 17H x 12W x 5D 2 Small: 17H x 12W x 3D 3 Mini: 12 H x 8.5 W x ?5 D

Club Glove TRS Ballistic Carry On Luggage $699 Club Glove TRS Ballistic Carry On The CG TRS BALLISTIC premium luggage line is designed for the affluent globetrotter or discerning golfer seeking the world?s most durable and functional luggage. Hand crafted in the USA, backed by a limited lifetime warranty. Features: TRS Ballistic Carry On 22.5” ?H x 12” W x 9” D, 2300 cubic inches Constructed of ?Invista? Courdura? 1050 denier U.S. woven military spec nylon ballistic fabric ? The world?s most ideal material for high-end luggage Up to 2x the abrasion resistance and up to 4x the tear resistance compared other premium brands using 1680 D fabrics and is up to 9x stronger than polyester fabrics Patented, ultra-durable CG wheel base and retractable handle for ideal balance and convenience of traveling with one, two or all three pieces Ability to connect with Club Glove?s premium golf travel bags Premium YKK? zippers and ITW Nexus? buckles Internal webbing with superior tensile strength Includes 3 total nylon mesh Packing Modules with YKK zippers 1 Large: 17H x 12W x 5D 2 Small: 17H x 12W x 3D 3 Mini: 12 H x 8.5 W x ?5 D

6Ft Stereo Y-Cable RA 3.5mm TRS To Dual RCA $6.17 Stereo Breakout, Right-Angle 3.5MM TRS to Dual RCA – 6′This cable is designed to connect a digital audio player to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver.

Audio Cable 1M 1/4 TRS To Dual 1/4 TS $6.84 Insert Cable, 1/4″ TRS to Dual 1/4″ TS – 1M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification.

Audio Cable 2M 1/4 TRS To Dual 1/4 TS $7.2 Insert Cable, 1/4″ TRS to Dual 1/4″ TS – 2M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification.

Audio Cable 3M 1/4 TRS To Dual 1/4 TS $7.48 Insert Cable, 1/4″ TRS to Dual 1/4″ TS – 3M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification.

Audio Cable 4M 1/4 TRS To Dual 1/4 TS $8.61 Insert Cable, 1/4″ TRS to Dual 1/4″ TS – 4M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Leads are labeled TIP (send) and RING (return) to aid in identification.

Stereo Y-Cable 2M 3.5mm TRS To Dual XLR Male $11.32 Stereo Breakout, 3.5MM TRS to Dual XLR3M – 2MThis cable is designed to connect a digital audio player or similar device to pro audio gear. It is ideal for connecting an iPod®, laptop, or similar device to a mixing console.

Stereo Y-Cable 3M 3.5mm TRS To Dual XLR Male $12.35 Stereo Breakout, 3.5MM TRS to Dual XLR3M – 3MThis cable is designed to connect a digital audio player or similar device to pro audio gear. It is ideal for connecting an iPod®, laptop, or similar device to a mixing console.

3Ft Stereo Y-Cable 3.5mm TRS To Dual RCA $5.14 Stereo Breakout, 3.5MM TRS to Dual RCA – 3′This cable is designed to connect a digital audio player or similar device to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver.

6Ft Stereo Y-Cable 3.5mm TRS To Dual RCA $6.17 Stereo Breakout, 3.5MM TRS to Dual RCA – 6′This cable is designed to connect a digital audio player or similar device to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver.

15Ft Stereo Y-Cable 3.5mm TRS To Dual RCA $8.23 Stereo Breakout, 3.5MM TRS to Dual RCA – 15′This cable is designed to connect a digital audio player or similar device to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver.

25Ft Stereo Y-Cable 3.5mm TRS To Dual RCA $12.35 Stereo Breakout, 3.5MM TRS to Dual RCA – 25′This cable is designed to connect a digital audio player or similar device to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver.

3Ft Stereo Y-Cable RA 3.5mm TRS To Dual RCA $5.14 Stereo Breakout, Right-Angle 3.5MM TRS to Dual RCA – 3′This cable is designed to connect a digital audio player to a stereo system. It is ideal for connecting an iPod®, laptop, or similar device to a hi-fi receiver.

Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black Microsuede $479.99 1976-12 Wrangler and Jeep CJ;Black Microsuede;High Density injection molded foam;Integrated full body support;up to a 36 in.-38 in. waist Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black Microsuede

Seismic Audio – PA Speaker Cable Connector/Adapter – 1/4 TRS Female to XLR Male $4.99 Converter your male 1/4 inch cables to XLR male cables with these 1/4 inch TRS female to XLR male adapters.

Cables To Go 12ft ProAudio Cable 1/4in TRS Male to 1/4in TRS Male $27.2 Use this Tip/Ring/Sleeve (TRS) configuration cable to connect balanced line outputs to balanced line inputs. This proaudio cable is made from 22 AWG twisted pair audio cable under an aluminum foil shield and 60 copper braid for maximum shielding from noise. The highly flexible 7mm PVC jacket reduces the risk of the cable kinking and damaging the conductors.Bright nickel plating on solid brass connectors resists wear from reconfiguring and moving equipment from one venue to another. Spring strain relief on the 1/4in plug reduces the effects of age on the solder joints and contacts. Color: Black. Length: 12 .

Audio Cable 1M RA 1/4 TRS To Dual RA 1/4 TS $5.14 Insert Cable, Right-Angle 1/4″ TRS to Dual Right-Angle 1/4″ TS – 1M This cable is designed to connect a channel insert on a mixing console to an effects processor with unbalanced phone jacks. Right-angle plugs allow easy access to jacks with minimal clearance.

1Ft Microphone Cable Dual XLR3F To RA 3.5mm TRS $10.29 Microphone Cable, Dual XLR3F to Right-Angle 3.5MM TRS – 1′This cable is designed to connect two microphones with XLR outputs to a mini stereo phone input. It is ideal for connecting pro mics to a DV camera or portable audio recorder.

2Ft Microphone Cable Dual XLR3F To RA 3.5mm TRS $10.29 Microphone Cable, Dual XLR3F to Right-Angle 3.5MM TRS – 2′This cable is designed to connect two microphones with XLR outputs to a mini stereo phone input. It is ideal for connecting pro mics to a DV camera or portable audio recorder.

5Ft Microphone Cable Dual XLR3F To RA 3.5mm TRS $12.35 Microphone Cable, Dual XLR3F to Right-Angle 3.5MM TRS – 5′This cable is designed to connect two microphones with XLR outputs to a mini stereo phone input. It is ideal for connecting pro mics to a DV camera or portable audio recorder.

Stereo Y-Cable 1/4 TRS To Dual 1/4 TSF $4.11 Stereo Breakout, 1/4″ TRS to Dual 1/4″ TSFThis cable is designed to split a stereo signal. Black- and red-coded mono phone jacks indicate left and right respectively. It may also be used to adapt a stereo cable with mono phone plugs to a stereo phone jack.

Stereo Y-Cable 1/4 TRS To Dual 3.5mm TRSF $4.11 Stereo Breakout, 1/4″ TRS to Dual 3.5MM TRSFThis cable is designed to split a stereo signal. Each mini stereo phone jack applies mono equally to left and right. It is ideal for use with personal mixers and monitor systems, allowing two musicians to use a single system.

Stereo Y-Cable 3.5mm TRS To Dual 1/4 TSF $4.48 Stereo Breakout,3.5MM TRS to Dual 1/4″ TSFThis cable is designed to split a stereo signal. Black- and red-coded mono phone jacks indicate left and right respectively. It may also be used to adapt a stereo cable with mono phone plugs to a mini stereo phone jack.

Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black/Grey Microsuede $479.99 1976-12 Wrangler and Jeep CJ;Black/Grey Microsuede;High Density injection molded foam;Integrated full body support;up to a 36 in.-38 in. waist Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black/Grey Microsuede

Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black Cloth Wide $479.99 1976-12 Wrangler and Jeep CJ;Black Cloth Wide;High Density injection molded foam;Integrated full body support;up to a 38-40 in. waist Jeep Seats: Corbeau Seats; Corbeau TRS Seat Black Cloth Wide

Protec Helmet Classic Bucky Lasek Trs Blue 10 M $49.75 Protec Classic Bucky Lasek’ Trs Blue 10 M: NEW for 2010 The original Protec 1970 s helmet with Bucky s own personal styling. Multiimpact two stage liner ABS shell stainless steel rivets and soft tubular webbing. Complete with a sticker sheet of Bucky s sponsors.

Protec Helmet Classic Bucky Lasek Trs Blue 10 X $49.75 Protec Classic Bucky Lasek’ Trs Blue 10 XL: NEW for 2010 The original Protec 1970 s helmet with Bucky s own personal styling. Multiimpact two stage liner ABS shell stainless steel rivets and soft tubular webbing. Complete with a sticker sheet of Bucky s sponsors.

Protec Helmet Classic Bucky Lasek Trs Blue 10 S $49.75 Protec Classic Bucky Lasek’ Trs Blue 10 S: NEW for 2010 The original Protec 1970 s helmet with Bucky s own personal styling. Multiimpact two stage liner ABS shell stainless steel rivets and soft tubular webbing. Complete with a sticker sheet of Bucky s sponsors.

Protec Helmet Classic Bucky Lasek Trs Blue 10 L $49.75 Protec Classic Bucky Lasek’ Trs Blue 10 L: NEW for 2010 The original Protec 1970 s helmet with Bucky s own personal styling. Multiimpact two stage liner ABS shell stainless steel rivets and soft tubular webbing. Complete with a sticker sheet of Bucky s sponsors.

Gxp-246 – Hosa Xlr To Trs Adapter – 3-Pin Xlr Male To Trs Male $7.37 [T47578] UPC: 728736014367 UNSPC: 43201500 6.35L x 2.5W x 1H 0.1 LB

Gxp-143 – Hosa Xlr To Trs Adapter – 3-Pin Xlr Female To Trs Male $7.13 [T47577] UPC: 728736014350 UNSPC: 43201500 6.35L x 2.5W x 1H 0.1 LB

Tilting Panel $7 Tilting Panel

PANEL,CONTROL $3.13 PANEL,CONTROL

LOADER PANEL $2.87 LOADER PANEL

Solar Panel $6 Solar Panel

CONTROL PANEL $733.99 CONTROL PANEL

Mod Panel $8.99 MOD PANEL

Op Panel $163.99 OP PANEL

Seismic Audio – 8 Channel 1/4 TRS Patch Effects Snake Cable – 10 ft PA Snake $39.99 Buy a 8 channel TRS snake cable. This 1/4 inch TRS snake cable is 10 feet from fantail to fantail. Each end of the snake has 8 well labeled channels for easy cable management. Order this 10′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 8 Channel 1/4 TRS Patch Effects Snake Cable – 5 ft PA Snake $34.99 Buy a 8 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 8 well labeled channels for easy cable management. Order this 5′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 8 Channel 1/4 TRS Patch Effects Snake Cable – 15 ft PA Snake $44.99 Buy a 8 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 8 well labeled channels for easy cable management. Order this 15′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 16 Channel 1/4 TRS Patch Effects Snake Cable – 15 ft PA Snake $59.99 Buy a 16 channel TRS snake cable. This 1/4 inch TRS snake cable is 15 feet from fantail to fantail. Each end of the snake has 16 well labeled channels for easy cable management. Order this 15′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 4 Channel 1/4 TRS Patch Effects Snake Cable – 5 ft PA Snake $21.99 Buy a 4 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 4 well labeled channels for easy cable management. Order this 5′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 4 Channel 1/4 TRS Patch Effects Snake Cable – 10 ft PA Snake $25.99 Buy a 4 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 4 well labeled channels for easy cable management. Order this 10′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 16 Channel 1/4 TRS Patch Effects Snake Cable – 10 ft PA Snake $54.99 Buy a 16 channel TRS snake cable. This 1/4 inch TRS snake cable is 10 feet from fantail to fantail. Each end of the snake has 16 well labeled channels for easy cable management. Order this 10′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 12 Channel 1/4 TRS Patch Effects Snake Cable – 15 ft PA Snake $54.99 Buy a 12 channel TRS snake cable. This 1/4 inch TRS snake cable is 15 feet from fantail to fantail. Each end of the snake has 12 well labeled channels for easy cable management. Order this 15′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 12 Channel 1/4 TRS Patch Effects Snake Cable – 10 ft PA Snake $49.99 Buy a 12 channel TRS snake cable. This 1/4 inch TRS snake cable is 10 feet from fantail to fantail. Each end of the snake has 12 well labeled channels for easy cable management. Order this 10′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 12 Channel 1/4 TRS Patch Effects Snake Cable – 5 ft PA Snake $44.99 Buy a 12 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 12 well labeled channels for easy cable management. Order this 5′ pro audio cable by 2:30 and it ships same day Free.

Seismic Audio – 16 Channel 1/4 TRS Patch Effects Snake Cable – 5 ft PA Snake $49.99 Buy a 16 channel TRS snake cable. This 1/4 inch TRS snake cable is 5 feet from fantail to fantail. Each end of the snake has 16 well labeled channels for easy cable management. Order this 5′ pro audio cable by 2:30 and it ships same day Free.

Yoshimura Exhaust Yoshimura Offroad TRS (Tri-Oval) Comp Series Full Exhausts $266.36 Yoshimura Offroad TRS (Tri-Oval) Comp Series Full Exhausts Delivers plenty of performance in the mid and upper end of the powerband. Stainless steel header mated to the same Tri-Oval TRC and TRS mufflers from the Pro Series. Comes equipped with a 2-piece endcap with 96dB USFS approved spark arrestor.

Hillman Fastener Corp Hillman Fastener Corp 8-32×2 Sl Trs Mach Screw 111631 $8.25 8-32×2 sl trs mach screw Truss combo head Zinc chromate-plated steel 100-piece per box 8-32×2 Brand #: Hillman Fastener Corp 111631 UPC: 008236067361 Keywords: truss head machine screw zinc plated bolt tr hd trs mach zp combo screws steel

Hillman Fastener Corp Hillman Fastener Corp 8-32×1 Sl Trs Mach Screw 111725 $3.79 8-32×1 sl trs mach screw Truss combo head Zinc chromate-plated steel 100-piece per box 8-32×1 Brand #: Hillman Fastener Corp 111725 UPC: 008236067583 Keywords: truss head machine screw zinc plated bolt tr hd trs mach zp combo screws steel

Hillman Fastener Corp Hillman Fastener Corp 10-24×1 2 Trs Mach Screw 111753 $3.48 10-24×1/2 trs mach screw Truss combo head Zinc chromate-plated steel 100-piece per box 10-24×1/2 Brand #: Hillman Fastener Corp 111753 UPC: 008236067651 Keywords: truss head machine screw zinc plated bolt tr hd trs mach zp combo screws steel

Yoshimura Dual Tri-Oval Race (TRS) Bolt-On Mufflers w/Satin-Finish Titanium Muffler Sleeves 1120467 $632.99 ” A convenient bolt-on muffler package with the TRS race exhaust features Tri-oval muffler shape gives you maximum cornering clearance, uniquu”

Yoshimura Tri-Oval Race (TRS) Slip-On Muffler w/Satin Finish Titanium Muffler Sleeve 1112267 $415.99 ” A convenient slip-on muffler package with the TRS race exhaust features Tri-oval muffler shape gives you maximum cornering clearance, uniquu”

Cables To Go 40075 25ft PROAUDIO CABLE 14in TRS MALE to 14in TRS MALE $26.79 ProAudio Cables from Impact Acoustics are made from twisted pair audio cable under an aluminum foil for maximum shielding from noise. High flexibility 7mm PVC jacket reduces the risk of cables kinking and damaging the conductors. Bright nickel plating on solid brass connectors resists wear from reconfiguring and moving equipment from one venue to another. Spring strain relief on the plug reduces the effects of age on the solder joints and contacts. Features: 22AWG Twisted Pair construction. Foil shield and 60 copper braid. Nickel plated brass connectors. Tip/Ring/Sleeve (TRS) Configuration. Connect line or mic level outputs from mixing consoles to recorders and amplifiers with balanced inputs.

Cables To Go 40072 3ft PROAUDIO CABLE 14in TRS MALE to 14in TRS MALE $16.16 ProAudio Cables from Impact Acoustics are made from twisted pair audio cable under an aluminum foil for maximum shielding from noise. High flexibility 7mm PVC jacket reduces the risk of cables kinking and damaging the conductors. Bright nickel plating on solid brass connectors resists wear from reconfiguring and moving equipment from one venue to another. Spring strain relief on the plug reduces the effects of age on the solder joints and contacts. Features: 22AWG Twisted Pair construction. Foil shield and 60 copper braid. Nickel plated brass connectors. Tip/Ring/Sleeve (TRS) Configuration. Connect line or mic level outputs from mixing consoles to recorders and amplifiers with balanced inputs.

Cables To Go 40076 50ft PROAUDIO CABLE 14in TRS MALE to 14in TRS MALE $43.28 ProAudio Cables from Impact Acoustics are made from twisted pair audio cable under an aluminum foil for maximum shielding from noise. High flexibility 7mm PVC jacket reduces the risk of cables kinking and damaging the conductors. Bright nickel plating on solid brass connectors resists wear from reconfiguring and moving equipment from one venue to another. Spring strain relief on the plug reduces the effects of age on the solder joints and contacts. Features: 22AWG Twisted Pair construction. Foil shield and 60 copper braid. Nickel plated brass connectors. Tip/Ring/Sleeve (TRS) Configuration. Connect line or mic level outputs from mixing consoles to recorders and amplifiers with balanced inputs.

Panel $4.99 We believe it is important to preserve what makes music special, and make it easy to craft listening experiences. At MOG, browse millions songs and play them instantly. Or just turn on radio where you can stop and replay songs. You can also create playlists for any occasion, and even download songs to your mobile. We are dedicated to employing the cleanest but most powerful technology so you can enjoy music as much as ever.

Seismic Audio – 16 Channel 20 Foot XLR Female to TRS Snake Cable $59.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 16 Channel 5 Foot XLR Female to TRS Snake Cable $44.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 10 Foot XLR Female to TRS Snake Cable $39.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 16 Channel 10 Foot XLR Male to TRS Snake Cable $49.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR male on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 15 Foot XLR Female to TRS Snake Cable $44.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 16 Channel 15 Foot XLR Male to TRS Snake Cable $54.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR male on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 20 Foot XLR Female to TRS Snake Cable $49.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 16 Channel 20 Foot XLR Male to TRS Snake Cable $59.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR male on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 5 Foot XLR Female to TRS Snake Cable $34.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 15 Foot XLR Male to TRS Snake Cable $44.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR male on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 20 Foot XLR Male to TRS Snake Cable $49.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR male on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 5 Foot XLR Male to TRS Snake Cable $34.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR male on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 16 Channel 10 Foot XLR Female to TRS Snake Cable $49.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 16 Channel 15 Foot XLR Female to TRS Snake Cable $54.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 1/4 TRS to 16 TS Insert Snake Audio Cable 55′ $39.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 16 Channel 5 Foot XLR Male to TRS Snake Cable $44.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR male on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 4 Channel 1/4 TRS to 8 TS Insert Snake Audio Cable 3′ $24.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 4 Channel 1/4 TRS to 8 TS Insert Snake Audio Cable 7′ $29.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 1/4 TRS to 16 TS Insert Snake Audio Cable 10′ $44.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 8 Channel 1/4 TRS to 16 TS Insert Snake Audio Cable 15′ $49.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

Seismic Audio – 12 Channel 1/4 TRS to 24 TS Insert Snake Audio Cable 10′ $54.99 Shielded and balanced, this snake is ideal for use in the recording studio or live applications. XLR female on one end, 1/4″ TRS on the other. 22g Oxygen-Free Copper (OFC) conductors for enhanced signal clarity and superior RF rejection.

QSC K Series K12 2-way 12 Active Loudspeaker $849.99 The QSC K Series is quite simply The New Standard in lightweight powered loudspeaker systems. Under the direction of Pat Quilter, QSC’s team of amplifier engineers have created a new standard in Class D power modules unparalleled in the industry. Next, breaking from the traditional loudspeaker paradigm, every model is fitted with the identical 1.75" HF device (fullrange models) and woofers of the same high quality for unparalleled performance, regardless of speaker size. Combo XLR and 1/4" TRS inputs accept both Mic and Line Level input while a set of RCA phono inputs (except KSub) allow additional connectivity to portable MP3 players, CD players and line-level mixers. Up to three audio sources can be mixed internally and summed to a balanced output for "daisy-chaining" of multiple units. Separate direct outputs are also provided on each channel for additional output flexibility. On-board switches provide preset EQ settings. The HF setting (fullrange models) can be set to VOCAL BOOST for additional presence in the critical mid-frequency area or FLAT for accurate reproduction of the incoming signal. The LF switch can be set to NORM, DEEP? for additional bass extension, or EXT SUB (fullrange models) for use with an external subwoofer. The rear panel LED switch can be set to POWER, illuminating the front-mounted LED when the unit is powered on, OFF for applications where it is not desirable to illuminate the front LED, or LIMIT which indicates to the system operator that the clip limiter circuit has been engaged during operation. Fullrange models are housed in rugged ABS enclosures with a professional appearance that is at home in any application. ABS is a far more robust material than conventional speaker plastics and offers an additional measure of sonic clarity due to its internal rigidity. Ergonomic aluminum handles and a highly protective steel grille complete the package for ease of transport and long term durability. The K Series fullrange models feature a unique Tilt-Direct? pole cup mounting system. A simple turn of the dial engages a 7.5 degree downward tilt of the speaker allowing acoustic energy to be kept on the audience and off reflective surfaces for applications where maximum coverage from a high-positioned speaker is desired. Integrated M10 suspension points allow for suspended applications with a K SERIES M10 KIT (sold separately) or Yoke bracket (sold separately). Features: Lightweight portable powered speakers with legendary QSC amplifier power and reliability 1000 watt Class D power modules in all models Extensive DSP enhances system performance Attractive and professional appearance Rugged ABS enclosures Tour-grade 18 gauge steel grilles Comfortable ergonomic handles 35 mm pole sockets with Tilt-Direct? (fullrange models) DMT? (Directivity Matched Transition) provides for matched LF and HF coverage across the entire listening area, eliminating unnatural "dead" or "hot" frequency zones. Intrinsic Correction?, first featured in our high-end line-array products maps 65-75 spacially-averaged measurements to IIR and FIR filters that actively adjust time, frequency and amplitude response to a maximally flat bandpass target. The result is a speaker that behaves equally well across the entire sound field. DEEP? and excursion limiting allow for extended low-frequency response by actively managing low-frequency transients without degradation of the underlying signal or adjacent frequencies. GuardRail? protection, first introduced on our GX Series amplifiers protects both the amplifier module and your performance from unnatural and destructive clipping.

QSC K Series K8 2-way 8 Active Loudspeaker $699.99 The QSC K Series is quite simply The New Standard in lightweight powered loudspeaker systems. Under the direction of Pat Quilter, QSC’s team of amplifier engineers have created a new standard in Class D power modules unparalleled in the industry. Next, breaking from the traditional loudspeaker paradigm, every model is fitted with the identical 1.75" HF device (fullrange models) and woofers of the same high quality for unparalleled performance, regardless of speaker size. Combo XLR and 1/4" TRS inputs accept both Mic and Line Level input while a set of RCA phono inputs (except KSub) allow additional connectivity to portable MP3 players, CD players and line-level mixers. Up to three audio sources can be mixed internally and summed to a balanced output for "daisy-chaining" of multiple units. Separate direct outputs are also provided on each channel for additional output flexibility. On-board switches provide preset EQ settings. The HF setting (fullrange models) can be set to VOCAL BOOST for additional presence in the critical mid-frequency area or FLAT for accurate reproduction of the incoming signal. The LF switch can be set to NORM, DEEP? for additional bass extension, or EXT SUB (fullrange models) for use with an external subwoofer. The rear panel LED switch can be set to POWER, illuminating the front-mounted LED when the unit is powered on, OFF for applications where it is not desirable to illuminate the front LED, or LIMIT which indicates to the system operator that the clip limiter circuit has been engaged during operation. Fullrange models are housed in rugged ABS enclosures with a professional appearance that is at home in any application. ABS is a far more robust material than conventional speaker plastics and offers an additional measure of sonic clarity due to its internal rigidity. Ergonomic aluminum handles and a highly protective steel grille complete the package for ease of transport and long term durability. The K Series fullrange models feature a unique Tilt-Direct? pole cup mounting system. A simple turn of the dial engages a 7.5 degree downward tilt of the speaker allowing acoustic energy to be kept on the audience and off reflective surfaces for applications where maximum coverage from a high-positioned speaker is desired. Integrated M10 suspension points allow for suspended applications with a K SERIES M10 KIT (sold separately) or Yoke bracket (sold separately). Features: Lightweight portable powered speakers with legendary QSC amplifier power and reliability 1000 watt Class D power modules in all models Extensive DSP enhances system performance Attractive and professional appearance Rugged ABS enclosures Tour-grade 18 gauge steel grilles Comfortable ergonomic handles 35 mm pole sockets with Tilt-Direct? (fullrange models) DMT? (Directivity Matched Transition) provides for matched LF and HF coverage across the entire listening area, eliminating unnatural "dead" or "hot" frequency zones. Intrinsic Correction?, first featured in our high-end line-array products maps 65-75 spacially-averaged measurements to IIR and FIR filters that actively adjust time, frequency and amplitude response to a maximally flat bandpass target. The result is a speaker that behaves equally well across the entire sound field. DEEP? and excursion limiting allow for extended low-frequency response by actively managing low-frequency transients without degradation of the underlying signal or adjacent frequencies. GuardRail? protection, first introduced on our GX Series amplifiers protects both the amplifier module and your performance from unnatural and destructive clipping.

QSC K10 2-way 10 Active Loudspeaker $749.99 The QSC K Series is quite simply The New Standard in lightweight powered loudspeaker systems. Under the direction of Pat Quilter, QSC’s team of amplifier engineers have created a new standard in Class D power modules unparalleled in the industry. Next, breaking from the traditional loudspeaker paradigm, every model is fitted with the identical 1.75" HF device (fullrange models) and woofers of the same high quality for unparalleled performance, regardless of speaker size. Combo XLR and 1/4" TRS inputs accept both Mic and Line Level input while a set of RCA phono inputs (except KSub) allow additional connectivity to portable MP3 players, CD players and line-level mixers. Up to three audio sources can be mixed internally and summed to a balanced output for "daisy-chaining" of multiple units. Separate direct outputs are also provided on each channel for additional output flexibility. On-board switches provide preset EQ settings. The HF setting (fullrange models) can be set to VOCAL BOOST for additional presence in the critical mid-frequency area or FLAT for accurate reproduction of the incoming signal. The LF switch can be set to NORM, DEEP? for additional bass extension, or EXT SUB (fullrange models) for use with an external subwoofer. The rear panel LED switch can be set to POWER, illuminating the front-mounted LED when the unit is powered on, OFF for applications where it is not desirable to illuminate the front LED, or LIMIT which indicates to the system operator that the clip limiter circuit has been engaged during operation. Fullrange models are housed in rugged ABS enclosures with a professional appearance that is at home in any application. ABS is a far more robust material than conventional speaker plastics and offers an additional measure of sonic clarity due to its internal rigidity. Ergonomic aluminum handles and a highly protective steel grille complete the package for ease of transport and long term durability. The K Series fullrange models feature a unique Tilt-Direct? pole cup mounting system. A simple turn of the dial engages a 7.5 degree downward tilt of the speaker allowing acoustic energy to be kept on the audience and off reflective surfaces for applications where maximum coverage from a high-positioned speaker is desired. Integrated M10 suspension points allow for suspended applications with a K SERIES M10 KIT (sold separately) or Yoke bracket (sold separately). Features: Lightweight portable powered speakers with legendary QSC amplifier power and reliability 1000 watt Class D power modules in all models Extensive DSP enhances system performance Attractive and professional appearance Rugged ABS enclosures Tour-grade 18 gauge steel grilles Comfortable ergonomic handles 35 mm pole sockets with Tilt-Direct? (fullrange models) DMT? (Directivity Matched Transition) provides for matched LF and HF coverage across the entire listening area, eliminating unnatural "dead" or "hot" frequency zones. Intrinsic Correction?, first featured in our high-end line-array products maps 65-75 spacially-averaged measurements to IIR and FIR filters that actively adjust time, frequency and amplitude response to a maximally flat bandpass target. The result is a speaker that behaves equally well across the entire sound field. DEEP? and excursion limiting allow for extended low-frequency response by actively managing low-frequency transients without degradation of the underlying signal or adjacent frequencies. GuardRail? protection, first introduced on our GX Series amplifiers protects both the amplifier module and your performance from unnatural and destructive clipping.

Roland CUBE-40XL – 1×10 40-Watt Combo Guitar Amplifier $219 With over one million CUBE amps sold and going strong, Roland continues to push the envelope with innovative amp technology and design. Today, the top-selling CUBE amp family gets another shot of adrenaline with the new CUBE-XL series, comprising four screamin’ amps: the 15XL, 20XL, 40XL, and 80XL. The CUBE-XL amps turn up the heat with new, ultra-heavy COSM amp models, hard-rockin’ effects, onboard phrase looping, and more. From crystal clean to crushing metal, the XL line provides a mouth-watering menu of COSM amps and effects, including the massive Extreme, Heavy Octave, and Metal Zone, plus the legendary JC-120, Acoustic Guitar Simulator, vintage Spring Reverb, and more (see below for the specific features of each amp). All amps in the XL series offer switchable Lead and Clean channels, with the 20XL, 40XL and 80XL providing a third Solo channel. Hard, heavy, and tough as nails . . . the new CUBE XL series will breathe fire into your music! Features: 40-watt guitar amp with 10" high-performance speaker Three footswitchable channels, including JC Clean, Lead, and Solo with memory capability 10 COSM amp models, including the new Extreme amp Eight effects, including the new Heavy Octave and COSM vintage Spring Reverb 80-second Phrase Looper built in Power Squeezer for full gain at low volume Hands-free channel switching via footswitch (sold separately) Rated Power Output 40 W Nominal Input Level INPUT: -10 dBu/1 M?, AUX IN: -10 dBu Speaker 25 cm (10 inches) Controls POWER Switch, CH SELECT Switch, TUNER Switch, POWER SQUEEZER Switch, [JC CLEAN Channel] VOLUME Knob [LEAD Channel] TYPE Switch (ACOUSTIC SIM, BLACK PANEL, BRIT COMBO, TWEED, CLASSIC STACK, METAL STACK, R-FIER STACK, EXTREME, DYNA AMP), GAIN Knob, VOLUME Knob [SOLO] ON/OFF, MEMORY Switch, VOLUME Knob, [EQUALIZER] BASS Knob, MIDDLE Knob, TREBLE Knob [EFX] EFX Knob (CHORUS, FLANGER, PHASER, TREMOLO, HEAVY OCTAVE) [DELAY/LOOPER] REC/PLAY/DUB Switch, TAP/STOP Switch, DELAY/LOOPER Knob (DELAY, LOOPER) [REVERB] REVERB Knob (SPRING, PLATE) Indicators JC CLEAN Channel, LEAD Channel, TUNER, SOLO, EFX, DELAY/LOOPER, REC/PLAY/DUB, REVERB, POWER SQUEEZER Connectors INPUT Jack (1/4-inch phone type), AUX IN Jack (Stereo miniature phone type), RECORDING OUT/PHONES Jack (Stereo 1/4- inch phone type), FOOT SW Jack (TIP: CH SELECT, RING:SOLO) (1/4-inch TRS phone type), FOOT SW Jack (TIP:EFX, RING: REVERB) (1/4-inch TRS phone type), FOOT SW Jack (TIP:DELAY/REC/PLAY/DUB, RING: TAP/STOP) (1/4-inch TRS phone type) Power Consumption 43 W Dimensions 385 (W) x 265 (D) x 385 (H) mm / 15-3/16 (W) x 10-7/16 (D) x 15-3/16 (H) inches Weight 10 kg / 22 lbs 1 oz Accessory Owner’s Manual Options Foot Switch (BOSS FS-5L, FS-5U, FS-6)

Roland CUBE-80XL – 1×12 80-Watt Combo Guitar Amplifier $379 With over one million CUBE amps sold and going strong, Roland continues to push the envelope with innovative amp technology and design. Today, the top-selling CUBE amp family gets another shot of adrenaline with the new CUBE-XL series, comprising four screamin’ amps: the 15XL, 20XL, 40XL, and 80XL. The CUBE-XL amps turn up the heat with new, ultra-heavy COSM amp models, hard-rockin’ effects, onboard phrase looping, and more. From crystal clean to crushing metal, the XL line provides a mouth-watering menu of COSM amps and effects, including the massive Extreme, Heavy Octave, and Metal Zone, plus the legendary JC-120, Acoustic Guitar Simulator, vintage Spring Reverb, and more (see below for the specific features of each amp). All amps in the XL series offer switchable Lead and Clean channels, with the 20XL, 40XL and 80XL providing a third Solo channel. Hard, heavy, and tough as nails . . . the new CUBE XL series will breathe fire into your music! Features: 80-watt guitar amp with 12" high-performance speaker Three footswitchable channels, including JC Clean, Lead, and Solo with memory capability 11 COSM amp models, including the new Extreme amp Eight effects, including the new Heavy Octave and COSM vintage Spring Reverb 80-second Phrase Looper built in Three-band EQ plus Presence control for fine-tuning your sound Hands-free channel switching via footswitch (sold separately) Rated Power Output 80 W Nominal Input Level INPUT: -10 dBu/1 M?, AUX IN: -10 dBu Speaker 30 cm (12 inches) Controls POWER Switch, CH SELECT Switch, TUNER Switch [JC CLEAN Channel] BRIGHT Switch, VOLUME Knob [LEAD Channel] TYPE Switch (ACOUSTIC SIM, BLACK PANEL, DLX COMBO, BRIT COMBO, TWEED, CLASSIC STACK, METAL STACK, R-FIER STACK, EXTREME, DYNA AMP) GAIN Knob, VOLUME Knob [SOLO] ON/OFF, MEMORY Switch, VOLUME Knob [EQUALIZER] BASS Knob, MIDDLE Knob, TREBLE Knob [PRESENCE] PRESENCE Knob [EFX] EFX Knob (CHORUS, FLANGER, PHASER, TREMOLO, HEAVY OCTAVE) [DELAY/LOOPER] REC/PLAY/DUB Switch, TAP/STOP Switch, DELAY/LOOPER Knob (DELAY, LOOPER) [REVERB] REVERB Knob (SPRING, PLATE) [FOOT SW] FOOT SW TYPE Switch (FS-5L, FS-5U) Indicators JC CLEAN Channel, LEAD Channel, TUNER, SOLO, EFX, DELAY/LOOPER, REC/PLAY/DUB, REVERB Connectors INPUT Jack (1/4-inch phone type), AUX IN Jack (Stereo miniature phone type), LINE OUT Jack (1/4-inch phone type), RECORDING OUT/PHONES Jack (Stereo 1/4- inch phone type), EXT SPEAKER Jack (1/4-inch phone type)*, FOOT SW Jack (TIP: CH SELECT, RING:SOLO) (1/4-inch TRS phone type), FOOT SW Jack (TIP:EFX, RING:REVERB) (1/4-inch TRS phone type), FOOT SW Jack (TIP:DELAY/REC/PLAY/DUB, RING:TAP/STOP) (1/4-inch TRS phone type) *When connecting to an external speaker, make sure the speaker conforms to the following specifications. Impedance: 8 ? or less, Allowable power input: 80 watts or greater Power Consumption 75 W Dimensions 440 (W) x 265 (D) x 440 (H) mm / 17-3/8 (W) x 10-7/16 (D) x 17-3/8 (H) inches Weight 16 kg / 35 lbs 5 oz Accessory Owner’s Manual Options Foot Switch (BOSS FS-5L, FS-5U, FS-6)

Yamaha DSR Series – DSR112 1×12 1300-Watt Active Loudspeaker $899.99 Yamaha DSR Series takes portable loudspeakers to the extreme limits of their potential. Output levels pushed to the highest sound pressure levels possible, yet in cabinets that are lightweight and compact. Sound resolution remains superb, no matter how hard or for how long the speakers are driven. Designed by applying our leading-edge digital and acoustic technologies developed over decades, the DSR Series provides a listening experience that re-defines high definition sound reinforcement. For loudspeakers you can count on to deliver the musicality and sound that will thrill audiences night after night, let the DSR Series power your performances to incredible new heights. The DSR development team took full advantage of a number of advanced digital technologies, both new and refined, based on Yamaha’s extensive experience accumulated over many long years of developing professional audio equipment. Leading-edge digital technological innovations incorporated into the DSR Series loudspeakers include Integral Digital Tuning, Intelligent Dynamic Control, Powerful Digital Drive and Extensive DSP Protection. These four "D" technologies combine to make possible the extreme performance capabilities of the DSR Series, hence the name: Xtreme D is born. The outstanding performance of the DSR Series is due to more than advanced digital technologies; these loudspeakers were designed without compromise, masterfully applying analog circuit technologies, acoustic technologies, and structural technologies. Transducers were scrupulously selected, and thoroughly customized. The waveguide horn was designed and optimized for the DSR Series requirements. The cabinet structure was thoroughly analyzed to maximize acoustic properties, durability, portability and versatility. As a result, the DSR Series offers reliability and functionality that meet the strict demands of professionals, deliver top-quality performance and are ideally suited for a wide range of applications. The four easy-to-handle, flexible DSR Series models are well suited for various specific needs, making them ideal for a wide range of professional applications. The DSR112 and DSR115 cabinets have a 35mm pole socket for stand or pole mounting and integrated M10 rigging points for suspended applications with standard eyebolts. The DSR112 can be angled for use as an onstage floor monitor and additional monitors can be daisy-chained via the XLR THRU socket on the rear panel. All full-range models also feature XLR and ¼" TRS jack inputs that accept both mic and line level inputs. Features: Premium-Grade Custom-Designed Transducers High Performance Digital Signal Processor 24-bit Discrete AD and DA Converters Exclusive Wide Dispersion CD Waveguide Horn Waveguide sound pressure distribution comparisons Conventional CD Horn DSR Wide Dispersion CD Waveguide Horn Finite Impulse Response FIR-X tuning DSR118W is protected by an analog circuit

Yamaha DSR Series – DSR115 1×15 1300-Watt Active Loudspeaker $999.99 Yamaha DSR Series takes portable loudspeakers to the extreme limits of their potential. Output levels pushed to the highest sound pressure levels possible, yet in cabinets that are lightweight and compact. Sound resolution remains superb, no matter how hard or for how long the speakers are driven. Designed by applying our leading-edge digital and acoustic technologies developed over decades, the DSR Series provides a listening experience that re-defines high definition sound reinforcement. For loudspeakers you can count on to deliver the musicality and sound that will thrill audiences night after night, let the DSR Series power your performances to incredible new heights. The DSR development team took full advantage of a number of advanced digital technologies, both new and refined, based on Yamaha’s extensive experience accumulated over many long years of developing professional audio equipment. Leading-edge digital technological innovations incorporated into the DSR Series loudspeakers include Integral Digital Tuning, Intelligent Dynamic Control, Powerful Digital Drive and Extensive DSP Protection. These four "D" technologies combine to make possible the extreme performance capabilities of the DSR Series, hence the name: Xtreme D is born. The outstanding performance of the DSR Series is due to more than advanced digital technologies; these loudspeakers were designed without compromise, masterfully applying analog circuit technologies, acoustic technologies, and structural technologies. Transducers were scrupulously selected, and thoroughly customized. The waveguide horn was designed and optimized for the DSR Series requirements. The cabinet structure was thoroughly analyzed to maximize acoustic properties, durability, portability and versatility. As a result, the DSR Series offers reliability and functionality that meet the strict demands of professionals, deliver top-quality performance and are ideally suited for a wide range of applications. The four easy-to-handle, flexible DSR Series models are well suited for various specific needs, making them ideal for a wide range of professional applications. The DSR112 and DSR115 cabinets have a 35mm pole socket for stand or pole mounting and integrated M10 rigging points for suspended applications with standard eyebolts. The DSR112 can be angled for use as an onstage floor monitor and additional monitors can be daisy-chained via the XLR THRU socket on the rear panel. All full-range models also feature XLR and ¼" TRS jack inputs that accept both mic and line level inputs. Features: Premium-Grade Custom-Designed Transducers High Performance Digital Signal Processor 24-bit Discrete AD and DA Converters Exclusive Wide Dispersion CD Waveguide Horn Waveguide sound pressure distribution comparisons Conventional CD Horn DSR Wide Dispersion CD Waveguide Horn Finite Impulse Response FIR-X tuning DSR118W is protected by an analog circuit

Yamaha DSR Series – DSR118W 1×18 800-Watt Active Subwoofer $999.99 Yamaha DSR Series takes portable loudspeakers to the extreme limits of their potential. Output levels pushed to the highest sound pressure levels possible, yet in cabinets that are lightweight and compact. Sound resolution remains superb, no matter how hard or for how long the speakers are driven. Designed by applying our leading-edge digital and acoustic technologies developed over decades, the DSR Series provides a listening experience that re-defines high definition sound reinforcement. For loudspeakers you can count on to deliver the musicality and sound that will thrill audiences night after night, let the DSR Series power your performances to incredible new heights. The DSR development team took full advantage of a number of advanced digital technologies, both new and refined, based on Yamaha’s extensive experience accumulated over many long years of developing professional audio equipment. Leading-edge digital technological innovations incorporated into the DSR Series loudspeakers include Integral Digital Tuning, Intelligent Dynamic Control, Powerful Digital Drive and Extensive DSP Protection. These four "D" technologies combine to make possible the extreme performance capabilities of the DSR Series, hence the name: Xtreme D is born. The outstanding performance of the DSR Series is due to more than advanced digital technologies; these loudspeakers were designed without compromise, masterfully applying analog circuit technologies, acoustic technologies, and structural technologies. Transducers were scrupulously selected, and thoroughly customized. The waveguide horn was designed and optimized for the DSR Series requirements. The cabinet structure was thoroughly analyzed to maximize acoustic properties, durability, portability and versatility. As a result, the DSR Series offers reliability and functionality that meet the strict demands of professionals, deliver top-quality performance and are ideally suited for a wide range of applications. The four easy-to-handle, flexible DSR Series models are well suited for various specific needs, making them ideal for a wide range of professional applications. The DSR112 and DSR115 cabinets have a 35mm pole socket for stand or pole mounting and integrated M10 rigging points for suspended applications with standard eyebolts. The DSR112 can be angled for use as an onstage floor monitor and additional monitors can be daisy-chained via the XLR THRU socket on the rear panel. All full-range models also feature XLR and ¼" TRS jack inputs that accept both mic and line level inputs. Features: Premium-Grade Custom-Designed Transducers High Performance Digital Signal Processor 24-bit Discrete AD and DA Converters Exclusive Wide Dispersion CD Waveguide Horn Waveguide sound pressure distribution comparisons Conventional CD Horn DSR Wide Dispersion CD Waveguide Horn Finite Impulse Response FIR-X tuning DSR118W is protected by an analog circuit

Yamaha DSR Series – DSR215 2×15 1300-Watt Active Loudspeaker $1199.99 Yamaha DSR Series takes portable loudspeakers to the extreme limits of their potential. Output levels pushed to the highest sound pressure levels possible, yet in cabinets that are lightweight and compact. Sound resolution remains superb, no matter how hard or for how long the speakers are driven. Designed by applying our leading-edge digital and acoustic technologies developed over decades, the DSR Series provides a listening experience that re-defines high definition sound reinforcement. For loudspeakers you can count on to deliver the musicality and sound that will thrill audiences night after night, let the DSR Series power your performances to incredible new heights. The DSR development team took full advantage of a number of advanced digital technologies, both new and refined, based on Yamaha’s extensive experience accumulated over many long years of developing professional audio equipment. Leading-edge digital technological innovations incorporated into the DSR Series loudspeakers include Integral Digital Tuning, Intelligent Dynamic Control, Powerful Digital Drive and Extensive DSP Protection. These four "D" technologies combine to make possible the extreme performance capabilities of the DSR Series, hence the name: Xtreme D is born. The outstanding performance of the DSR Series is due to more than advanced digital technologies; these loudspeakers were designed without compromise, masterfully applying analog circuit technologies, acoustic technologies, and structural technologies. Transducers were scrupulously selected, and thoroughly customized. The waveguide horn was designed and optimized for the DSR Series requirements. The cabinet structure was thoroughly analyzed to maximize acoustic properties, durability, portability and versatility. As a result, the DSR Series offers reliability and functionality that meet the strict demands of professionals, deliver top-quality performance and are ideally suited for a wide range of applications. The four easy-to-handle, flexible DSR Series models are well suited for various specific needs, making them ideal for a wide range of professional applications. The DSR112 and DSR115 cabinets have a 35mm pole socket for stand or pole mounting and integrated M10 rigging points for suspended applications with standard eyebolts. The DSR112 can be angled for use as an onstage floor monitor and additional monitors can be daisy-chained via the XLR THRU socket on the rear panel. All full-range models also feature XLR and ¼" TRS jack inputs that accept both mic and line level inputs. Features: Premium-Grade Custom-Designed Transducers High Performance Digital Signal Processor 24-bit Discrete AD and DA Converters Exclusive Wide Dispersion CD Waveguide Horn Waveguide sound pressure distribution comparisons Conventional CD Horn DSR Wide Dispersion CD Waveguide Horn Finite Impulse Response FIR-X tuning DSR118W is protected by an analog circuit

266xs Compressor/Gate – dbx -DBX266XSV $149.95 DESCRIPTIONS: The dbx 266xs is a 2-channel compressor/gate that features dbxs world-renowned Overeasy compression technology for the stage or studio. The dbx 266xs will help smooth out uneven levels in your mix, add sustain to guitars and fatten up your drums. When it comes to vocals, the dbx 266xs clamps down and lifts them to the front of the mix helping to make them stand out and be heard!The dbx 266xs Compressor/Gate operates in stereo or dual-mono modes making it a truly versatile performer. Clear precise LED metering gives you clear readouts of gain reduction, compression threshold and gate threshold making it easy to set the proper levels for a given task. Another dbx exclusive on the 266xs is their AutoDynamic attack and release controls. This makes it easy to set and forget these important parameters resulting in a smooth, predictable sound that stays in check but is pretty much invisible as it performs its function.Connections include quality XLR I/O along with TRS jacks. Choose either connector depending on your setup. In addition theres a handy side- chain insert jack on the rear panel.Get your Dbx 266xs Compressor/Gate today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60- day return/price protection policy. Features: Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes Gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4 TRS and XLR connectors Side Chain insert

AKAI Production Monitors with USB Audio Interface RPM3 $72.88 Akai RPM3 monitors provide full-range Frequency response to ensure Audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere.-Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and Record audio to a Computer through the included USB cable. No special Drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, Microphone preamplifier, Guitar effects Processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media. -Features:-USB monitors and audio interface-2×2 USB audio interface allows simultaneous Recording and monitoring of computer audio-Magnetically shielded to prevent interference when placed close to computer monitors-Record and monitor audio using either 1/8″, 1/4″ TRS or RCA Stereo inputs-Lightweight, portable size perfect for desks, project studios and mobile-recording rigs-Volume control, power-switch and 1/8″ Headphone jack located on front panel for quick access

ART DPS II Digital Preamplifier System $265 HIGH PERFORMANCE MICROPHONE PREAMPS Designed as the ideal preamp for any application, the tube driven TPS II and DPS II add warmth and texture to any audio source. These two-channel high performance preamps use a pair of hand selected 12AX7A tubes in the low noise input circuitry. This, coupled with ART’s proprietary V3? (Variable Valve Voicing) and variable input impedance allows the TPS II and DPS II to deliver incredible performance from cost effective single space rackmount solutions. In the case of the DPS II, the added convenience of direct digital output connectivity making it an ideal expander for any computer interface or sound card with RCA S/Pdif digital input.V3? TECHNOLOGY V3? provides optimized reference points to begin the recording process. The V3? presets were created and fine-tuned by some of the industry’s top studio and live-sound engineers. V3? technology allows you to select between a multitude of presets designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals and more. VARIABLE INPUT IMPEDANCE Variable input impedance increases the sonic potential of the TPS II & DPS II even further. It delivers entirely new sonic textures and tone by varying the input impedance of the preamp, which in turn varies the way the microphone reacts to the load of the preamp. This creates a wide range of new sonic possibilities with any modern or vintage condenser, ribbon or dynamic microphone. EXTREMELY WIDE DYNAMIC RANGE The DPS II and TPS II can accept up to +20dB peaks while maintaining over 120dB dynamic range with incredibly low distortion. Input LED metering monitors the signal level of the input amplifier so maximum gain can be achieved without clipping the preamp at the input.OPL? (OUTPUT PROTECTION LIMITER) ART’s OPL? (Output Protection Limiter), which precisely and accurately controls and maintains the output peak signal. The OPL? circuitry is crucial in protecting the next link in a signal chain – such as a hard-disk recording system or a sound card – because unlike analog clipping that sounds musical and sometimes pleasing, digital clipping is nasty and often fatal for your monitors’ tweeters. DIGITAL CONNECTIVITY (DPS II) Digital outputs include S/PDIF, TOSLINK or ADAT (front panel selectable). The A/D is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32KHZ to 100KHz). Multiple DPS II’s can be added to an ADAT stream. A versatile insert loop on each channel provides access for additional signal processing or direct access to our high quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Features: Variable Input Impedance Improved V3? Variable Valve Voicing Presets LED Input Meter with Analog Output Meter Enhanced ART Tube Technology Adds Warmth Automatically switches between instrument and microphone preamp Wide Frequency Response (5Hz/50kHz) Enhanced OPL? Output Protection Limiter Additional Digital Features (DPS II Only) 24bit/96KHz A-to-D Conversion S/PDIF, TOSLINK or ADAT Digital Output Specifications: Input Connections: XLR-F (balanced) (x2) 1/4-inch TRS unbalanced (x2) Output Connection: XLR-M balanced (x2) 1/4-inch TRS unbalanced (x2) Frequency Response: 5Hz to 50kHz (+0 to -1dB) Dynamic Range: >100dB Maximum Gain: 80dB (XLR to XLR); 74dB (inst. input to XLR) CMRR: >75dB (typ. @ 1kHz) THD: .01% (clean), 0.1% (warm) EIN: -129dBu ("A" weighted, XLR to XLR) Maximum Input Level: +19dBu (XLR); +22dBu (inst. input) Maximum Output Level: +28dBu (XLR); +22dBu (1/4-inch) Phantom Power: +48 volts Tube Type: Hand Selected 12AX7A Insert Inputs: 1/4-inch TRS. Tip = input, Ring = analog output. 10K Input impedance. 0dBu= digital clip point at input level max. (Level control offers full mute at min setting) Sample Rates: Internal Selectable 44.1KHz, 48KHz, 88.2KHz,

ART HQ-231 Professional Dual 31-Band Graphic Equalizer with FDC $329 The HQ-231 Dual 31-band Graphic EQ is perfect for any live sound application where there is a high feedback potential including monitor mixes, side-fill cabinets or high powered front-of-house mixes situations. The HQ-231 features ART’s proprietary FDC (Feedback Detection Circuit), with constant Q circuitry capable of delivering a 3% center frequency accuracy. Professional features like LED level metering, selectable 6dB or 12dB slider range, active balanced and unbalanced input & output connectors, RFI filters, independent variable Hi Pass (low cut) and Low Pass (high cut) filters, variable input level control, passive bypass switch, clip level indicator, ground lift switch, and selectable line voltage switch make it ideal for any professional application or touring system.FDC Feedback Detection CircuitFDC (Feedback Detection Circuitry – designed and developed by ART Engineering) instantly illuminates an LED on the corresponding EQ band fader with the greatest sustained signal. The LED indicators can immediately show which band corresponds to the feedback frequency, allowing the sound engineer to reduce gain in that band to quickly kill the feedback while having a minimal impact on the sound of the live program material. The FDC also acts as a simple spectrum viewer while the concert proceeds showing where the ‘hot’ areas are. During system setup and sound check, the FDC may be used to help identify room and sound system resonances. By increasing the gain until feedback, it is easy to identify those frequencies that are likely to be problems. Reducing the gain in these bands helps tune the sound system, and, remove problem areas before the show begins. It also helps increase the gain margin before feedback. Constant-Q FilteringThe HQ-231 features Constant-Q Filtering, which helps the HQ’s FDC work with greater efficiency while offering superior overall performance of the EQ. Constant-Q ensures that even when making radical adjustments to a frequency band, that adjacent bands will not be affected. This is particularly critical in professional applications including monitor mixes and feedback control. Professional Feature SetProfessional features like center detent sliders with selectable boost or cut range of 6dB or 12dB ensures the HQ-231 can be used for radical tone shaping, or precise control of a sound system. Versatile connection to any live sound system or installation can be easily made using balanced XLR, 1/4-inch TRS and unbalanced RCA input and output jacks included on the HQ-231 back panel. High and low pass filters, analog level metering, variable input level controls, signal clip level indicators, ground lift switch, internal power supply and selectable line voltage complete the HQ-231 Dual 31-Band Graphic EQ’s full feature set. Features: FDC Feedback Detection Circuit Dual Channel 31-Band Graphic Equalizer Output Level VU Metering on Each Channel Constant-Q Filtering Individual High and Low Pass Filters on Each Channel Center-Detented Frequency Band Sliders Independent Level and Bypass Controls on Each Channel Relay Bypass – If Power is Lost, Signal Will Still Pass Variable Input Controls Signal Clip Level Indicators Ground Lift Switch Specifications: Input Connections: XLR-F balanced, 1/4-inch TRS balanced, RCA Output Connection: XLR-M balanced, 1/4-inch TRS balanced, RCA Frequency Bands: 2×31, 1/3 octave, ISO spacing Filter Type: Constant Q -3% center accuracy Range: +/-6dB or +/-12dB selectable Frequency Response: 20Hz – 20kHz, +/-0.5dB Output Noise: -94dBm (unweighted) THD + Noise: .01% (20Hz – 20kHz+10dBu) Maximum Input Level: +22dBm Maximum Output Level: +22dBm Input Impedance: 20K Ohms typical Power: 95?125VAC, 50/60Hz, 190-250VAC, 50Hz (Switchable) Dimensions: DxWxH (in) 7 X 19 x 3.5 Dimensions: DxWxH (mm) 178 x 482 x 89 Weight: 13.5 lbs. (6.1 kg)

ART HeadAmp6 – 6-Channel Headphone Amplifier $279 “The HeadAmp6 is a fully-featured six -channel stereo headphone amplifier that includes six auxiliary inputs to allow separate “”more-me”" mixes on each headphone channel.Each output channel has a dual function Balance Control which will pan between Left & Right input of the main signal bus, or vary the mix between the main stereo signal bus and the auxiliary input for that respective channel.Each output channel includes one front and two rear panel stereo 1/4-inch TRS head-phone jacks for ease of installation and quick patching capability. Mono, Mute L, and Mute R select buttons and on each channel select between four operating modes; 1) Stereo, 2) Mono Left, 3) Mono Right, 4) Mono Both (Left & Right) for versatile monitoring solutions. Independent output level controls on each channel personalize monitoring levels.Input options include XLR and 1/4-inch TRS balanced inputs with matching “”Thru”" jacks for bridging multiple units. An additional front panel stereo 1/4-inch TRS Direct In jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Master Volume control sets the main signal bus level. Eight-segment precision LED level metering on the main bus and four-segment indicators on each output channel provide visual feedback of the signal level at all key points.Features: Six Independent High-Power Headphone Amplifier Channels Dual Function Balance/Mix Control per Channel Front Panel Stereo Aux Input for each Channel Multiple Monitoring Settings per Channel Individual Output Level Control per Channel Precision Four Segment LED Metering Per Channel Master Volume Control w/ Eight Segment LED Metering Front Panel Direct In Jack One Front and Two Rear Mounted Headphone Jacks per Channel Connects and Drives up to 18 Headphones Simultaneously XLR and 1/4″” Main Inputs and Outputs Parallel Main Outputs for Multiple Unit Use”

ART HeadAmp6 Headphone Amplifier $149 The ART HeadAmp6 is a fully-featured, 6-channel stereo headphone amplifier that includes six auxiliary inputs to allow separate more-me mixes on each headphone channel. Each output channel has a dual function Balance Control which will pan between the left & right input of the main signal bus, or vary the mix between the main stereo signal bus and the auxiliary input for that respective channel.Each output channel on the ART HeadAmp6 headphone amp includes one front- and two rear-panel stereo 1/4 TRS headphone jacks for ease of installation and quick patching capability. It has Mono, Mute L, and Mute R select buttons, and on each channel you can select between four operating modes—Stereo, Mono Left, Mono Right, and Mono Both (Left & Right)—for versatile monitoring solutions. Independent output level controls on each channel of the 6-channel headphone amp personalize monitoring levels.The ART HeadAmp6′s input options include XLR and 1/4-inch TRS balanced inputs with matching Thru jacks for bridging multiple headphone amps. An additional front-panel stereo 1/4 TRS Direct In jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Master Volume control sets the main signal bus level. The headphone amp’s eight-segment precision LED level metering on the main bus and four-segment indicators on each output channel provide visual feedback of the signal level at all key points.Audio Utilities SeriesAudio Utilities by Applied Research and Technology are audio devices that have been designed and engineered to exceed high standards for audio performance and functionality. These innovative, high-quality components make the ART HeadAmp6 headphone amplifier perfect for virtually any audio application where precision frequency tailoring, reliable performance, and rugged design are of the utmost importance. ART Audio Utilities deliver extremely precise and powerful flexibility, with quality features and reliable de

ART HeadAmp6 Pro – 6-channel Professional Headphone Amplifier $199 “The ART HeadAmp6PRO is a six-channel stereo headphone amplifier that includes a six-channel auxiliary input section that can be used to provide the popular “”More-Me”" function on each headphone mix. Each output channel also features a dual function BALANCE control which will pan between LEFT & RIGHT sides of the main signal bus, or vary the MIX between the main signal bus and the AUXILIARY input for that respective channel. Bass and treble controls are included on each output channel for fine-tuning the tone. Outputs include both front and rear panel stereo 1/4-inch TRS jacks for ease of installation and quick patching capability. Two MONO select buttons on each channel select between four operating modes; 1) Stereo, 2) Mono Left, 3) Mono Right, 4) Mono Both (Left & Right) for versatile monitoring solutions. The main outputs for each channel of the headphone amplifier are rear mounted stereo TRS jacks and are wired in parallel with the corresponding output jacks on the front panel. Front panel, rear panel, or both front and rear panel outputs can be used simultaneously to drive headphones or be used as feeds to additional headphone amplifiers in a distributed audio network. Input options include XLR and 1/4-inch TRS balanced inputs with matching “”Thru”" jacks for bridging multiple HeadAmp 6 Pro units. An additional front panel stereo 1/4-inch TRS jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Eight-segment LED level indicators provide visual feedback of the signal level on all channels as well as the main signal bus.Features: Six Channels with Separate Bass & Treble Controls Front & Rear Panel Output Jacks XLR & 1/4-inch TRS Balanced Inputs Operates in Stereo, Mono (Source Left), Mono (Source Right) or Summed Mono (Source Left & Right) Auxiliary Front Mounted Separate Source Input 8-Sement LED Level Indicators on all Channels & Bus”

ART HeadAmp6PRO 6-Channel Headphone Amp $199 The ART HeadAmp6PRO is a six-channel stereo headphone amplifier that includes a six-channel auxiliary input section that can be used to provide the popular more-me function on each headphone mix. Each output channel also features a dual-function balance control which will pan between the left and right sides of the main signal bus, or vary the mix between the main signal bus and the auxiliary input for that respective channel.Bass and treble controls are included on each output channel for fine-tuning the tone. Outputs include both front- and rear-panel stereo 1/4 TRS jacks for ease of installation and quick patching capability. Two mono select buttons on each channel select between four operating modes: Stereo, Mono Left, Mono Right, and Mono Both (left and right) for versatile monitoring solutions.The main outputs for each channel of the headphone amplifier are rear-mounted stereo TRS jacks wired in parallel with the corresponding output jacks on the front panel. Front-panel, rear-panel, or both front- and rear-panel outputs can be used simultaneously to drive headphones or be used as feeds to additional headphone amplifiers in a distributed audio network.Input options include XLR and 1/4 TRS balanced inputs with matching Thru jacks for bridging multiple HeadAmp6Pro units. An additional front-panel stereo 1/4 TRS jack for quick patch override of the rear panel inputs is included for quick insertion of any stereo source. Eight-segment LED level indicators provide visual feedback of the signal level on all channels as well as the main signal bus. Six independent high-power amplifier channels Bass and treble EQ per channel Dual function pan/mix control per channel Stereo aux input for each channel Multiple monitoring settings per channel Precision eight-segment LED bar graph per channel Front panel main insert jack Front- and rear-mounted headphone jacks XLR and 1/4 main inputs and outputs Parallel main outputs for multiple unit use

ART TPS II Two Channel Tube Preamplifier System $185 HIGH PERFORMANCE MICROPHONE PREAMPS Designed as the ideal preamp for any application, the tube driven TPS II and DPS II add warmth and texture to any audio source. These two-channel high performance preamps use a pair of hand selected 12AX7A tubes in the low noise input circuitry. This, coupled with ART’s proprietary V3? (Variable Valve Voicing) and variable input impedance allows the TPS II and DPS II to deliver incredible performance from cost effective single space rackmount solutions. In the case of the DPS II, the added convenience of direct digital output connectivity making it an ideal expander for any computer interface or sound card with RCA S/Pdif digital input.V3? TECHNOLOGY V3? provides optimized reference points to begin the recording process. The V3? presets were created and fine-tuned by some of the industry’s top studio and live-sound engineers. V3? technology allows you to select between a multitude of presets designed for guitars (electric and acoustic), keyboards, bass guitars, drums, vocals and more. VARIABLE INPUT IMPEDANCE Variable input impedance increases the sonic potential of the TPS II & DPS II even further. It delivers entirely new sonic textures and tone by varying the input impedance of the preamp, which in turn varies the way the microphone reacts to the load of the preamp. This creates a wide range of new sonic possibilities with any modern or vintage condenser, ribbon or dynamic microphone. EXTREMELY WIDE DYNAMIC RANGE The DPS II and TPS II can accept up to +20dB peaks while maintaining over 120dB dynamic range with incredibly low distortion. Input LED metering monitors the signal level of the input amplifier so maximum gain can be achieved without clipping the preamp at the input.OPL? (OUTPUT PROTECTION LIMITER) ART’s OPL? (Output Protection Limiter), which precisely and accurately controls and maintains the output peak signal. The OPL? circuitry is crucial in protecting the next link in a signal chain – such as a hard-disk recording system or a sound card – because unlike analog clipping that sounds musical and sometimes pleasing, digital clipping is nasty and often fatal for your monitors’ tweeters. DIGITAL CONNECTIVITY (DPS II) Digital outputs include S/PDIF, TOSLINK or ADAT (front panel selectable). The A/D is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32KHZ to 100KHz). Multiple DPS II’s can be added to an ADAT stream. A versatile insert loop on each channel provides access for additional signal processing or direct access to our high quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Features: Variable Input Impedance Improved V3? Variable Valve Voicing Presets LED Input Meter with Analog Output Meter Enhanced ART Tube Technology Adds Warmth Automatically switches between instrument and microphone preamp Wide Frequency Response (5Hz/50kHz) Enhanced OPL? Output Protection Limiter Additional Digital Features (DPS II Only) 24bit/96KHz A-to-D Conversion S/PDIF, TOSLINK or ADAT Digital Output Specifications: Input Connections: XLR-F (balanced) (x2) 1/4-inch TRS unbalanced (x2) Output Connection: XLR-M balanced (x2) 1/4-inch TRS unbalanced (x2) Frequency Response: 5Hz to 50kHz (+0 to -1dB) Dynamic Range: >100dB Maximum Gain: 80dB (XLR to XLR); 74dB (instrument input to XLR) CMRR: >75dB (typ. @ 1kHz) THD: <.01% (clean settings), <0.1% (warm settings) EIN: -129dBu ("A" weighted, xlr to xlr) Maximum Input Level: +19dBu ( XLR); +22dBu (inst. input) Maximum Output Level: +28dBu ( XLR); +22dBu (1/4-inch) Phantom Power: +48 volts Tube Type: Hand Selected 12AX7A Power: 110-125 VAC, 16W Dimensions DxWxH (in): 6.5 x 19 x 1.75 Dimensions DxWxH (mm): 32 x 482 x 44 Weight: 8.1 lbs. (3.6 kg)

Akai RPM3 Production Monitors $199 RPM3 monitors provide full-range frequency response to ensure audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere.Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and record audio to a computer through the included USB cable. No special drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, microphone preamplifier, guitar effects processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media.The RPM3 monitors provide a host of options to accommodate audio recording directly into a computer including a stereo _Ú_” jack, a pair of balanced _” TRS inputs and stereo RCA inputs. Volume control, power-switch and _Ú_” headphone jack are also located on the front panel for quick access and easy adjustment.If you need quality monitors and audio recording that won’t dominate your desktop, grab a pair of RPM3 monitors and start recording.

Akai RPM3 Studio Production Monitors with USB Audio Interface $99 RPM3 monitors provide full-range frequency response to ensure audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere. Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and record audio to a computer through the included USB cable. No special drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, microphone preamplifier, guitar effects processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media. The RPM3 monitors provide a host of options to accommodate audio recording directly into a computer including a stereo ¹??" jack, a pair of balanced ¼" TRS inputs and stereo RCA inputs. Volume control, power-switch and ¹??" headphone jack are also located on the front panel for quick access and easy adjustment. If you need quality monitors and audio recording that won’t dominate your desktop, grab a pair of RPM3 monitors and start recording.Features: USB monitors and audio interface 2×2 USB audio interface allows simultaneous recording and monitoring of computer audio Magnetically shielded to prevent interference when placed close to computer monitors Record and monitor audio using either 1/8", 1/4" TRS or RCA stereo inputs Lightweight, portable size perfect for desks, project studios and mobile-recording rigs Volume control, power-switch and 1/8" headphone jack located on front panel for quick access

Alesis MultiMix 12R Analog Mixer $299 Alesis MultiMix 12R Who said you can’t take it with you? Our MultiMix line combines studio-quality components and effects processing with rock-solid construction for the ultimate in compact mixers – all at prices wandering musicians will love. MultiMix FX mixers are the most compact, affordable, high-quality mixers with built-in 28-bit digital effects and choice of configurations. For those who don’t need effects, but want 12 channels of transparent Alesis sound packed into a three-space rack, we offer the MultiMix 12R.Features: Ultra-affordable 12-channel mixer in a 3U rack 8 high-gain mic/line (XLR and 1/4" balanced) inputs with phantom power, 2 stereo balanced 1/4" line inputs 2 aux sends (pre- and post-fader), stereo aux return, 8 1/4" inserts, 2-track stereo RCA in and out Separate 1/4" balanced main and monitor outs, front-panel headphone out Pan control, peak indicator, and 60mm fader on each channel 2-band high/ low shelving EQ per channel 10-segment LED stereo meters Specifications: CONTROL: Front-panel (top down): 8 mic/line channels and 2 stereo channels with trim, 2-band EQ (high shelving at 12kHz, low shelving at 80Hz), aux send 1 (pre-fader), aux send 2 (post-fader), pan/balance, and 60mm fader. Front-panel other: 60mm stereo master fader. Stereo aux return level. Headphone jack with level and master/tape switch. Stereo 10-segment LED meters. Power and phantom power LEDs. CONNECTIONS: All 1/4" TRS except as noted: Mic in x 8 (XLR), line in x 12, channel insert x 8, aux send x 2, stereo aux return, stereo main out, stereo monitor out, headphone out. Stereo tape in and master out (RCA). POWER: 120V AC internal transformer DIMENSIONS (H x W x D): 5.25" x 19" x 6.25" (134mm x 483mm x 158mm), 3U rackmount WEIGHT: 8lbs (3.6kg)

Alesis TransActive Drummer – Electronic Drum Amplifier $249 The TransActive Drummer is the amplifier designed for today’s electronic drummer. This complete, active system contains a powerful, active two-way speaker wedge with two sets of inputs, stereo outputs, and a dock for iPod. It’s perfect for practicing alone or playing with a band. Because it’s a full-range amplifier, the TransActive Drummer is also great for use with other instruments such as keyboards. You can use it for practice, amplification at the gig, or as a foldback monitor wedge. The TransActive Drummer also comes with a trial subscription for 10 free drumless songs from minusDrums.com for fun play-along sessions. The TransActive Drummer enables you to connect your electronic drumset, as well as an aux source such as a metronome or sequencer. The dock for iPod enables you to mix and play along with your music. You can link two TransActive Drummers together with a common 1/4" TRS cable for stereo performance with double the inputs and double the power. The amp also has line-level 1/4" stereo outputs so you can connect it to a PA system or record your sessions. The front panel gives you access to volume, three-band EQ, level control for iPod, and a 1/4" headphone jack. When connected, headphones mute the speaker for late-night jamming without bothering the neighbors. The TransActive Drummer has a large, 10" woofer that plays down below most kick drums, and a 1" tweeter that makes cymbal sounds sparkle. The amplifier provides 50W RMS so you’ll always have plenty of power. When you link two TransActive Drummers together for stereo performance, you get a 100-watt system that’s ready to take on any guitarist’s rig! Transporting the TransActive Drummer is easy because it has pro-grade handles recessed into the left and right sides. It has a switchable power supply so it works anywhere in the world. The TransActive Drummer is the perfect speaker system for practicing and performing your drums. Features: Single-box complete practice-amp wedge system for practicing and monitoring your drums Dock for iPod with level control Stereo pair of 1/4" inputs Aux RCA stereo input Stereo Link enables connection of two units for double the power Powerful 50W amplifier Two-way design, 10"/1" Built-in handles for easy transport Switchable power supply for worldwide operation Comes with 10 free drumless-track downloads from minusDrums.com Includes: TransActive Solo amplifier, IEC power cable, Quick start guide

Ashly Audio GQX-3102 Dual 31-Band Graphic Equalizer $635 GQX Series EQ’s are available in two configurations. The GQX-1502 features two channels of 15-band 2/3-octave equalization and a switchable high-pass filter (40Hz). The GQX-3102 features two channels of 31-band 1/3-octave EQ, a tunable high-pass filter circuit (8Hz to 200Hz), a switch-selectable cut or boost of either 6dB or 15dB. The full-throw faders are a custom-manufactured metal-shaft type, with the center detented position utilized as an on/off switch for that filter (to minimize any possible degradation in signal noise levels). and 10-segment, two color LED meter displays, referencing 0 VU to +4dBu.The GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards with ground plane design are used in the filter sections for improved RFI and electrostatic immunity. Precision Wein-Bridge filters and carefully designed summing amplifiers combine to provide extremely accurate response, low noise, negligible distortion, and complete immunity to magnetic fields. All filters exhibit true constant Q response with no broadening near the flat setting. High slew-rate circuitry throughout the signal path results in clean, quiet, transparent sound. The faders used are a custom-manufactured metal-shaft type, with molded saddle knobs, for the ultimate in reliability and smooth feel . Ashly’s unique T-Beam front panel construction eliminates interconnections between the faders and the filters, resulting in a very rugged and rigid front panel. GQX EQ’s are covered by a Five Year Worry-Free Warranty.Input and output connections include barrier strip terminals and 1/4 TRS phone jacks, as well as standard locking XLR’s. Circuit ground may be lifted from chassis ground via the barrier strip. Ashly’s servo-balanced output circuitry maintains unity gain even if pins 2 or 3 are connected directly to ground. The power supply is a universal switching power supply which operates

Avid Pro Tools Express + Mbox – ProTools Studio Bundle (Educational Discount) $375 The Pro Tools Express + Mbox from Avid combines a 4 input/4 Output USB Interface with another iteration of the company’s industry-standard software, Pro Tools Express. While partially restricted when compared to Pro Tools 10, Pro Tools Express still features many of its sibling’s features. –The software has 16 mono/stereo Audio tracks, and allows for 8 Channels of simultaneous input and output (hardware dependant). Automatic Delay Compensation (ADC) is fully supported, as is Video support. Maximum sampling rate is capped at 96kHz. The software also fully supports the use of third party plug-ins. –The Mbox is an ultra-portable third generation USB Digital audio interface that allows for recording, Editing and mixing performances and is perfect for the solo musicians and audio creators. Easily connect microphones, instruments, and monitors with a Computer to capture and create studio-quality productions.–Note! Software I/O is restricted to 4 input/4 output by the bundled hardware.–This is an educational package for both individual students and institutions and requires proof of current educational status.–Pro Tools Express Industry-standard recording software -Full edit-screen display configuration -Separate Edit and Mix Windows -Full Pro Tools file-support and session compatibility -Full routing with sends, inserts and bussing -High-quality virtual-instruments -Dozens of effect and audio-processing plug-ins -Mbox Professional-grade circuitry and premium audio conversion -Capture and mix high-quality sessions with up to 24-bit/96 kHz audio Resolution -Connect and control equipment with 4 x 4 simultaneous channels of I/O -Two XLR microphone/line combo inputs with a professional-grade microphone preamps and 48V phantom power -Two 1/4″ instrument inputs on front panel for easy access -Two balanced 1/4″ TRS monitor outputs -Stereo Headphone output on a 1/4″ TRS connector -One MIDI input, one MIDI output -Monitor control section with Mono and Dim controls -Dedicated m

Aviom A-16R Rack-Mount Digital Mixer $1055 Equally at home on stage, in an AV cart, or mounted in a machine room, the A-16R is a remote-controllable 16-channel stereo digital mixer.The A-16R is a single-rack- space stereo digital mixer that can be added to any Pro16® network. Its versatile feature set makes it the ideal choice for a variety of applications on stage or in permanent installations.For performers using wireless in-ear systems and powered floor wedges, the A-16R couples the mixing features of the A-16II Personal Mixer with additional connectivity options. Balanced outputs on the rear panel (with both XLR and 1/4" jacks) and stereo balanced insert points simplify audio connections to external processors, amps, or wireless transmitters. A front-panel headphone jack is also provided. The rear-panel stereo Mix In jacks allow a local analog audio source, such as a click track or program material, to be added to the user’s mix. A front-panel Mix In level control is also provided. Features: Remote-controllable sixteen-channel stereo digital mixer Channel volume and pan control with LED readout Dedicated Recall, Group, Solo, and Mute buttons Sixteen user Preset memory locations Front-panel headphone jack Master Volume, Treble, and Bass controls Balanced XLR and 1/4-inch TRS stereo outputs Balanced 1/4-inch TRS inserts Auxiliary stereo mix in Sixteen channel select buttons with dual LEDs MIDI control over mix and preset save/recall Remote control via A-Control with the A-16CS or via RS-232 with approved third-party control systems

Aviom AN-16/i-M Mic Input Module, A-Net, analog/digital converter $2520 Convert 16 mic- or line-level analog audio channels into full bandwidth digital audio transmitted via A-Net.The AN-16/i-M is a 3U-high rack-mounted mic- and line-level input device with sixteen high-quality microphone preamps and 24-bit A-to-D converters. Each channel contains a three-segment level meter, a continuously variable gain knob, a phase reverse switch, 48-volt phantom power, and a rumble filter with an 85Hz rolloff. In addition, each pair of channels can be Stereo Linked for stereo operation in a Pro16 Monitor Mixing System.The rear panel of the AN-16/i-M contains a host of professional connectivity features. Each channel has a combo jack that can accept either XLR mic or 1/4-inch line-level (balanced or unbalanced) inputs. Sixteen passive mic Thru connectors create a built-in microphone splitter. Balanced insert points with separate 1/4-inch Send and Return jacks allow easy interfacing with external processing devices. The sixteen insert Sends can also be used as a set of post-gain direct audio outputs. The AN-16/i-M uses an internal power supply with a standard IEC power connector. Two parallel A-Net outputs allow the AN-16/i-M to send A-Net data to multiple destinations, allowing for simultaneous patching to a monitor console and a front-of-house console. Both A-Net outputs feature heavy duty Neutrik EtherCon combo RJ45 connectors. The built-in A-Net Expansion jack allows two 16-channel A-Net streams to be combined onto a single cable (32×0 or 16×16), and the AN-16SBR System Bridge can be used to combine up to four 16-channel streams onto a single cable in a variety of bi-directional configurations. As with all Pro16 Series products, Cat-5e cable runs of up to 500 feet (150 meters) are possible between devices. Features: Sixteen high quality mic preamplifiers, with 24-bit A-to-D converters XLR mic or 1/4-inch TRS balanced line-level inputs on combo jacks 48-volt phantom power on each channel Three-segment LED level meter Continuously variable gain knob for each channel Phase reverse switch per channel Rumble filter switch (85Hz rolloff) on each channel Stereo Link switch per pair of channels Built-in passive mic splitter Balanced insert send and return jacks (1/4-inch TRS) Dual A-Net outputs A-Net Expansion jack for 32×0 and 16×16 channel systems Internal universal power supply; IEC power connector

BBE BMAX Bass Guitar Preamp w/ Sonic Maximizer $299.99 Bassists seeking a premium electric bass preamplifier The BMAX is a high quality bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. More Infomation On This Product Quality bass preamp with affordability and excellent sound.Features a solid state class A/B front-end, the input of which emulates the loading effect that the input of "classic-design" tube preamp, with a pure and clean electronically-balanced DI output. The BMAX is a high quality bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. The BMAX has the warmth and dynamic range usually found in all-tube designs and delivers the punch and clarity of the best tube preamplifiers.At the heart of the BMAX is a class A/B front-end, the input of which emulates the loading effect that the input of classic-design tube preamp would present to the bass pickups, and one of the key aspects in the warmth and punch of tube preamps. The DI section is pure and clean with electronically-balanced output. 1% metal film resistors, military-spec PC board and custom-made toroidal power transformer complete the no-compromise design of the BMAX. While no expense was spared in the engineering and internal componentry, the packaging of the BMAX received the utmost attention to detail. From the 1/4" thick extruded front panel to thoughfully designed ergonomics to the red-abalone-topped knobs, the fit and finish of the BMAX exudes quality craftsmanship. Applications: The BMAX is perfect anywhere an extremely high-quality, pristine preamplifier is required for the bass guitar In the recording studio where a bass amplifier is impractical due to space or loudness considerations In performance applications, where players will find the BMAX ergonomics intuitive and easy to use The BMAX EQ and Dynamic controls, combined with the patented Sonic Maximizer processor, afford a wide palette of tonal choices Features: Full Function 4th Generation BBE Sonic Maximizer processor Solid-state, Class A/B front-end with interactive 3 band EQ and interactive "bright" switch Electronically balanced DI output Custom torroidial transformer Inputs for both passive pickup and active pickup instruments 1meg ohm input impedance Ground lift switch Balanced XLR and 1/4 inch TRS Outputs Military-spec circuit boards Extra thick, extra wide circuit board traces for unequaled electron flow 1% metal film resistors throughout Solid 1/4 inch thick aluminum extrusion front panel for extreme ruggedness 5 year warranty

BBE BMAX-T Tube Bass Guitar Preamp w/ Sonic Maximizer $599.99 This amp is the best choice for a bassist looking for quality sound in the studio. The BMAX-T is a high quality tube bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. Features a class A, DC regulated tube preamp section with hand-picked Groove Tubes 12AX7 tube, and Jensen transformer-balanced DI output. More Infomation On This Product The best in bass preamps for quality and toneThe BMAX-T is a high quality tube bass preamp/processor with applications both in the recording studio and on the road in demanding live applications. At the heart of the BMAX-T is a class A, DC regulated tube preamp section which follows in the tradition of the classic tube preamp designs of the 50′s and 60′s.The BMAX-T features a high voltage (300V) tube front end with hand-picked Groove Tubes 12AX7 tube, providing all of the pre-amp gain and passive interactive tone control. The high-end DI section is transformer-balanced with a genuine Jensen transformer for the ultimate in warmth and presence. 1% metal film resistors, military-spec PC board and custom-made toroidal power transformer complete the no-compromise design of the BMAX-T. While no expense was spared in the engineering and internal componentry, the packaging of the BMAX-T received the utmost attention to detail. From the 1/4 inch thick extruded front panel to thoughfully designed ergonomics to the red-abalone-topped knobs, the fit and finish of the BMAX-T exudes quality craftsmanship. Applications: The BMAX-T is perfect anywhere an extremely high-quality, pristine preamplifier is required for the bass guitar In the recording studio where a bass amplifier is impractical due to space or loudness considerations In performance applications, where players will find the BMAX-T ergonomics intuitive and easy to use Features: Full Function 4th Generation BBE Sonic Maximizer processor All tube Class A front-end with interactive 3-band EQ and interactive "bright" switch Hand-selected premium quality Groove Tubes 12AX7 Jensen transformer balanced DI output Custom torroidial transformer Inputs for both passive pickup and active pickup instruments 1meg ohm input impedance Ground lift switch Balanced XLR and 1/4 inch TRS Outputs Military-spec circuit boards Extra thick, extra wide circuit board traces for unequaled electron flow 1% metal film resistors throughout Solid 1/4 inch thick aluminum extrusion front panel for extreme ruggedness 5 year warranty

Behringer MS20 Studio Monitors $285.99 Behringer MS20 Studio Monitors are digital stereo near field monitor speakers with 24-bit/192 khz digital input, 20 watts of power. One step down from the MS40, these extremely compact, super-affordable 2 x 10-watt near field monitors feature ultra-high resolution 24-bit/192 khz d/a converters, which let you connect digital sources directly in and eliminates analog line-loss and hum. Connect your computer sound card, keyboard, mp3 or mini disc players and enjoy excellent detail and great dynamics! Optical and coaxial inputs to directly connect digital audio sources by s/pdif interface! The built-in amplifiers offer plenty of headroom, while the powerful woofers and tweeters provide an ultra-linear frequency response. Two stereo analog inputs featuring 1/8- inch TRS and stereo RCA connectors can be used simultaneously or mixed with a digital stereo source. The speakers also feature individual volume controls for both line inputs plus bass and treble eq controls, and there is a 1/4- inch TRS headphone connector with a front-panel auto-mute loudspeaker function.

Behringer MS20 Studio Monitors $285.99 Behringer MS20 Studio Monitors are digital stereo near field monitor speakers with 24-bit/192 khz digital input, 20 watts of power. One step down from the MS40, these extremely compact, super-affordable 2 x 10-watt near field monitors feature ultra-high resolution 24-bit/192 khz d/a converters, which let you connect digital sources directly in and eliminates analog line-loss and hum. Connect your computer sound card, keyboard, mp3 or mini disc players and enjoy excellent detail and great dynamics! Optical and coaxial inputs to directly connect digital audio sources by s/pdif interface! The built-in amplifiers offer plenty of headroom, while the powerful woofers and tweeters provide an ultra-linear frequency response. Two stereo analog inputs featuring 1/8- inch TRS and stereo RCA connectors can be used simultaneously or mixed with a digital stereo source. The speakers also feature individual volume controls for both line inputs plus bass and treble eq controls, and there is a 1/4- inch TRS headphone connector with a front-panel auto-mute loudspeaker function.

Behringer MS40 24-Bit Digital 40-Watt Stereo Near Field Monitors $327.99 Behringer MS40 studio monitors are 24-bit/192 khz digital 40-watt stereo near field speakers. These compact, super-affordable 2 x 20-watt near field monitors feature ultra-high resolution 24-bit/192 khz d/a converters, which let you connect digital sources directly in order to eliminate analog line-loss and hum. Connect your computer sound card, keyboard, mp3 & mini disc players and enjoy excellent detail and great dynamics—optical and coaxial inputs to directly connect digital audio sources by s/pdif interface! The built-in amplifiers offer plenty of headroom, while the powerful woofers and tweeters provide an ultra-linear frequency response. Two stereo analog inputs featuring 1/8- inch trs and stereo rca connectors can be used simultaneously or mixed with a digital stereo source. The speakers also feature individual volume controls for both line inputs plus bass and treble eq controls, and there is a 1/4- inch trs headphone connector with a front-panel auto-mute loudspeaker function.

Behringer MS40 Studio Monitors $163.99 Behringer MS40 Studio Monitors are digital stereo near field monitor speakers with 24-bit/192 khz digital input, 40 watts of power. These extremely compact, super-affordable 2 x 20-watt near field monitors feature ultra-high resolution 24-bit/192 khz d/a converters, which let you connect digital sources directly in and eliminates analog line-loss and hum. Connect your computer sound card, keyboard, mp3 or mini disc players and enjoy excellent detail and great dynamics! Optical and coaxial inputs to directly connect digital audio sources by s/pdif interface! The built-in amplifiers offer plenty of headroom, while the powerful woofers and tweeters provide an ultra-linear frequency response. Two stereo analog inputs featuring 1/8- inch TRS and stereo RCA connectors can be used simultaneously or mixed with a digital stereo source. The speakers also feature individual volume controls for both line inputs plus bass and treble eq controls, and there is a 1/4- inch TRS headphone connector with a front-panel auto-mute loudspeaker function.

Behringer iNuke 3000 Watt Power Amplifier $599.99 Behringer iNUKE NU3000 Power amplifiers pack massive amounts of output power into exceptionally lightweight, rack-mountable packages. The iNUKE NU3000 features revolutionary high-density Class-D technology combined with ultra-efficient switch-mode power supplies ensures these feather-light powerhouses will drive your rig effortlessly for many years to come. Behringer spent years fine-tuning the high-density Class-D technology that gives the iNUKE Series its oomph. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, these amps react instantly to even the most demanding electronic bass impulses. The front panel controls and indicators offer your systems vital signs at a glance. After pressing the Power button, the Power LED lights up to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as clip LEDs to indicate when the signal is distorted and you need to reduce the input signal. The rear panel is just as elegant, with combo XLR and 14 TRS input connectors making the iNUKE compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers. The rear panel is also where you’ll find the switches that enable iNUKE amps to work in either dual mono, stereo or mono bridge mode. A built-in Crossover switch enables the amplifier to operate in biamp mode, sending low frequency content to passive subwoofers, while the high frequency output is channeled to full range loudspeakers. Flick the LIMITER ON/OFF switch to activate the built-in overload protection, or turn it off if you’re feeling lucky.

CREST AUDIO INC CPX1500 1500 Watt Max. Stereo @ 4 Ohm Pro Amplifier, Bridgable $451.9 Crest Audio’s patented GCLT Gain Comparator Limiting System for maximum output without audible distortion Two-speed demand-sensitive fan and Turbo Cooling heat dissipator design Detented gain controls Power, GCL and Signal Present LEDs on each channel Built-in 150Hz/18dB/octave Subwoofer Crossover with 1/4 TRS output Current in-rush limiter Over-heat, short circuit, clip limiting, faulty load and DC circuits protect your valuable sound reinforcement speakers and the CPX amplifier Barrier strip, balanced XLR and 1/4 TRS inputs with signal pass-through Neutrikr Speakonr and 5-way binding post outputs Separate bridged outputs featuring Neutrik Speakon connector and resessed mode switch Rear-panel GCL defeat switch Rear rack supports 14-gauge steel chassis Mil-spec fiberglass circuit boards Massive toroid transformer and storage capacitors CPXT Series Power Amplifiers Three rugged, ultra-affordable power designs in the great Crest Audio tradition. In typical Crest Audio fashion, we’ve over-built and over-engineered the CPX Series. Especially considering their highly competitive prices. We included built-in subwoofer crossovers, low-cut filters to prevent woofer cone flutter, fan cooling, Speakonr output connectors and much, much more. Gain Comparator Limiting. When a signal has waveform peaks that exceed the amps’ power-supply rails, waveforms get chopped off, or clipped. This undesirable distortion most often happens when the amp is turned up too high (too much gain). GCLT senses clipping (or current limiting) and dynamically reduces the gain for a few milliseconds. You can drive the CPX amp to its maximum (and beyond) without hearing audible distortion. Don’t settle for less. If you need maximum performance on a tight budget, you owe it to yourself to get your hands on a CPX Series amplifier from Crest Performance.

CREST AUDIO INC CPX2600 2200 Watt Max. Stereo @ 4 Ohm Pro Amplifier, Bridgable $612.73 Crest Audio’s patented GCLT Gain Comparator Limiting System for maximum output without audible distortion Two-speed demand-sensitive fan and Turbo Cooling heat dissipator design Detented gain controls Power, GCL and Signal Present LEDs on each channel Built-in 150Hz/18dB/octave Subwoofer Crossover with 1/4 TRS output Current in-rush limiter Over-heat, short circuit, clip limiting, faulty load and DC circuits protect your valuable sound reinforcement speakers and the CPX amplifier Barrier strip, balanced XLR and 1/4 TRS inputs with signal pass-through Neutrikr Speakonr and 5-way binding post outputs Separate bridged outputs featuring Neutrik Speakon connector and resessed mode switch Rear-panel GCL defeat switch Rear rack supports 14-gauge steel chassis Mil-spec fiberglass circuit boards Massive toroid transformer and storage capacitors CPXT Series Power Amplifiers Three rugged, ultra-affordable power designs in the great Crest Audio tradition. In typical Crest Audio fashion, we’ve over-built and over-engineered the CPX Series. Especially considering their highly competitive prices. We included built-in subwoofer crossovers, low-cut filters to prevent woofer cone flutter, fan cooling, Speakonr output connectors and much, much more. Gain Comparator Limiting. When a signal has waveform peaks that exceed the amps’ power-supply rails, waveforms get chopped off, or clipped. This undesirable distortion most often happens when the amp is turned up too high (too much gain). GCLT senses clipping (or current limiting) and dynamically reduces the gain for a few milliseconds. You can drive the CPX amp to its maximum (and beyond) without hearing audible distortion. Don’t settle for less. If you need maximum performance on a tight budget, you owe it to yourself to get your hands on a CPX Series amplifier from Crest Performance.

CREST AUDIO INC CPX900 900 Watt Max. Stereo @ 4 Ohm Pro Amplifier, Bridgable $361.34 Crest Audio’s patented GCLT Gain Comparator Limiting System for maximum output without audible distortion Two-speed demand-sensitive fan and Turbo Cooling heat dissipator design Detented gain controls Power, GCL and Signal Present LEDs on each channel Built-in 150Hz/18dB/octave Subwoofer Crossover with 1/4 TRS output Current in-rush limiter Over-heat, short circuit, clip limiting, faulty load and DC circuits protect your valuable sound reinforcement speakers and the CPX amplifier Barrier strip, balanced XLR and 1/4 TRS inputs with signal pass-through Neutrikr Speakonr and 5-way binding post outputs Separate bridged outputs featuring Neutrik Speakon connector and resessed mode switch Rear-panel GCL defeat switch Rear rack supports 14-gauge steel chassis Mil-spec fiberglass circuit boards Massive toroid transformer and storage capacitors CPXT Series Power Amplifiers Three rugged, ultra-affordable power designs in the great Crest Audio tradition. In typical Crest Audio fashion, we’ve over-built and over-engineered the CPX Series. Especially considering their highly competitive prices. We included built-in subwoofer crossovers, low-cut filters to prevent woofer cone flutter, fan cooling, Speakonr output connectors and much, much more. Gain Comparator Limiting. When a signal has waveform peaks that exceed the amps’ power-supply rails, waveforms get chopped off, or clipped. This undesirable distortion most often happens when the amp is turned up too high (too much gain). GCLT senses clipping (or current limiting) and dynamically reduces the gain for a few milliseconds. You can drive the CPX amp to its maximum (and beyond) without hearing audible distortion. Don’t settle for less. If you need maximum performance on a tight budget, you owe it to yourself to get your hands on a CPX Series amplifier from Crest Performance.

CREST AUDIO Pro. Stereo Amplifier w/2800 Watts Max Multimode $589.81 Building upon the solid foundation of legendary Crest Audio amplifier designs, our new CCT Series power amps provide tremendous value in proven amplifier technology. CC Series amps deliver worldclass power w/exceptional sound quality & value for mobile DJs, working bands, club owners & churches.Design FocusAll CC Series amplifiers are built w/tunnel-cooled heat sinks, variable-speed DC fans & extensive protection circuitry for superior efficiency into difficult loads & power conditions. In the Crest Audio tradition, these robust amps also boast more power devices (16 per channel) than any competitive amplifier, plus a switched-rail class H output stage & triple-compound design to provide low distortion & excellent thermal stability. Based on powerful Pro 200. Series technology & utilizing a linear power supply, our three versatile CC Series amps deliver stable high power output for running main systems, monitors & subwoofers. * 8 Ohm Stereo – 595 W * 4 Ohm Stereo – 965 W * 2 Ohm Stereo – 1400 W * 4 Ohm Bridged – 2800 W * Toroidal power transformer * Magnetic circuit breaker on/off switch * Cooled by variable speed fan w/back-to-front airflow * Mode selector switch for stereo, parallel & bridged-mono operation * Inputs – Balanced female XLR, 1/4 TRS combi jacks * Outputs – Speakonr & five-way binding posts * Recessed, stepped attenuators * 16-gauge steel chassis, cast aluminum front panel * Five-year warranty Dimensions 19 W x 3.5 H x 14.875 D; (483 mm x 89 mm x 378 mm) Weight 39.8 lbs. (18 kg)

Cakewalk A-300PRO 32-Key MIDI Controller $249.99 Features – : 16 x 2 character, brightly lit LED display for editing controls and navigating the system menu : 8 velocity-sensitive, lighted, dynamic pads for finger drumming and triggering loops and samples, with HOLD button for latching. : Dedicated transport section for using the A-PRO as a control surface that can be remapped if desired : Console-style faders for improved feel when making tweaks and adjustments : Included Editor software makes creating new control maps and transferring them to the A-PRO simple and easy : Production Plus Pack includes Cakewalk Sound Center, Rapture LE & Studio Instruments Drums for Mac and PC, as well as SONAR 8.5 LE (PC Only) : Specifications – : 32 Velocity-sensitive keys : Inspiring feel & response for serious players : 45 assignable controls – knobs, sliders, buttons, transport & more : 8 Dynamic Pads for finger drumming & MIDI triggering : Sure-grip Pitch Bend/Modulation Stick : Expand playability with Sustain & Expression Pedals (available separately) : USB Bus Powered no AC adaptor required : Durable Roland-quality manufacturing & craftsmanship : Ready to play with 3 included virtual instruments : Works with any DAW on Mac or PC : Supports Windows 7 & Mac OS X Snow Leopard : Includes the Production Plus Pack music creation software : Keyboard – 32 keys (with velocity and channel aftertouch) : Controllers – Pads (A1-A8, Buttons (B1-4, L1-L9); Knobs (R1-R9); Sliders (S1-S9); Foot Pedals (P1, P2); Mod/Pitch Stick (BEND, MOD); Keyboard Aftertouch (AFTERTOUCH) : Display – Backlit 16 x 2 character LCD : Left Side Panel – Power Switch (USB Bus/OFF/DC IN); MIDI Merge Switch (ON/OFF) : Control Jacks – Hold Pedal – 1/4 inch phone; Expression Pedal – 1/4 inch TRS phone; MIDI Connectors – (IN, OUT); USB Connector; DC IN : Power Supply – USB Bus Power or DC 9 V (AC Adaptor, sold separately) : Current Draw – 300 mA (AC Adaptor); 300 mA (USB Bus Power) : Unit Dimensions – 23-7/8 W x 9-7/8 D

Cakewalk A-500PRO 49-Key MIDI Controller $349 Features – : 16 x 2 character, brightly lit LED display for editing controls and navigating the system menu : 8 velocity-sensitive, lighted, dynamic pads for finger drumming and triggering loops and samples, with HOLD button for latching : Dedicated transport section for using the A-PRO as a control surface that can be remapped if desired : Console-style faders for improved feel when making tweaks and adjustments : Included Editor software makes creating new control maps and transferring them to the A-PRO simple and easy : Production Plus Pack includes Cakewalk Sound Center, Rapture LE & Studio Instruments Drums for Mac and PC, as well as SONAR 8.5 LE (PC Only) : Specifications – : 49 Velocity-sensitive keys : Inspiring feel & response for serious players : 45 assignable controls – knobs, sliders, buttons, transport & more : 8 Dynamic Pads for finger drumming & MIDI triggering : Sure-grip Pitch Bend/Modulation Stick : Expand playability with Sustain & Expression Pedals (available separately) : USB Bus Powered no AC adaptor required : Durable Roland-quality manufacturing & craftsmanship : Ready to play with 3 included virtual instruments : Works with any DAW on Mac or PC : Supports Windows 7 & Mac OS X Snow Leopard : Includes the Production Plus Pack music creation software : Keyboard – 49 keys (with velocity and channel aftertouch) : Controllers – Pads (A1-A8, Buttons (B1-4, L1-L9); Knobs (R1-R9); Sliders (S1-S9); Foot Pedals (P1, P2); Mod/Pitch Stick (BEND, MOD); Keyboard Aftertouch (AFTERTOUCH) : Display – Backlit 16 x 2 character LCD : Left Side Panel – Power Switch (USB Bus/OFF/DC IN); MIDI Merge Switch (ON/OFF) : Connection Jacks – Hold Pedal – 1/4 inch phone; Expression Pedal – 1/4 inch TRS phone; MIDI Connectors – (IN, OUT); USB Connector; DC IN : Power Supply – USB Bus Power or DC 9 V (AC Adaptor, sold separately) : Current Draw – 300 mA (AC Adaptor); 300 mA (USB Bus Power) : Unit Dimensions – 33-1/16

Cakewalk by Roland UA-55 Quad Capture USB 2.0 Audio Interface $269 With a pair of premium VS Preamps onboard, plus superb 24-bit/192 kHz audio quality, ultra-low latency performance, and convenient USB bus power, QUAD-CAPTURE sets a new standard for portable USB 2.0 audio interfaces. Its compact, durable design and pristine sound makes it the perfect foundation for portable, multichannel computer-based productions on the go. With quality and performance that far exceeds its size and price, QUADCAPTURE stands at the head of its class. QUAD-CAPTURE boasts two premium-grade, digitally controlled mic preamps (VS Preamps) made from the same high-grade components as the preamps found in Roland’s V-STUDIO 700 and M-400 digital mixer. Two XLR/TRS combo inputs are provided for the preamps, plus independent phantom power, low-cut fi lter, phase invert, and digital compression for each channel. The VS preamps can be controlled easily and intuitively with the included graphical Control Panel software (Mac/PC). One of QUAD-CAPTURE’s key "behind-the-scenes" features is its low-noise, wide-ranging power supply. Designed to deliver a clean, balanced input and output, it provides a reliable foundation for any professional audio application or environment. When driven by the USB bus power supply, QUAD-CAPTURE’s power is regenerated, providing the analog circuitry ideal voltage for the very best sound quality and efficiency in mobile environments. Never before has it been faster or easier to set perfect input levels?simply activate the AUTO-SENS feature with the push of a button, play your connected instruments, and QUAD-CAPTURE automatically sets the ideal recording level for each input. Whether you’re a beginner or a professional, AUTO-SENS is great for quick, fail-safe recordings, saving you setup time and letting you focus on where it starts… the performance. QUAD-CAPTURE is small, strong, and housed in a road-tough aluminum body, so you can transport it anywhere with the confidence that its premium internal components are securely protected. For live-concert environments, QUAD-CAPTURE also provides Direct-Box (DI) functionality, essential for noise-free live stage use. QUAD-CAPTURE offers incredible stability and industry-leading low-latency USB performance via Roland’s proprietary VS Streaming technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac). Every QUAD-CAPTURE package includes a complimentary copy of SONAR X1 LE software for PC that’s designed to work fluidly and seamlessly with the interface. Derived from Cakewalk’s award-winning SONAR X1 DAW software, the LE version give you a powerful set of software tools for writing, recording, editing, and mixing your music.Features: Two combo XLR/TRS inputs with premium mic preamps (VS Preamps), two TRS outputs, coaxial I/O, headphone out, and MIDI I/O Graphical Control Panel software provides fast, intuitive control of the VS Preamps Phantom power, ground lift, and Hi-Z switches One-click AUTO-SENS function intelligently sets optimal input levels for the preamps Extreme low-latency VS Streaming driver Low-noise, wide-range power supply Compact with durable aluminum body and Direct Box functionality Bundled with Cakewalk SONAR X1 LE

Conception Et Evaluation Pharmacologique D’Analogues de La Squalamine $86.4 New – La squalamine qui a t isole du requin Squalus acanthias, prsente une trs large gamme d’activit en tant qu’agent anticancreux et antimicrobien. Au vu du panel de souches microbiennes inhibes faibles concentrations, on peut dire qu’elle fait partie d’une nouvelle famille d’antibiotique. De part sa trs faible concentration dans l’animal, la synthse d’analogues semble tre la meilleure alternative. Nous avons ainsi synthtis de nombreux d’analogues. Cette synthse a t possible gr[ce la mise au po

Conception Et Evaluation Pharmacologique D’Analogues de La Squalamine $86.4 Used – La squalamine qui a t isole du requin Squalus acanthias, prsente une trs large gamme d’activit en tant qu’agent anticancreux et antimicrobien. Au vu du panel de souches microbiennes inhibes faibles concentrations, on peut dire qu’elle fait partie d’une nouvelle famille d’antibiotique. De part sa trs faible concentration dans l’animal, la synthse d’analogues semble tre la meilleure alternative. Nous avons ainsi synthtis de nombreux d’analogues. Cette synthse a t possible gr[ce la mise au p

Crest CPX-1500 Power Amplifier $346.24 Crest Audio s patented GCLT Gain Comparator Limiting System for maximum output without audible distortion Two-speed demand-sensitive fan and Turbo Cooling heat dissipator design Detented gain controls Power GCL and Signal Present LEDs on each channel Built-in 150Hz/18dB/octave Subwoofer Crossover with 1/4 TRS output Current in-rush limiter Over-heat short circuit clip limiting faulty load and DC circuits protect your valuable sound reinforcement speakers and the CPX amplifier Barrier strip balanced XLR and 1/4 TRS inputs with signal pass-through Neutrikr Speakonr and 5-way binding post outputs Separate bridged outputs featuring Neutrik? Speakon? connector and resessed mode switch Rear-panel GCL defeat switch Rear rack supports 14-gauge steel chassis Mil-spec fiberglass circuit boards Massive toroid transformer and storage capacitors CPXT Series Power Amplifiers: Three rugged ultra-affordable power designs in the great Crest Audio tradition. In typical Crest Audio fashion we ve over-built and over-engineered the CPX Series. Especially considering their highly competitive prices. We included built-in subwoofer crossovers low-cut filters to prevent woofer cone flutter fan cooling Speakonr output connectors and much much more. Gain Comparator Limiting. When a signal has waveform peaks that exceed the amps power-supply rails waveforms get chopped off or clipped. This undesirable distortion most often happens when the amp is turned up too high (too much gain). GCLT senses clipping (or current limiting) and dynamically reduces the gain for a few milliseconds. You can drive the CPX amp to its maximum (and beyond) without hearing audible distortion. Don t settle for less. If you need maximum performance on a tight budget you owe it to yourself to get your hands on a CPX Series amplifier from Crest Performance.

DBX 131S Single Channel 31-Band Graphic Equalizer $159.95 When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 131s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dbx 131s includes a single 31-band channel of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 110 dB dynamic range to the quality componentry and meticulous attention to detail, the 131s offers exceptional sound and rugged reliability that guarantees you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, the dbx 131s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional’s choice in signal processing. With such affordable quality, there’s no longer any excuse for compromising your sound. Features: Single 31-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of ±6 or ±12dB 12dB per octave, 3dB down @ 50Hz low-cut filter Front panel bypass switch ±12 dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS Inputs and Outputs Frequency Repsonse of <10Hz to >50kHz Dynamic range of greater than 108dB

DBX 215S Dual Channel 15-Band Equalizer $159.95 When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 215s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dbx 215s includes two 15-band channels of 2/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 215s offers exceptional sound and rugged reliability that guarantees you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, the dbx 215s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional’s choice in signal processing. With such affordable quality, there’s no longer any excuse for compromising your sound. Features: Dual 15-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of ±6 or ±12 dB Front panel bypass switch ±12 dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS Inpts and Outputs Frequency Repsonse of <10Hz to >50kHz Dynamic range of greater than 108dB

DBX 231S Dual Channel 31-Band Equalizer $199.95 When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional’s choice in signal processing. With such affordable quality, there’s no longer any excuse for compromising your sound.Features: Dual 31-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of ±6 or ±12 dB Front panel bypass switch ±12 dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS Inpts and Outputs Frequency Repsonse of <10Hz to >50kHz Dynamic range of greater than 108dB

DigiTech BP200 Bass Modeling Processor Pedal $149.95 The BP200 is a revolutionary Amp Modeling/Multi-effects processor designed specifically for bass guitar. Under the hood of the BP200 is the powerful AudioDNA DSP processor, providing 16 bass amp and stompbox models and a host of other effects (22 total) for creating your own signature sound. The built-in expression pedal can be assigned to control your choice of parameters in real time. Each effect includes up to 3 adjustable parameters giving you the flexibility to create the exact sound you are looking for. The 6 character alpha-numeric display and 3 knob matrix based user interface provide simple, straight forward editing functions. The Rhythm Trainer is a great tool for polishing up your timing with your choice of different patterns, tempo, and adjustable volume level. A chromatic tuner lets you quickly check or tune your instrument to one of 4 different tuning references. The BP200 comes ready to use with 40 great Factory Presets, and includes 40 User Presets for your own custom creations. The rear panel features a single 1/4 input, a 1/4 TRS stereo output, 1/8 stereo headphone output and a 1/8 stereo Jam-A-Long input.

DigiTech Vocal 300 Vocal Effects Processor $179.95 DigiTech® offers the Vocal 300, an affordable Vocal Effects Processor with a built-in expression pedal. Equipped with multiple mic preamp types, the Vocal 300 is ideal for both warm classic vocals or cutting edge distortion and lo-fi styles. The exclusive voice ?characters? transform your voice from the scariest of monsters to spacey alien beings. The Vocal 300 comes with 38 fully programmable studio quality effects (up to 7 effects at once). The built-in expression pedal can be assigned to control your choice of up to 3 parameters in real-time. Each effect includes up to 4 adjustable parameters, giving you total flexibility to create the sound you want. The 6 character alphanumeric and 2 character numeric displays, combined with the 4-knob matrix editing system, provide a simple straightforward user interface. The Vocal 300 also includes 40 great sounding Factory Presets and 40 User Presets for your own custom creations. The rear panel features a 1/8? CD input for singing along with your favorite music, a 1/4? unbalanced input, a balanced XLR input, a balanced XLR mono output, a 1/4? TRS stereo line output and a 1/8? headphone output.Features: 7 Effects at Once Up to 4 Fully Programmable Parameters 24-bit analog digital Converters Bal XLR Inputs and Outputs 1/4" TRS Stereo Line Output Line Input Expression Pedal with V-Switch 6 Digital Alphanumeric display 2 digit Numeric display Rugged Metal Chassis 40 User, 40 Factory Presets Power Supply Included Effects Mic pre &; voice characters Compression EQ Noise Gate Chorus Flanger Phaser Tremolo Vibrato Strobe Doubler Envelope Pixelator Detune Pitch Shifter Whammy TM Digital Delay Ping Pong Delay 8 Reverb Types

FireWire Solo – FireWire Mobile Audio Interface for Songwriters/Guitarists $249.95 The FireWire Solo is designed from the ground up as an easy-to-use, high-quality interface for songwriters to record guitars, vocals and more on the computer. Compatible with most popular music software, this compact bus-powered unit is small enough to go anywhere you want to take your music. In addition to the 1/4″ guitar input right on the front panel, a professional XLR microphone input also lets you record vocals and acoustic instruments. There are also dual line inputs for effects, drum machines, and other outboard gear. FireWire connectivity, up to 24-bit/96kHz sample rate support, and digital I/O all add up to outstanding sonic performance. As simple to connect and operate as it is powerful, FireWire Solo is the foundation of your computer-based songwriting studio.Features:• 6 x 4 24-bit/96kHz audio interface• Front-panel microphone in (XLR) with phantom power, gain control, clip LED• 2 line inputs (1/4″ unbalanced) on rear panel• Front-panel switch toggles front/rear inputs• 2 line outputs (1/4″ TRS balanced/unbalanced)• S/PDIF digital I/O (coax) with 2-channel PCM• and much more.

Lexicon I-ONIX U82S USB 2.0 Audio/MIDI Interface $399 Brilliantly designed, the I-ONIX U82S recording interface fits where it makes the most sense, between your keyboard and monitor. Lexicon understands you care passionately about your music, and that it’s more than just a pastime, which inspired them to create the I ONIX U82S, putting all monitor and input level controls at your fingertips. Featuring dbx microphone preamps on all eight channels, the I ONIX series recording interfaces are more than equipped to provide professional recordings that keep your music sounding its best. The preamps run on a high-voltage supply to guarantee stability and provide you with a superior recording across a wide dynamic range. Performance driven A/D – D/A converters ensure pristine 24-bit/96kHz audio to capture every subtle detail of your performance. The included Pantheon II VST/AU reverb plug-in features 6 reverb types with 16 adjustable parameters, as well as 35 factory presets that range from Vocal to Live Sound and Special Effects. It’s easy to complete your mix and make your music sound its best with these exquisitely rich, full reverbs that have made Lexicon famous. Also included with the Lexicon I ONIX U82S is a software suite featuring Steinberg’s Cubase LE4 and Toontrack EZdrummer Lite.USB 2.0 connection to DAW up to 480Mbps44.1 to 96kHz sample rates, 24-bit resolution8 Analog 1/4 and XLR combi-jack inputs on the rear panel for mic/line inputsRecord up to 10 sources at onceAnalog 1/4 TRS (Stereo Main) outputsdbx high-voltage, ultra-low noise mic preamp’s on all analog mic/line inputs (8 total)2 Hi-Z instrument inputsSupports Windows and Mac platforms48V phantom power for each input pairInput signal metering via 8 LED’s per channelSignal mixing and stereo bus signal metering2 1/4 high-output headphone connectionsMIDI In/OutS/PDIF I/OZero-latency monitoringLow-latency ASIO driversLexicon Pantheon II VST/AU reverb plug-inSoftware suite includes Steinberg’s Cubase LE4, and ToontrackEZdrummer Lite

Lexicon I???ONIX FW810S 10 Input/12 Output FireWire Audio Interface $699.95 With a wealth of features ??? including dbx high-voltage, ultra low noise mic pre???s, Pantheon II reverbs, and a powerful software mixing board with dbx dynamics and hardware monitor reverb ??? the Lexicon?? I???ONIX FW810S is more than just an 8-in, 10-out FireWireT??? audio interface. It???s a pro recording studio contained in a single rack unit.The high-voltage, ultra low noise dbx mic pre???s on every channel provide optimal timbre and tonality on every track. And the newly updated Pantheon II plug-in provides smooth, lush Lexicon reverbs for creating ideal sonic spaces.With built-in dbx Type IV??? conversion, your digital recordings will preserve their dynamic range even when levels get too high. They???ll acquire that forgiving, oversaturated quality once only found on big analog recorders. Type IV conversion actually gives you more headroom, capturing subtle details in higher level signals instead of hard clipping them.Plus, the Lexicon I???ONIX FW810S adds a powerful software Mixer with integrated dbx dynamics (compresser, gate, limiter, EQ) to your digital audio workstation. The Mixer???s true-to-life interface design feels familiar from the second you start it, making it easy to adjust levels, route signals through 8 inputs and 10 outputs, and apply and preview reverbs and dynamics. And the I???ONIX FW810S does the processing, so you can mix and fine tune your recordings in real time with zero latency. You can even save and load snapshots of mixer settings. Save and load up to five monitor mixes ??? one for the main control mix, and up to four for individual band members. Or assign the I???ONIX FW810S to start up with a snapshot.The powerful software Mixer lets you easily route signal paths and apply real-time dynamics (compressor, limiter, gate) and EQ adjustments. The Ionix software suite also includes the new Pantheon II reverb plug-in from Lexicon and Toontrack???s EZ Drummer Lite. And it all works together seamlessly in Cubase LE 4 (also included).Features: Zero latency Lexicon monitor reverb dbx?? high-voltage, ultra low noise mic pre’s on all 8 channels dbx dynamics (compressor, limiter, gate, EQ) on all 8 channels 6 analog combi-jack inputs on the rear panel for mic/line inputs 2 front panel combi-jacks accept mic, line, or instrument signals Type IV conversion feature emulates tape saturation at high levels Zero latency mixer hardware UI with dbx dynamics and a hardware monitor reverb 44.1 to 96KHz sample rates, 24 bit processing 8 analog TRS outputs (7.1 surround capable) and stereo main (control room) outs Stereo S/PDIF digital I/O MIDI In and Out FireWire 400 connection to DAW Software suite includes Steinberg’s Cubase LE 4, Toontrack EZ Drummer lite, and Lexicon Pantheon II Reverb Plug-in Low Latency drivers include Windows WDM with ASIO support along with and Macintosh CoreAudio with ASIO support

Lexicon Lambda Personal Recording Studio $119.95 There is no easier way to get into desktop recording! Just add a microphone, computer and musical inspiration. Anywhere you can take your laptop, Lambda lets you record both a vocal track and an accompanying instrument at the same time (or two singers/ two instruments). It has two studio- quality balanced microphone inputs with phantom power for professional condenser microphones and TRS inserts that let you add outboard equipment, such as compressors or equalizers. Two line level inputs are provided for adding keyboards, drum machines, turntables or pre-recorded backing tracks from CD or MP3 players. A separate front-panel high-impedance input is included so you can plug your electric guitar or bass right in. Via the separate headphone jack, you can monitor as you record, listen to a backing or click track while recording or hear tracks played back from your computer. Balanced analog line outputs let you connect to powered monitor speakers or a mastering deck.

Lexicon MX400 Reverb Processor $299.95 Lexicon MX400 Lexicon is noted for reverbs, and now the new MX400 and MX400XL dual stereo/surround reverb processors bring those quality sounds to project studios, surround facilities on a budget, and live sound applications. The new single-rackspace, 4-in, 4-out MX400 combines an intuitive front-panel design with Lexicon’s "Hardware Plug-in" technology, a unique USB connection, and VST/AU interface for use with software recording platforms.Lexicon MX400 Dual Stereo/Surround Reverb Processor Features: 4-in, 4-out dual stereo or surround effects processor USB computer connection VST/AU plug-in allows software control of hardware unit Lexicon-quality reverbs, delays, and effects Built-in dbx dynamics processing Includes 4-channel surround algorithms TRS balanced I/O (see MX400XL for XLR I/O)

Lexicon MX400XL Reverb Processor $349.95 Lexicon MX400XL Lexicon is noted for reverbs, and now the new MX400 and MX400XL dual stereo/surround reverb processors bring those quality sounds to project studios, surround facilities on a budget, and live sound applications. The new single-rackspace, 4-in, 4-out MX400 combines an intuitive front-panel design with Lexicon’s "Hardware Plug-in" technology, a unique USB connection, and VST/AU interface for use with software recording platforms.Lexicon MX400XL Dual Stereo/Surround Reverb Processor Features: 4-in, 4-out dual stereo or surround effects processor USB computer connection VST/AU plug-in allows software control of hardware unit Lexicon-quality reverbs, delays, and effects Built-in dbx dynamics processing Includes 4-channel surround algorithms XLR I/O (see MX400 for TRS I/O)

Lexicon Omega Personal Recording Studio $149.95 Lexicon’s Omega Studio is a completely integrated computer recording system that includes the Omega 8x4x2 USB I/O Mixer, Steinberg’s® Cubase LE audio and MIDI recording software, and Lexicon’s world-class Pantheon VST Reverb plug-in. The Omega Desktop Recording Studio quite literally contains all the necessary components to transform your computer into a professional 24-bit recording studio – all in one box.The Omega Studio is built around a mixer paradigm. An 8-input, 4-bus, 2-output USB I/O mixer with inserts, instrument input, MIDI I/O and complete metering and monitoring functions gives the user the freedom to record and mix without re-patching or the need for any additional hardware. The Omega? I/O mixer provides 8 inputs plus an instrument input which are assignable in pairs to any of 4 simultaneous record channels featuring ultra-transparent, high-resolution analog to digital converters to capture a performance with pristine 24-bit quality. Two of the inputs feature extremely low-noise dbx® mic preamps with 48-volt phantom power and TRS insert points. Four TRS active balanced line inputs accept up to +22 dBu signals to allow interfacing to either unbalanced or professional high-output level balanced equipment. Included is an S/PDIF input combined with an additional DAC for zero-latency, and direct monitoring of the S/PDIF source to enable simultaneous tracking of analog and digital sources. A high-impedance instrument input is conveniently accessible on the front panel. The Omega I/O mixer provides a peak indicator for each analog input as well as an assignable bargraph meter for signal level monitoring. By monitoring the signal at the A/D converters, the system avoids the problems with software-only level monitoring that can miss clipping and distort, thus ruining the track. The Omega? I/O mixer also includes a fully opto-isolated MIDI input to ensure that there is no annoying ground loop hum or MIDI talk-through noise common with many I/O boxes and sound cards. The MIDI output has rock-solid synchronization to USB frame rate to support applications requiring critical sync. Omega Studio is packaged with Steinberg’s Cubase LE® MultiTrack PC and Mac® OS X Recording Software

Lexicon Pro MX300 Effect Processor $249.95 MX300 The MX300 lets you switch effect routings easily via front panel controls, so you don’t have to spend time behind your rack changing cables. Dual Mono sends the Left and Right input signals through Effect 1 and Effect 2 respectively. Each signal is then routed to its respective output, completely independent from the other. Cascade (Series) sends Left and Right input signals first through Effect 1, then through Effect 2, and then routed as a stereo signal to their respective outputs. Dual Stereo (Parallel) routes Left and Right input signals through both effects independently. Both Effects’ output signals are then mixed together, and routed to both the outputs as a single stereo signal. Mono Split sends Left input signal through Effect 1, while the Right input signal is sent through Effect 2. The output signals of both Effects are then mixed together, and routed to both the outputs as a single stereo signal. Stereo routing provides a single stereo effect path for Left and Right signals. This routing removes one of the effect modules for users requiring a streamlined signal path with only a single effect for their needs — but taking advantage of all of the MX300′s processing horsepower.Lexicon Pro MX300 Effect Processor Features: 2-in / 2-out configuration 16 legendary Lexicon® reverbs Lexicon delays & modulation effects dbx® compression and de-essing Input Gain Control for stereo inputs Intuitive Navigation/Edition with large LCD screen, Page/Select Wheel, 3 top-level parameter controls plusExit, Tempo and Bypass selectors 5 effect routing options 99 Factory / 99 User programs USB "Hardware Plug-In" feature with VST® and Audio Units plug-in software MX-Edit Editor/Librarian software S/PDIF Digital Input/Output 24-bit, 48kHz/44.1kHz sample rates 1/4" footswitch jack MIDI IN and THRU XLR and 1/4" TRS balanced I/O

M-Audio Fast Track Pro Mobile USB/MIDI Interface $199.99 Fast Track Pro The M-Audio Fast Track Pro Mobile USB Audio/MIDI Interface is loaded with professional features for optimal mobile recording flexibility. You get 2 front-panel mic/line inputs complete with phantom power for condenser microphones inserts for outboard effects balanced and unbalanced analog outputs S/PDIF digital I/O MIDI I/O and more. The Fast Track Pro also features near-zero latency direct hardware monitoring and low-latency ASIO software monitoring plus an A/B source switch and dual output pairs for DJ-style cueing. Compatible with most popular PC and Mac music software. USB connection and bus power along with class compliancy for Mac OS X make it a breeze to set up.M-Audio Fast Track Pro Mobile USB Audio/MIDI Interface Features: 1/4" RCA XLR and MIDI inputs. 24-bit/96kHz audio interface 2 front panel mic/instrument preamp inputs (Neutrik XLR/ 1/4" TRS) with: gain controls signal/peak lights pads for each input insert jack (1/4"" TRS) for outboard processors 2 balanced outputs (1/4"" TRS) 4 unbalanced outputs (RCA) 2 x 2 S/PDIF digital I/O with w/ 2-channel PCM S/PDIF out also supports pass-through of AC-3/DTS surround-encoded content 1 x 1 MIDI I/O with activity LEDs headphone output (1/4"" TRS) with level control headphone A/B source switch for DJ-style cueing input/playback mix control for hardware direct monitoring mono switch for input/playback direct monitoring master output level control near zero-latency hardware direct monitoring low-latency ASIO software monitoring includes Ableton Live Lite 4 for creative recording and mixing USB connection to computer powered via USB or optional AC power adapter Kensington lock port

M-Audio Fast Track Ultra 8R USB Interface with Pro Tools SE $499.99 Fast Track Ultra 8R Designed for comprehensive studio work the Fast Track Ultra 8R audio/MIDI interface delivers 8 x 8 I/O high-speed USB 2.0 connectivity MX Core DSP mixing/effects and eight preamps with award-winning Octane technology. Record drum kits and full bands on all eight inputs simultaneously in 24-bit/96kHz fidelity. The on-board MX Core DSP mixer processes eight hardware inputs and eight software returns to the eight hardware outputs expanding the total I/O to an impressive 16 x 8 configuration. It also delivers flexible routing and monitoring with delay and reverb. Its reliable low-latency M-Audio drivers and compatibility with most major recording software allows you to put the Fast Track Ultra 8R at the core of your powerful project studio in a single rack-mount unit. High-speed USB 2.0 Technology The Fast Track Ultra 8R utilizes high-speed USB 2.0 technology to deliver the bandwidth for 24-bit/96kHz audio resolution throughout the recording and monitoring process. With a maximum data transfer speed of 480Mbps this jump in performance allows you to enjoy outstanding sound quality on all inputs and outputs simultaneously.M-Audio Fast Track Ultra 8R USB Interface Features: 24-bit/96kHz professional audio on all I/O simultaneously High-speed USB 2.0 interface Comes with MX Core DSP technology Monitor with effects while recording Flexible channel routing options Expands DSP mixing interface to 16 x 8 8 preamps with award-winning M-Audio Octane technology 8 XLR/TRS combo jacks for mic or line-level inputs +48V phantom power 20dB pad on each preamp Signal/peak LED indicator lights 2 front-panel 1/4" instrument inputs 8 balanced TRS analog outputs 2 analog inserts S/PDIF digital I/O Built-in 1 x 1 MIDI interface 2 independent headphone outputs with individual volume control knobs Rugged lightweight metal chassis Full ASIO 2.0 WDM MME Core Audio support Compatible with most major audio production software Dual headphone amp with two completely independent headphone outputs

M-Audio ProFire 2626 Audio Interface $699.99 ProFire 2626 Building on a legacy of award-winning FireWire audio interfaces the M-Audio ProFire 2626 brings next-generation performance to your PC or Mac host-based recording system. This powerful rackmount interface delivers 26 x 26 simultaneous I/O complete with an onboard DSP mixer sourced from up to 52 audio streams. It features every kind of connection you need including the award-winning Octane preamp technology on all eight analog inputs ADAT S/PDIF word clock and MIDI. Critically acclaimed JetPLL jitter elimination technology ensures pristine audio quality and reliable synchronization all the way up to high-definition 24-bit/192kHz resolution. In addition the ProFire 2626 Audio Interface offers easy FireWire connectivity extremely low latency dual headphone outputs front-panel 1/4" instrument inputs and standalone operation. It is compatible with most major audio software including Pro Tools M-Powered 7.4 (with downloadable update) which would boost you to 96kHz and a 18 x 18 I/O maximum.M-Audio ProFire 2626 Features: Up to 24-bit/192kHz for high-definition audio 8 analog inputs sourced from: 8 XLR mic inputs with phantom power 8 (1/4") TRS balanced line inputs 2 (1/4") TS instrument inputs Optical I/O in the form of: 2 x 2 S/PDIF (on optical port B) or 16 x 16 ADAT (8 x 8 in S/MUX II mode 4 x 4 in S/MUX IV mode) 2 x 2 coaxial S/PDIF (via included breakout cable) 8 (1/4") TRS balanced line outputs 2 (1/4") TRS headphone outputs 1 x 1 MIDI I/O (via included breakout cable) Word clock I/O (via included breakout cable) 8 preamps with award-winning Octane technology User-assignable master volume knob Flexible onboard DSP mixer lets you select from any of the 26 hardware inputs and 26 software returns as sources for its 18 input channels letting you create up to 8 stereo mixes Standalone 8 mic pre/8-channel A/D-D/A converter JetPLL jitter elimination technology Sync options include internal clock ADAT optical S/PDIF and word clock Compatible with most popular DAWs Compatible with Pro Tools M-Powered 7.4 with downloadable update making capable of 96kHz with 18 x 18 I/O maximum (Please visit m-audio.com for update availability)

M-Audio Studiophile AV 40 – Desktop Speaker System $149.99 “The compact Studiophile AV 40 powered speakers deliver the same proven M-Audio technology favored by top producers, recording engineers and musicians around the world. The combination of 4″” polypropylene-coated drivers and 3/4″” ferrofluid-cooled silk dome tweeters provides punchy lows, crisp highs and a balanced, uncolored response. Custom cabinets with dense wood construction deliver more accurate bass response than you could ever get from plastic multimedia speakers. And for the highest possible fidelity, the Studiophile AV 40 speakers also feature OptImage III wave-guide technology and a 20 watt-per-channel internal amplifier that utilizes Class A/B architecture. The Studiophile AV 40 reference monitors are the perfect solution for traveling musicians or anyone who wants top-notch sound from their desktop multimedia system.The Studiophile AV 40 monitors are designed with the same quality materials and internal electronics that are used in M-Audio’s acclaimed professional monitors. You’ll find features like audiophile-grade Class A/B amplifier architecture and balanced ¼”" TRS inputs in addition to RCAs. It all adds up to a big sound that belies the speakers’ small size. With the Studiophile AV 40s, you don’t have to give up professional-grade fidelity to enjoy the ease and mobility of a compact speaker system.M-Audio’s proprietary OptImage III wave guide improves overall detail and clarity while minimizing sound issues that can plague other compact monitors. The system works by improving the overall efficiency of the tweeter as well as time-aligning the drivers. This ensures that the audio from each driver reaches the listener at the same time, guaranteeing precise stereo imaging and accurate response.If you require extra bass response, the Studiophile AV 40 speakers have you covered. MDF wooden cabinets, bass reflex design and an integrated bass boost switch let the Studiophile AV 40s crank out plenty of low end – perfect for urban/dance music, DVDs and more.Unchecked, all speakers emit electromagnetic waves that can wreak havoc with your computer’s video monitor or a nearby TV. The Studiophile AV 40 speakers are magnetically shielded so that all of your electronic equipment can coexist on your desktop without interference.Features: 4″” polypropylene-coated woofers 1″” diameter, magnetically shielded silk dome tweeters OptImage III tweeter wave guides for superior imaging 20-watt-per-channel amplifier with Class A/B architecture magnetic shielding ¼”" TRS balanced and RCA unbalanced inputs 1/8″” headphone output 1/8″” stereo auxiliary input front-panel volume control rear-panel on/off control bass boost control MDF cabinet with bass reflex port design”

M-Audio Studiophile CX5 High-Resolution Active Studio Reference Monitor – B-Stock $319 “Condition Notes: This monitor is a B-Stock floor model. The center cone is slightly dented, but is in otherwise good condition! The Studiophile?? CX5 near-field studio monitor extends M-Audio’s 20-year legacy of engineering advanced music creation solutions. Designed by our dedicated team of monitor engineers, the CX line combines proprietary driver designs, custom waveguides, seamless crossover integration and advanced Acoustic Space controls. The result is a best-in-class monitor series with excellent off-axis response, minimal distortion, an expansive soundstage and the flexibility to adapt to any production space. The Studiophile?? CX5 monitor brings exceptionally accurate monitoring to any acoustic environment – establishing a new benchmark in its category.Features:     1.25-inch, silk-dome, high-frequency driver with oversized voice coil and rear chamber     5-inch, Kevlar, long-excursion, low frequency driver with high-damping rubber surround     Acoustic Space controls optimize frequency response for your production space     Bi-amplified, class A/B amplifier with external heat sink, recessed mounting and 14-gauge wiring to transducers     Contoured front baffle with integral OptImage IV waveguide     Neutrik combo input (XLR and 1/4″” TRS); RCA unbalanced input     Power and volume controls     Ultra-solid, 1-inch front and rear MDF baffles and .75-inch MDF wrap with optimized internal bracing     Flared rear-firing port for lower turbulence     Elegant lacquer paint with soft-touch painted faceplate     Recessed amplifier mounting     Extensive protection – RF interference, output current limiting, over-temperature, turn on/off transient, subsonic filter and external mains fuseSpecifications:     Frequency response:          o 50Hz to 30kHz (+/- 3dB) (0 degrees, on tweeter axis).          o low-frequency response: -10dB at 40Hz          o low-frequency response: -3dB at 45Hz          o high-frequency response: -3dB at 30kHz on tweeter axis     Off-axis linear frequency response: spatially averaged +/-15?? vertically, +/-30?? horizontally     Rear-panel trim controls:          o high-frequency trim: +2dB, 0dB, -2dB above 3kHz          o mid-frequency boost in/out: 2dB centered at 2kHz with a low Q bandwidth          o low-frequency cutoff: flat, 80Hz and 100Hz     Acoustic space: 0dB, -2dB and -4dB above 200Hz”

M-Audio Venom – 12-Voice Virtual Analog Synthesizer $499.99 “Pro Tools compatible USB audio/MIDI interface > ready for the stage and studio The M-Audio Venom 49-key synthesizer combines the character of classic analog synths with modern digital processing to deliver an aggressive, infectious new sound. Whet your appetite with the included presets, then sink your teeth into creating original sounds—from atmospheric and subtle, to angry and downright nasty. Easily tweak parameters from the intuitive top-panel interface, or explore endless sound design and configuration possibilities with the included software editor. Perform bass lines, leads, and more with a full-size keyboard designed to satisfy serious players. You can even use Venom as an audio interface with Pro Tools* and other music software—forming a powerful production machine to take your music in dangerous new directions.Features: 49-key, full-size, synth-action keyboard   12-voice polyphony, each voice including: 3 oscillators with 41 waveforms and 53 drum sounds sampled from vintage analog synths, FM digital synths, and drum machines Pulse-width modulation, sync, FM, and ring modulation Resonant multimode filter with tube saturation limiting: 12 dB/octave (2-pole) low pass 12 dB/octave (2-pole) band pass 12 dB/octave (2-pole) high pass 24 dB/octave (4-pole) low pass 24 dB/octave (4-pole) band pass 24 dB/octave (4-pole) high pass 3 LFOs with selectable sample-and-hold 3 AHDSR envelopes 16 modulation routes 4-part multitimbral operation with independent MIDI-syncable phrase sequencers   512 onboard Single patches   256 onboard Multi (layered) patches   2 global bus effects: Reverb, Delay, Chorus, Flanger, Phaser 1 insert effect per multitimbral part (4 total): Compression, EQ, Distortion, Bit Reduction, Decimation Classic arpeggiator with up, down, and alternating patterns   Tap-tempo and manual BPM control from top panel   Built-in USB 2.0 audio/MIDI interface (USB 1.1 backward compatible): 2 x 2 24-bit, 44.1 kHz operation mic, instrument, and stereo line level inputs route to DAW synth sounds route to DAW DAW audio output mixes into main outputs stereo main audio outputs (1/4″” TS) stereo headphone output (1/4″” TRS) master volume knob; instrument and mic gain knobs MIDI In and MIDI Out (5-pin DIN) Large custom LCD   4 rotary encoders and 1 button for performance control and editing   Dual-function octave up/down and transpose controls   Assignable pitch bend and modulation wheels   Sustain (1/4″” TS) and expression (1/4″” TRS) pedal inputs   Included Vyzex Venom software editor: arrange sounds into banks, rename patches, and save backups patch collider feature mashes up multiple patches to create new hybrid sounds 16-cell modulation matrix offers comprehensive routing configurations”

Mackie Tapco Tweeq Dual 31-Band Graphic EQ $120 More than 30 years ago, TAPCO built a reputation for affordable, high-quality audio mixers and graphic equalizers at very musician-friendly prices. Today, we continue that tradition with the Tweeq T?231, a dual 31-band graphic equalizer with exceptional construction, high-precision sliders, sensible features and great sound quality. So whether you’re running live sound or enhancing an installed system, you can tweeq your sound with confidence.Features: Dual 31-band 2U rackmount graphic EQ with road-ready construction and great sound quality High-precision EQ sliders with smooth, reliable feel Switchable 6/12 dB control range for wide or fine tweaking High Pass filter @ 40 Hz to remove unwanted low frequencies from small speaker cabinets Low Pass filter @ 16 kHz to remove unwanted high frequencies Bypass Switch allows quick A/B comparisons Independent Signal Clip indicators on each channel Output Gain control for EQ signal compensation RCA, TRS and XLR connections on rear panel Selectable Line voltage (115/230V)

Marathon 1900W Per Ch 4 Ohm DJ Amp – MA-5050 $961.39 Output Power 8 (ohms): 2 x 1200W. Output Power 4 (ohms): 2 x 1900W. Output Power 2 (ohms): 2 x 2500W. Output Power BRIDGE 8 (ohms): 3600W. Output Power BRIDGE 4 (ohms): 5000W. Frequency Response @ Half Power:15Hz – 25KHz (+0/-1dB). THD+Noise at 1KHz Full Power: 102dB. Slew Rate (Input Filter Limited): 40V/uS. Damping Factor 1KHz@8 ohm: >400:1. Input Sensitivity: Selectable (0.77V / 1.0V / 1.44V). Input Impedance: 10k ohm Balanced to ground. Input Connectors: Female XLR-3 6.35mm TRS Jack. Output Circuit Type: Class H. Output Connectors: 4 Pole Speakon Binding Post. Protection:Full short-circuit Open circuit Thermal Soft-start DC voltage Sub/Ultrasonic RF. LED Indicators (per channel): Bridge Parallel Power Signal Clip Protect. Panel Controls: Front-2 input attenuators REAR Ground lift mode selection compressor. Cooling: Front-to-Back via 2 variable speed fans. Indicators: Power: 1 x Blue LED Signal: 2 x Green LED Clip : 2 x Red LED Protect: 1 x Red LED. Power Supply Voltage: Voltage selectable 110 / 220V AC. Power Supply Voltage: Voltage selectable: 110V 220V AC. Power supply fuse (250): 20A. Dimensions: 19 W x 18.7 L x 5 H inches. Net Weight: 77 lbs. (23/24.5 kg.)

Marathon MA-3050 700W Pro Series Amplifier $394.99 Output Power 8 (ohms): 2 x 500W. Output Power 4 (ohms): 2 x 750W. Output Power 2 (ohms): 2 x 1000W. Output Power BRIDGE 8 (ohms): 1500W. Output Power BRIDGE 4 (ohms): 3000W. Frequency Response @ Half Power: 15Hz – 25KHz (+0/-1dB). THD+Noise at 1KHz Full Power: 102dB. Slew Rate (Input Filter Limited): 40V/uS. Damping Factor 1KHz@8 ohm: >400:1. Input Sensitivity: Selectable (0.77V / 1.0V / 1.44V). Input Impedance: 10k ohm Balanced to ground. Input Connectors: Female XLR-3 6.35mm TRS Jack. Output Circuit Type: Class AB. Output Connectors: 4 Pole Speakon Binding Post. Protection:Full short-circuit Open circuit Thermal Soft-start DC voltage Sub/Ultrasonic RF. LED Indicators (per channel): Bridge Parallel Power Signal Clip Protect. Panel Controls: Front-2 input attenuators REAR Ground lift mode selection compressor. Cooling: Front-to-Back via 2 variable speed fans. Indicators: Power: 1 x Blue LED Signal: 2 x Green LED Clip : 2 x Red LED Protect: 1 x Red LED. Power Supply Voltage: Voltage selectable 110 / 220V AC. Power supply fuse (250): 8A. Dimensions: 19 W x 18.7 L x 4 H inches. Net Weight: 49 lbs. (21/22.5 kg.)

Marathon MA-4050 Professional Power Amplifier $517.2 The MA Pro Series amplifiers gives you absolute pure power that are capable of delivering superior performance for DJ and club use. Tremendous power ranging from 1300 watts to 5000 watts in 4 ohms bridge mode. MA Series comes with set of features includes full short circuit open circuit thermal soft start DC voltage Sub Electronic and RF protection for your speakers to have full range continuous power.Check your output with the LED indicators (per channel) from Bridge Parallel Power Clip and Protect. Complete Front 2 input attenuators Rear Ground Lift Mode Selection Compressor Panel Controls. Efficient cooling feature of front-to-back with two variable low noise speed fans to prevent overheating.Power Output: Output Power 8 (ohms): 2 x 800W Output Power 4 (ohms): 2 x 1300W Output Power 2 (ohms): 2 x 1500W Output Power BRIDGE 8 (ohms): 2000W Output Power BRIDGE 4 (ohms): 4000W Specifications:Frequency Response @ Half Power: 15Hz – 25KHz (+0/-1dB) THD+Noise at 1KHz Full Power: 102dB Slew Rate (Input Filter Limited): 40V/uS Damping Factor 1KHz@8 ohm: >400:1 Input Sensitivity: Selectable (0.77V / 1.0V / 1.44V) Input Impedance: 10k ohm Balanced to ground Input Connectors: Female XLR-3 6.35mm TRS Jack Output Circuit Type: Class AB Output Connectors: 4 Pole Speakon Binding Post Protection:Full short-circuit Open circuit Thermal Soft-start DC voltage Sub/Ultrasonic RF LED Indicators (per channel): Bridge Parallel Power Signal Clip Protect Panel Controls: Front-2 input attenuators REAR Ground lift mode selection compressor Cooling: Front-to-Back via 2 variable speed fans Indicators: Power: 1 x Blue LED Signal: 2 x Green LED Clip : 2 x Red LED Protect: 1 x Red LED Power Supply Voltage: Voltage selectable 110 / 220V AC Power Supply Voltage: Voltage selectable: 110V 220V AC Power supply fuse (250): 10A Dimensions: 19 W x 18.7 L x 4 H inches Net Weight: 54 lbs. (23/24.5 kg.)

Marathon Pro MA Pro Series Amlifiers $433.99 * Output Power 8 (ohms): 2 x 500W -* Output Power 4 (ohms): 2 x 750W -* Output Power 2 (ohms): 2 x 1000W -* Output Power BRIDGE 8 (ohms): 1500W -* Output Power BRIDGE 4 (ohms): 3000W -* Frequency Response @ Half Power: 15Hz – 25KHz (+0/-1dB) -* THD+Noise at 1KHz Full Power: 102dB -* Slew Rate (Input Filter Limited): 40V/uS -* Damping Factor 1KHz@8 ohm: >400:1 -* Input Sensitivity: Selectable (0.77V / 1.0V / 1.44V) -* Input Impedance: 10k ohm Balanced to ground -* Input Connectors: Female XLR-3 & 6.35mm TRS Jack -* Output Circuit Type: Class AB -* Output Connectors: 4 Pole Speakon & Binding Post -* Protection:Full short-circuit, Open circuit, Thermal, Soft-start, DC voltage, Sub/Ultrasonic,RF -* LED Indicators (per channel): Bridge, Parallel, Power, Signal, Clip, Protect -* Panel Controls: Front-2 input attenuators REAR Ground lift, mode selection, compressor -* Cooling: Front-to-Back via 2 variable speed fans -* Indicators: Power: 1 x Blue LED, Signal: 2 x Green LED, Clip : 2 x Red LED, Protect: 1 x Red LED -* Power Supply Voltage: Voltage selectable 110 / 220V AC -* Power supply fuse (250): 8A -* Dimensions: 19 W x 18.7 L x 4 H inches, -* Net Weight: 49 lbs. (21/22.5 kg.)

Marathon Pro MA-2050 Pro Series Amplifier $296.99 The MA Pro Series amplifiers gives you absolute pure power that are capable of delivering superior performance for DJ and club use. MA Series amps come with set of features includes full short circuit, open circuit, thermal, soft start, DC voltage, Sub Electronic and RF protection for your speakers to have full range continuous power.-Simply check your Output with the LED indicators (per channel) from Bridge, Parallel, Power, Clip and Protect. Complete Front 2 Input attenuators Rear Ground Lift, Mode Selection, Compressor, Panel Controls. Efficient cooling feature of front-to-back with two variable low noise speed fans to prevent overheating.-Specifications: -Output Power 8 (ohms): 2 x 300W -Output Power 4 (ohms): 2 x 500W -Output Power 2 (ohms): 2 x 800W -Output Power BRIDGE 8 (ohms): 1000W -Output Power BRIDGE 4 (ohms): 1300W -Frequency response @ Half Power: 15Hz – 25KHz (+0/-1dB) -THD+Noise at 1KHz Full Power: IMD 60Hz & 7KHz, 4:1: Signal to Noise Ratio: >105dB -Slew Rate (Input Filter Limited): 40V/uS -Damping Factor 1KHz@8 ohm: >400:1 -Input Sensitivity: 1.228V -Input Impedance: 10k ohm Unbalanced -Input Connectors: Female XLR-3 & 6.35mm TRS Jack -Output Circuit Type: Class AB -Output Connectors: 4 Pole Speakon & Binding Post -Protection: Full short-circuit, Open circuit, Thermal, -Soft-start, DC voltage, Sub/Ultrasonic, RF -LED Indicators (per channel): Bridge, Parallel, Power, Signal, Clip, Protect -Panel Controls: Front-2 input attenuators REAR Ground lift, mode selection, and compressor -Cooling: Front-to-Back via 2 variable speed fans -Power: 1 x Blue LED, Signal: 2 x Green LED, Clip: 2 x Red LED, Protect: 1 x Red LED -Power Supply Voltage: Voltage selectable: 110V \ 220V AC -Power supply fuse (250): 8A -Dimensions: 19 W x 18.7 L x 4 H inches -Net Weight: 40 lbs.

Marathon Pro MARATHON MA-4050 DJ SERIES POWER AMPLIFIER $525.99 The MA Pro Series amplifiers gives you absolute pure power that are capable of delivering superior performance for DJ and club use. Tremendous power ranging from 1300 watts to 5000 watts in 4 ohms bridge mode. MA Series comes with set of features includes full short circuit, open circuit, thermal, soft start, DC voltage, Sub Electronic and RF protection for your speakers to have full range continuous power.–Check your output with the LED indicators (per channel) from Bridge, Parallel, Power, Clip and Protect. Complete Front 2 input attenuators Rear Ground Lift, Mode Selection, Compressor, Panel Controls. Efficient cooling feature of front-to-back with two variable low noise speed fans to prevent overheating.–Power Output: -Output Power 8 (ohms): 2 x 800W -Output Power 4 (ohms): 2 x 1300W -Output Power 2 (ohms): 2 x 1500W -Output Power BRIDGE 8 (ohms): 2000W -Output Power BRIDGE 4 (ohms): 4000W –Specifications:-Frequency Response @ Half Power: 15Hz – 25KHz (+0/-1dB), -THD+Noise at 1KHz Full Power: 102dB, -Slew Rate (Input Filter Limited): 40V/uS, -Damping Factor 1KHz@8 ohm: >400:1, -Input Sensitivity: Selectable (0.77V / 1.0V / 1.44V), -Input Impedance: 10k ohm Balanced to ground, -Input Connectors: Female XLR-3 & 6.35mm TRS Jack, -Output Circuit Type: Class AB, -Output Connectors: 4 Pole Speakon & Binding Post, -Protection:Full short-circuit, Open circuit, Thermal, Soft-start, DC voltage, Sub/Ultrasonic, RF -LED Indicators (per channel): Bridge, Parallel, Power, Signal, Clip, Protect, -Panel Controls: Front-2 input attenuators REAR Ground lift, mode selection, compressor -Cooling: Front-to-Back via 2 variable speed fans, -Indicators: Power: 1 x Blue LED, Signal: 2 x Green LED, Clip : 2 x Red LED, Protect: 1 x Red LED, -Power Supply Voltage: Voltage selectable 110 / 220V AC, -Power Supply Voltage: Voltage selectable: 110V \ 220V AC, -Power supply fuse (250): 10A ,-Dimensions: 19 W x 18.7 L x 4 H inches, -Net Weight: 54 lbs. (23/24.5 kg.)

NU3000 iNuke Power Amplifer with DSP Control – Behringer – NU3000DSP $399.99 DESCRIPTIONS: Like all the iNuke Series power amplifiers, the iNuke3000DSP pack massive amounts of output power into exceptionally lightweight, rackmountable packages. Behringer’s revolutionary high-density Class-D technology combined with ultra-efficient switch-mode power supplies ensures these feather-light powerhouses will drive your rig effortlessly for many years to come. Superb transient response Behringer spent years fine-tuning the high-density Class-D technology that gives the iNUKE3000DSP its oomph. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of the circuitry, these amps react instantly to even the most demanding electronic bass impulses. When this amazing amplifier technology is combined with their state-of-the-art switching-mode power supplies, these amplifiers provide tremendous punch. And, because they are so much more efficient than conventional designs, they run cooler and don t require the massive heat sinks and heavy toroid transformers typically associated with their conventional counterparts. Sublimely simple operation The front-panel controls and indicators provide your system s vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as clip LEDs to indicate when the signal is distorted and you need to reduce the input signal. The rear panel is just as elegant, with combo XLR and 1/4 TRS input connectors making the iNUKE3000DSP compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers. The rear panel is also where you ll find the switches that enable it to work in either dual mono, stereo, or mono bridge mode. A built-in CROSSOVER switch enables the amp to operate in biamp mode,

Nady PB-48 Modular Patch Panel – 48 x TRS $69.99 The PB-48 is Furmans standard patch bay, usable in almost any application. It features 1/4 TRS phone jacks in all positions, front and rear, with one switching jack in the lower front positions. TRS jacks have the advantage of being usable in either balanced or unbalanced systems.

Neutrik 48-Point TRS Patchbay $110.79 The Neutrik 48-Point TRS Patchbay is a 1/4 patch panel with 2 rows of sockets, 24 front pairs and 24 rear pairs. 19 rackmount and fully PCB-wired (24 vertical PC boards) without nut fastening. Identification strips included for front and rear panel.

Numark Compact, Portable USB Audio Interface w/Software & USB Cable, MIC Input & $79.95 * Complete system I/O for laptop performers.-* DJ audio interface for use laptop performance-* Ultra low-latency playback for real-time mixing-* Two independent RCA stereo outputs for main and recording systems-* Microphone input with adjustable gain (1/4″)-* Stereo headphone output (1/4″ TRS)-* Studio-grade, 24bit, 44.1 kHz and 88.2 kHz audio quality-* ASIO drivers with control panel for fine-tuning system performance-* USB bus powered, requires no wall power–DJiO is a compact, portable audio interface expressly designed for DJs, mobile music producers and other musicians who work with computers. You’ll find DJiO to be a convenient missing link in your setup because it connects easily with a standard USB cable to the computer and supplies extremely high-quality, 24-bit audio to output systems. DJiO has stereo outputs for a main sound system, a secondary or monitoring system and headphones, as well as a microphone input with a hardware volume control. The audio interface comes with premium ASIO drivers, which enable you to easily optimize your systems audio performance.–DJs and other performers employ DJiO in a wide variety of setups, most commonly involving music-mixing software and a hardware controller such as TOTAL CONTROL, STEALTH CONTROL, or MixMeister Control. Other performers including CD DJs and non-musician computer users can also appreciate DJiOs convenience and portability.–You can use DJiO with Mac OS X, Windows XP, or Vista. Both 32 and 64-bit Windows are compatible. The USB device is bus-powered so no additional power supply is needed. Optionally, you can wall-power DJiO with a six-volt AC adapter, which is sold separately. DJiO delivers extremely low-latency audio performance for real-time playback accuracy at a choice of CD-quality 44.1kHz or premium 88.2kHz sample rates.–DJiO is compact and rugged enough to live in your gig bag. It has RCA stereo outputs and a headphone output so you can cue and output your main mix simultaneously. DJiO also ha

Peavey Feedback Ferret D Power Amplifier $399.99 Feedback Ferret® D Our advanced computer algorithm automatically identifies and suppresses microphone feedback so you can concentrate on running the mix. Just raise the levels on your mics to the onset of feedback. The filters automatically "learn" the problem spots in your system and knock them down with great precision leaving everything else untouched for maximum fidelity. Then during the performance additional filters are constantly standing by to instantly kill any extra, unexpected feedback.Peavey Feedback Ferret D Power Amplifier Features: Dynamically suppresses feedback using sophisticated "search & destroy" filters that find, lock in and kill offending frequencies Sixteen individual filters can operate simultaneously (eight dynamically react to input changes) Stereo or "dual mono" operation which enables 32 dynamically-controlled filters Set-and-Forget operation in fixed installations such as churches and auditoriums Four presets for your most common performance venues Rear panel Defeat button locks out inquiring fingers Extra Max "Panic" filters for quick control of sudden, severe feedback Balanced XLR and TRS inputs and outputs Weight Packed: 18.74 lb(8.5 kg) Width Packed: 18 Depth Packed: 20.75 Height Packed: 3.875

Phonic 31-band Graphic Equalizer – US Music – GEQ3100 $199.99 DESCRIPTIONS: Two 31-band, 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of 6 or 12 dB 12 dB per octave 50Hz low-cut filter Front-panel bypass switch 12 dB input gain range 4-segment LED meter for monitoring output levels XLR and TRS Inputs and Outputs Internal Toroidal Transformer Frequency Response between 50kHz Dynamic range greater than 108dB The Phonic GEQ 3100 is a dual channel, 31-band equalizer that offers 6 or 12 dB of cut or boost in 1/3 octave steps, with standard ISO center frequencies between 20 Hz and 20 KHz. GEQ 3100 is 2-rack space units high, and accepts both 1/4 TRS phone jacks and XLR connectors, making it ideal for almost any studio or live venue setup.

PreSonus DigiMax D8 8-Channel Mic Preamp w/ Digital Output $399 The DigiMax D8 is an 8-channel preamplifier featuring 8 award-winning class A XMAX MIC preamps with 24-bit ADAT Digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 DB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct Analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes Word clock sync input for ultra-low jitter and robust synchronization. The DigiMax D8 is the perfect solution to add eight Professional Microphone preamplifiers to any digital Recording system with ADAT Optical lightpipe Expansion capability including Digidesign?s HD and 003 systems, RME, YAMAHA, Alesis, Mackie, and many others.-Features: -8 dual-purpose front-panel channel inputs, each with high-headroom Class A XMAX mic preamplifiers: -8 mic/line inputs -2 instrument inputs (front panel; Ch. 1 and 2, bypasses mic input) -Individual channel-trim controls with -4 dB to +50 dB gain range -48V phantom power for condenser microphones (switchable in pairs) –20 dB pad on every channel -Analog direct outputs -4-segment, fast-acting LED input meter -8 Channels of ADAT optical output at 44.1 or 48 KHz-Clock source (sets clock to external or internal with 44.1 or 48 kHz sample rate)-Input/Output: -2 unbalanced ?” instrument inputs (front panel; bypass Ch. 1 and 2 mic inputs) -8 balanced combo mic/line inputs -1 BNC word-clock input -8 balanced ?” direct outputs (1 per channel) -1 ADAT Lightpipe optical Digital output -Digital: -Professional-quality AD converters (+107 dBu dynamic range) -ADAT Lightpipe digital output: 24-bit resolution/44.1 and 48 kHz internal sampling rate -Word-clock master via ADAT Lightpipe or slave to external word clock-Physical: -1U 19″ rack-mountable, rugged steel chassis -Internal Power Supply with standard IEC connecto

PreSonus Firestudio Tube 16×8 Recording System $799 The FireStudio Tube delivers all the Analog I/O needed for Professional Recording sessions, featuring sixteen analog inputs including two tube SuperChannels on the front panel, eight class A award-winning XMAX Microphone preamplifiers and six balanced TRS line inputs on the rear panel. Outputs include six balanced TRS outputs and PreSonus? signature ultra loud and clear Headphone output that ?goes to 11″. MIDI I/O is also included on the rear panel for MIDI instruments, keyboards and controllers. The FireStudio Tube?s combination of microphone, instrument and line inputs is perfect for a band to simultaneously record drums, bass, guitar, vocals and keyboards without any additional preamplifiers.-24-bit/96K FireWire (IEEE 1394)-16 inputs/6 outputs simultaneous record/playback channels-2 SuperChannels (tube microphone/instrument preamplifier with analog limiter)-8 XMAX microphone preamplifiers-2 PreSonus microphone/instrument preamplifiers-6 balanced TRS line outputs- MIDI Input/Output-16×8 FireControl DSP mixer/router-JetPLL Sync for improved imaging and clarity-High performance A/D/A converters (114 dynamic range)-Windows and Macintosh compatible-ProPak Software Suite including Cubase LE 4 Audio production software

Presonus FireStudio Tube Audio Interface $699.95 The FireStudio Tube is a world-class 24-bit/96k professional FireWire recording system loaded with the perfect combination of inputs and outputs for bands, producers, musicians and engineers to produce commercial-quality recordings. The FireStudio Tube is bundled with PreSonus Studio One Artist, our groundbreaking music creation program, and over 4 GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately. The front panel of the FireStudio Tube is loaded with two "SuperChannels" featuring class A vacuum tube microphone and instrument preamplifiers along with full-featured analog limiters. The tube preamplifiers use a high gain, military grade 12AX7 tube for maximum gain, low noise and high headroom. Neutrik combo connectors allow both XLR microphone input and hi-Z instrument input. Preamp controls include preamp gain and tube drive to achieve a wide range of sounds from smooth, clean and clear, to warm tube saturation. An 80Hz high pass filter is also located on the front panel to remove room rumble and unwanted lows. The FireStudio Tube’s Limiter features a VCA-based ultra fast Dual Domain RMS and peak detection circuit used in the award-winning DigiMax 96K, delivering the most musical limiter available. The Analog Dual Domain Limiters in the SuperChannel are located after the preamplifier and BEFORE the analog to digital converter in the signal path. This allows you to maintain high resolution recording levels without clipping, allowing you to keep the vocals up front, the kick and snare consistent, and the bass solid and punchy. Controls for the limiter include Threshold and Gain make-up as well as a Limiter in/out button. Fast-acting LED metering on the front panel displays preamp input and limiter gain reduction for the two tube SuperChannels. The FireStudio Tube delivers all the analog I/O needed for professional recording sessions, featuring sixteen analog inputs including two tube SuperChannels on the front panel, eight class A award-winning XMAX microphone preamplifiers and six balanced TRS line inputs on the rear panel. Outputs include six balanced TRS outputs and PreSonus’ signature ultra loud and clear headphone output that "goes to 11". MIDI I/O is also included on the rear panel for MIDI instruments, keyboards and controllers. The FireStudio Tube’s combination of microphone, instrument and line inputs is perfect for a band to simultaneously record drums, bass, guitar, vocals and keyboards without any additional preamplifiers. The FireStudio Tube is bundled with an exceptional software package, featuring PreSonus Studio One Artist, the amazing new DAW software for Mac OS X and Windows XP and Vista that makes producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds.Presonus FireStudio Tube Features: 24-bit/96K firewire (IEEE 1394) 16 inputs/6 outputs simultaneous record/playback channels 2 SuperChannels (tube microphone/instrument preamplifier with analog limiter) 8 XMAX microphone preamplifiers 2 PreSonus microphone/instrument preamplifiers 6 balanced TRS line outputs MIDI Input/Output 16×8 FireControl DSP mixer/router JetPLL Sync for improved imaging and clarity High performance A/D/A converters (114 dynamic range) Windows and Macintosh compatible Daisy-chain multiple FireStudio Project’s and FireStudio Tube’s (see instructions) PreSonus Studio One Artist Audio Production Software

Presonus Tube Preamp 1/2 Rack $99.95 Very affordable preamp. Single-Channel Tube Mic-Preamplifier w/ VU Meter More Infomation On This Product Powerful and Strong Award-Winning Tube-Preamp Tube Drive/Gain Blue Back-Lit VU Meter Great as a Direct Box Input XLR Impedance: 1.3k Ohms High Z Impedance: 1 Meg Ohm Panel Controls Tube Drive: 0dB to +20dB Gain: 3dB to +48dB Phase Reversal -20 dB Pad +48V Phantom Power 80Hz Rumble Filter Power Supply Type: Linear Input: 16VAC/1000mA Output XLR Balanced: 51 Ohms Impedance 1/4" TRS Unbalanced: 51 Ohms Impedance Performance THD+Noise (Unweighted): 0.05% at 0dB Tube Drive; 10% at 30dB Tube Drive Noise Floor: -98dB Signal to Noise: >95dB Power Supply Rejection: >95dB Power Amplifier Type: Dual-Servo Physical Power: 16 Watts Weight: 5 lbs. Dimensions: 5.5 x 5.5 x 1.75 Mounting: Universal Rack Tray Insert Chassis: Steel Panel: Brushed Aluminum Sides: Cast Aluminum

Production Monitors – Akai -RPM3 $73.35 DESCRIPTIONS: RPM3 monitors provide full-range frequency response to ensure audio reproduction that is pure, yet compact. The lightweight and portable design means the RPM3 system can be easily placed in a carrying case and taken on the road, allowing for reference monitoring anywhere.Combining compact monitoring with a USB audio interface, RPM3 monitors enable you to simultaneously play audio from and record audio to a computer through the included USB cable. No special drivers are required. RPM3 monitors can easily record professional-quality audio directly from a mixer, keyboard, microphone preamplifier, guitar effects processor or other audio component. RPM3 monitors have also been magnetically shielded to prevent interference when placed close to computer monitors or magnetic media. The RPM3 monitors provide a host of options to accommodate audio recording directly into a computer including a stereo /8 jack, a pair of balanced TRS inputs and stereo RCA inputs. Volume control, power-switch and /8 headphone jack are also located on the front panel for quick access and easy adjustment. If you need quality monitors and audio recording that won’t dominate your desktop, grab a pair of RPM3 monitors and start recording. Features: USB monitors and audio interface 2×2 USB audio interface allows simultaneous recording and monitoring of computer audioMagnetically shielded to prevent interference when placed close to computer monitorsRecord and monitor audio using either 1/8 , 1/4 TRS or RCA stereo inputs Lightweight, portable size perfect for desks, project studios and mobile-recording rigs Volume control, power-switch and 1/8 headphone jack located on front panel for quick access.

Pyle 4-Channel Headphone Amplifier PHA40 $20.99 The new PHA40 from Pyle answers the need for a headphone distribution amplifier with professional specifications in a small package at an affordable price. The PHA40 features four headphone outputs on the front panel giving you an extremely powerful monitoring solution at an amazingly low price. Use it at the studio, for mixing, for practicing with your bandmates — or for simply listening to audio without disturbing others. With the PHA40 you can watch movies, practice with your band, or do any other group activity in solitude. Pyle Pro Audio PHA40 4-Channel Headphone Amplifier.-Features:-Power On LED Indicator -4 Stereo Headphone Output Level Controls -4 Stereo Headphone 1/4” TRS Output Jacks -1 Stereo 1/4” TRS Source Input Jack -12V/150mA DC Power Supply Included -Dimensions: 4.07”W x 1.18”H x 2.24”D

QSC GX Series Professional Power Amplifier – GX3 $299.99 GX Series amplifiers are ideal for professional entertainers who require maximum performance and portability on a limited budget. QSC designers, headed by Pat Quilter, have optimized output and appearance while reducing raw material cost and weight. It’s all here ? dramatic styling, easy hookup and adjustments, excellent audio quality and QSC reliability. GX amplifiers deliver just the right amount of power to the most popular speakers used by entertainers. Most loudspeaker manufacturers recommend an amplifier with power output equal to the speaker’s "Program (Music) Power" rating or two times (2 x) the "Continuous (RMS) Power" rating. The GX3 is ideal for speakers in the 300 watt (Program) range.The GX3 uses the latest evolution of the QSC Grounded Collector output system, for optimum cooling of the critical power transistors. A true Class B biasing system combines maximum thermal efficiency with excellent audio performance. Both amplifiers use premium toroidal power transformers for reliable "mid-weight" performance. A variable-speed fan moves air crosswise through the amplifier, drawing cool air in over the power transformer, through the fan, and then over the heat sink. This keeps the transformer cool and allows a full size heat sink to fit in a down-sized chassis. As always, the amplifiers are fully protected from the usual hazards of the trade, ensuring stable performance and long life. GuardRail protection delivers full peak power while preventing detrimental overloads. During excessive clipping, or extreme overheating, GuardRail reduces gain just enough to preserve the integrity of the music, protect the speakers and keep the audience excited, without unprofessional distortion levels or shutdowns. A subwoofer reduces strain on the full-range speaker, allowing it to play louder, or letting a smaller speaker do the same job. The GX Series supports this mode with a Crossover switch that splits the full-range input entering Ch 1, sending 20 Hz – 100 Hz to the sub (Ch 1) and 100 Hz – 20 kHz to the top box (Ch 2). The front panel gain controls balance the sub and top box, while GuardRail optimizes peak power into the sub and top individually, for greater musical impact and dynamic range. Features: Power levels matched to the most popular speakers used by entertainers Optimized for maximum real-world headroom into 4 ohm and 8 ohm speaker systems Inputs: XLR, 1/4" TRS and phono input connectors for compatibility with any source Outputs: Speakon® combo accepts, 1/4" (TS) plugs or Speakon 2-pole and 4-pole plugs (connects 2 poles only). Binding posts support all other speaker wiring systems. Minimum depth chassis (10.1" / 257 mm) fits in compact, inexpensive effects racks Lightweight ? less than 30 lbs (13.5 kg) Detented gain controls for precise setting and matching of sensitivity GuardRail? automatically protects the amplifier and loudspeakers from damage due to temperature rise or overdrive without shutting down the show Front panel LEDs monitor Power, Signal and Clipping Subwoofer/Satellite crossover built-in

QSC GX Series Professional Power Amplifier – GX5 $399.99 GX Series amplifiers are ideal for professional entertainers who require maximum performance and portability on a limited budget. QSC designers, headed by Pat Quilter, have optimized output and appearance while reducing raw material cost and weight. It’s all here ? dramatic styling, easy hookup and adjustments, excellent audio quality and QSC reliability. GX amplifiers deliver just the right amount of power to the most popular speakers used by entertainers. Most loudspeaker manufacturers recommend an amplifier with power output equal to the speaker’s "Program (Music) Power" rating or two times (2 x) the "Continuous (RMS) Power" rating. The GX5 provides full performance for 500 watt (Program) speakers.The GX5 uses a Class H system, based on key elements of the PLX Series, almost doubling power in the same size and weight. QSC design expertise allows the output devices to shift from low-power to high-power rails in less than a millionth of a second, ensuring that the output power is always right where it needs to be without excess loss. Both amplifiers use premium toroidal power transformers for reliable "mid-weight" performance. A variable-speed fan moves air crosswise through the amplifier, drawing cool air in over the power transformer, through the fan, and then over the heat sink. This keeps the transformer cool and allows a full size heat sink to fit in a down-sized chassis. As always, the amplifiers are fully protected from the usual hazards of the trade, ensuring stable performance and long life. GuardRail protection delivers full peak power while preventing detrimental overloads. During excessive clipping, or extreme overheating, GuardRail reduces gain just enough to preserve the integrity of the music, protect the speakers and keep the audience excited, without unprofessional distortion levels or shutdowns. A subwoofer reduces strain on the full-range speaker, allowing it to play louder, or letting a smaller speaker do the same job. The GX Series supports this mode with a Crossover switch that splits the full-range input entering Ch 1, sending 20 Hz – 100 Hz to the sub (Ch 1) and 100 Hz – 20 kHz to the top box (Ch 2). The front panel gain controls balance the sub and top box, while GuardRail optimizes peak power into the sub and top individually, for greater musical impact and dynamic range. Features: Power levels matched to the most popular speakers used by entertainers Optimized for maximum real-world headroom into 4 ohm and 8 ohm speaker systems Inputs: XLR, 1/4" TRS and phono input connectors for compatibility with any source Outputs: Speakon® combo accepts, 1/4" (TS) plugs or Speakon 2-pole and 4-pole plugs (connects 2 poles only). Binding posts support all other speaker wiring systems. Minimum depth chassis (10.1" / 257 mm) fits in compact, inexpensive effects racks Lightweight ? less than 30 lbs (13.5 kg) Detented gain controls for precise setting and matching of sensitivity GuardRail? automatically protects the amplifier and loudspeakers from damage due to temperature rise or overdrive without shutting down the show Front panel LEDs monitor Power, Signal and Clipping Subwoofer/Satellite crossover built-in

QSC GX Series Professional Power Amplifier – GX7 $599 GX Series amplifiers are ideal for professional entertainers who require maximum performance and portability on a limited budget. QSC designers, headed by Pat Quilter, have optimized output and appearance while reducing raw material cost and weight. It’s all here ? dramatic styling, easy hookup and adjustments, excellent audio quality and QSC reliability. GX amplifiers deliver just the right amount of power to the most popular speakers used by entertainers. Most loudspeaker manufacturers recommend an amplifier with power output equal to the speaker’s "Program (Music) Power" rating or two times (2 x) the "Continuous (RMS) Power" rating. The GX7 professional power amplifier continues in the tradition of the #1-selling GX Series* by offering the most attractive combination of power, fidelity, configurability, long-term reliability and overall value available today. At the heart of the GX7 is an all-new, advanced power supply based on road-proven PL Series technology. The result is more overall power output yet lighter weight than previous GX models – without any sacrifice in audio quality. At 1000W per channel at 4 ohms, the GX7 provides more than ample power to connect up to four 500W 15" 2-way speakers or two 1000W subwoofers at a time, helping to keep overall system cost down while still maintaining maximum performance levels. 8? output is 725 watts/channel, yielding considerable headroom and increased dynamic range for today’s popular loudspeakers. Now with three GX models available, there’s a cost-effective, robust and reliable QSC amplifier solution for just about any portable performance application. Features: Light weight ? Only 15.5 lbs (7 kg) Road-proven PL amplifier technology GuardRail? (also found in K and KW Series loudspeakers) protects both the amp and speakers from damaging clipping and overload ? without audible pumping or distortion Subwoofer/Satellite crossover built-in Inputs: XLR, 1/4" TRS and phono input connectors for compatibility with any source Minimum depth chassis (10.1"/257 mm) fits in compact, inexpensive effects racks Outputs: Speakon® combo accepts, 1/4" (TS) plugs or Speakon 2-pole and 4-pole plugs (connects 2 poles only). Binding posts support all other speaker wiring systems Front panel LEDs monitor Power, Signal and Clipping

QSC K Series K12 2-way 12 Active Loudspeaker $799.99 The QSC K Series is quite simply The New Standard in lightweight powered loudspeaker systems. Under the direction of Pat Quilter, QSC’s team of amplifier engineers have created a new standard in Class D power modules unparalleled in the industry. Next, breaking from the traditional loudspeaker paradigm, every model is fitted with the identical 1.75 HF device (fullrange models) and woofers of the same high quality for unparalleled performance, regardless of speaker size. Combo XLR and 1/4 TRS inputs accept both Mic and Line Level input while a set of RCA phono inputs (except KSub) allow additional connectivity to portable MP3 players, CD players and line-level mixers. Up to three audio sources can be mixed internally and summed to a balanced output for daisy-chaining of multiple units. Separate direct outputs are also provided on each channel for additional output flexibility. On-board switches provide preset EQ settings. The HF setting (fullrange models) can be set to VOCAL BOOST for additional presence in the critical mid-frequency area or FLAT for accurate reproduction of the incoming signal. The LF switch can be set to NORM, DEEP for additional bass extension, or EXT SUB (fullrange models) for use with an external subwoofer. The rear panel LED switch can be set to POWER, illuminating the front-mounted LED when the unit is powered on, OFF for applications where it is not desirable to illuminate the front LED, or LIMIT which indicates to the system operator that the clip limiter circuit has been engaged during operation. Fullrange models are housed in rugged ABS enclosures with a professional appearance that is at home in any application. ABS is a far more robust material than conventional speaker plastics and offers an additional measure of sonic clarity due to its internal rigidity. Ergonomic aluminum handles and a highly protective steel grille complete the package for ease of transport and long term durability. The K Series fullrange models feature a unique Tilt-Direct pole cup mounting system. A simple turn of the dial engages a 7.5 degree downward tilt of the speaker allowing acoustic energy to be kept on the audience and off reflective surfaces for applications where maximum coverage from a high-positioned speaker is desired. Integrated M10 suspension points allow for suspended applications with a K SERIES M10 KIT (sold separately) or Yoke bracket (sold separately).

QSC PLX2 Series PLX1802 Power Amplifier $969.99 The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight® technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. The PLX1802 is an excellent choice for users who need to drive up to four loudspeakers from each amplifier channel (2 ohm loading), or when extremely high power bridge mono operation is required. The PLX1802 features built-in subwoofer processing, filter switches, and front panel indications of bridge mono status. PowerLight switchmode technology replaces a large, heavy AC transformer (typically 20 lbs. / 9 kg) with a highly efficient and lighter-weight active design. Conventional AC transformers provide 100 or 120 energy pulses per second, the PowerLight supply delivers 190,000 to 230,000 pulses per second. More pulses make it easier to provide on-demand power for the amplifier’s output section. The power supply doesn’t "sag" so bass notes stay full and powerful while the high end remains crisp and clean. PLX2 audio power circuitry achieves performance normally associated with studio reference amplifiers. In order to reduce crossover distortion, precision bias tracking makes minute adjustments as amplifier temperature changes. The benefit is cleaner high-frequency and more consistent sound no matter how hard the amplifier is driven. The higher power models use QSC-exclusive class H output circuitry, a form of audio "turbocharging" that increases maximum power without affecting the basic audio quality. Features: Very light weight ("02" models, 21 lbs/9.5 kg, "04" models 13 lbs/5.9 kg). Cooling design exhausts hot air out the front, keeping the rack cool. Flow-through heat sinks require no filters that could become clogged. Front panel LED power, clip, -10 dB, and signal present indicators for system monitoring and troubleshooting. 02 models also feature bridge and parallel mode LED indicators. Speakon® NL-4 output connectors provide a positive-locking speaker connection. Ch 1 output uses all 4 wires for single-cable connection to bi-amplified speakers. 21-position front-panel gain controls for precise, repeatable amplifier adjustment. Balanced XLR inputs with parallel TRS connectors accommodate all common input connectors and support loop-through operation. Patented PowerLight power supply technology with other patents pending. 100 Hz high pass and low pass filters for bi-amping subwoofer and satellite systems without the need for an external crossover. Switchable/defeatable 33 Hz infrasonic filters protect woofers from over-excursion damage. Switchable/defeatable clip limiters. Four models with power ratings up to 1800 watts per channel @ 2 ohms, 3600 watts bridged @ 4 ohms.

QSC PLX2 Series PLX1804 Power Amplifier $849.99 The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight® technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. The compact PLX1804 brings the same performance and technology as the rest of the PLX2 Series, plus even greater value, to applications that don’t require bridged or 2 ohm operation. Designed to power one or two speakers from each amplifier channel (4 ohm minimum loading), this model offer a simplified feature set while retaining genuine, uncompromised PLX performance and technology. Weighing just 13 pounds (5.9 kg), the "plug-and-play" PLX1804 is perfect for ultra-portable rigs, as well as reference-quality playback. PowerLight switchmode technology replaces a large, heavy AC transformer (typically 20 lbs. / 9 kg) with a highly efficient and lighter-weight active design. Conventional AC transformers provide 100 or 120 energy pulses per second, the PowerLight supply delivers 190,000 to 230,000 pulses per second. More pulses make it easier to provide on-demand power for the amplifier’s output section. The power supply doesn’t "sag" so bass notes stay full and powerful while the high end remains crisp and clean. PLX2 audio power circuitry achieves performance normally associated with studio reference amplifiers. In order to reduce crossover distortion, precision bias tracking makes minute adjustments as amplifier temperature changes. The benefit is cleaner high-frequency and more consistent sound no matter how hard the amplifier is driven. The higher power models use QSC-exclusive class H output circuitry, a form of audio "turbocharging" that increases maximum power without affecting the basic audio quality. Features: Very light weight ("02" models, 21 lbs/9.5 kg, "04" models 13 lbs/5.9 kg). Cooling design exhausts hot air out the front, keeping the rack cool. Flow-through heat sinks require no filters that could become clogged. Front panel LED power, clip, -10 dB, and signal present indicators for system monitoring and troubleshooting. 02 models also feature bridge and parallel mode LED indicators. Speakon® NL-4 output connectors provide a positive-locking speaker connection. Ch 1 output uses all 4 wires for single-cable connection to bi-amplified speakers. 21-position front-panel gain controls for precise, repeatable amplifier adjustment. Balanced XLR inputs with parallel TRS connectors accommodate all common input connectors and support loop-through operation. Patented PowerLight power supply technology with other patents pending. Value combined with uncompromised PLX technology, quality and performance for applications that don’t require bridged or 2 ohm stereo operation. Two models with power ratings up to 900 watts per channel @ 4 ohms. Clip limiting protects speakers; thermal limiting maintains operation even during abnormal overloads.

QSC PLX2 Series PLX2502 Power Amplifier $1099.99 The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight® technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. The PLX2502 is an excellent choice for users who need to drive up to four loudspeakers from each amplifier channel (2 ohm loading), or when extremely high power bridge mono operation is required. The PLX2502 features built-in subwoofer processing, filter switches, and front panel indications of bridge mono status. PowerLight switchmode technology replaces a large, heavy AC transformer (typically 20 lbs. / 9 kg) with a highly efficient and lighter-weight active design. Conventional AC transformers provide 100 or 120 energy pulses per second, the PowerLight supply delivers 190,000 to 230,000 pulses per second. More pulses make it easier to provide on-demand power for the amplifier’s output section. The power supply doesn’t "sag" so bass notes stay full and powerful while the high end remains crisp and clean. PLX2 audio power circuitry achieves performance normally associated with studio reference amplifiers. In order to reduce crossover distortion, precision bias tracking makes minute adjustments as amplifier temperature changes. The benefit is cleaner high-frequency and more consistent sound no matter how hard the amplifier is driven. The higher power models use QSC-exclusive class H output circuitry, a form of audio "turbocharging" that increases maximum power without affecting the basic audio quality. Features: Very light weight ("02" models, 21 lbs/9.5 kg, "04" models 13 lbs/5.9 kg). Cooling design exhausts hot air out the front, keeping the rack cool. Flow-through heat sinks require no filters that could become clogged. Front panel LED power, clip, -10 dB, and signal present indicators for system monitoring and troubleshooting. 02 models also feature bridge and parallel mode LED indicators. Speakon® NL-4 output connectors provide a positive-locking speaker connection. Ch 1 output uses all 4 wires for single-cable connection to bi-amplified speakers. 21-position front-panel gain controls for precise, repeatable amplifier adjustment. Balanced XLR inputs with parallel TRS connectors accommodate all common input connectors and support loop-through operation. Patented PowerLight power supply technology with other patents pending. Speakon® NL4 and binding post outputs. 100 Hz high pass and low pass filters for bi-amping subwoofer and satellite systems without the need for an external crossover. Switchable/defeatable 33 Hz infrasonic filters protect woofers from over-excursion damage. Switchable/defeatable clip limiters. Four models with power ratings up to 1800 watts per channel @ 2 ohms, 3600 watts bridged @ 4 ohms.

QSC PLX2 Series PLX3102 Power Amplifier $1199.99 The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight® technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. The PLX3102 is an excellent choice for users who need to drive up to four loudspeakers from each amplifier channel (2 ohm loading), or when extremely high power bridge mono operation is required. The PLX3102 features built-in subwoofer processing, filter switches, and front panel indications of bridge mono status. PowerLight switchmode technology replaces a large, heavy AC transformer (typically 20 lbs. / 9 kg) with a highly efficient and lighter-weight active design. Conventional AC transformers provide 100 or 120 energy pulses per second, the PowerLight supply delivers 190,000 to 230,000 pulses per second. More pulses make it easier to provide on-demand power for the amplifier’s output section. The power supply doesn’t "sag" so bass notes stay full and powerful while the high end remains crisp and clean. PLX2 audio power circuitry achieves performance normally associated with studio reference amplifiers. In order to reduce crossover distortion, precision bias tracking makes minute adjustments as amplifier temperature changes. The benefit is cleaner high-frequency and more consistent sound no matter how hard the amplifier is driven. The higher power models use QSC-exclusive class H output circuitry, a form of audio "turbocharging" that increases maximum power without affecting the basic audio quality. Features: Very light weight ("02" models, 21 lbs/9.5 kg, "04" models 13 lbs/5.9 kg). Cooling design exhausts hot air out the front, keeping the rack cool. Flow-through heat sinks require no filters that could become clogged. Front panel LED power, clip, -10 dB, and signal present indicators for system monitoring and troubleshooting. 02 models also feature bridge and parallel mode LED indicators. Speakon® NL-4 output connectors provide a positive-locking speaker connection. Ch 1 output uses all 4 wires for single-cable connection to bi-amplified speakers. 21-position front-panel gain controls for precise, repeatable amplifier adjustment. Balanced XLR inputs with parallel TRS connectors accommodate all common input connectors and support loop-through operation. Patented PowerLight power supply technology with other patents pending. Speakon® NL4 and binding post outputs. 100 Hz high pass and low pass filters for bi-amping subwoofer and satellite systems without the need for an external crossover. Switchable/defeatable 33 Hz infrasonic filters protect woofers from over-excursion damage. Switchable/defeatable clip limiters. Four models with power ratings up to 1800 watts per channel @ 2 ohms, 3600 watts bridged @ 4 ohms.

QSC PLX2 Series PLX3602 Power Amplifiers $1399.99 The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight® technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. The PLX3602 is an excellent choice for users who need to drive up to four loudspeakers from each amplifier channel (2 ohm loading), or when extremely high power bridge mono operation is required. The PLX3602 features built-in subwoofer processing, filter switches, and front panel indications of bridge mono status. PowerLight switchmode technology replaces a large, heavy AC transformer (typically 20 lbs. / 9 kg) with a highly efficient and lighter-weight active design. Conventional AC transformers provide 100 or 120 energy pulses per second, the PowerLight supply delivers 190,000 to 230,000 pulses per second. More pulses make it easier to provide on-demand power for the amplifier’s output section. The power supply doesn’t "sag" so bass notes stay full and powerful while the high end remains crisp and clean. PLX2 audio power circuitry achieves performance normally associated with studio reference amplifiers. In order to reduce crossover distortion, precision bias tracking makes minute adjustments as amplifier temperature changes. The benefit is cleaner high-frequency and more consistent sound no matter how hard the amplifier is driven. The higher power models use QSC-exclusive class H output circuitry, a form of audio "turbocharging" that increases maximum power without affecting the basic audio quality. Features: Very light weight ("02" models, 21 lbs/9.5 kg, "04" models 13 lbs/5.9 kg). Cooling design exhausts hot air out the front, keeping the rack cool. Flow-through heat sinks require no filters that could become clogged. Front panel LED power, clip, -10 dB, and signal present indicators for system monitoring and troubleshooting. 02 models also feature bridge and parallel mode LED indicators. Speakon® NL-4 output connectors provide a positive-locking speaker connection. Ch 1 output uses all 4 wires for single-cable connection to bi-amplified speakers. 21-position front-panel gain controls for precise, repeatable amplifier adjustment. Balanced XLR inputs with parallel TRS connectors accommodate all common input connectors and support loop-through operation. Patented PowerLight power supply technology with other patents pending. Speakon® NL4 and binding post outputs. 100 Hz high pass and low pass filters for bi-amping subwoofer and satellite systems without the need for an external crossover. Switchable/defeatable 33 Hz infrasonic filters protect woofers from over-excursion damage. Switchable/defeatable clip limiters. Four models with power ratings up to 1800 watts per channel @ 2 ohms, 3600 watts bridged @ 4 ohms.

Radial SW8 Auto-Switcher $1199.99 The Radial SW8 auto-switcher provides redundant backup by automatically switching between two 8-channel sources such as a pair of digital recorders. Designed primarily for live concerts and stage shows where backing tracks are used for orchestration, backing chorals and sound effects, the SW8 can detect a machine malfunction and automatically switch to a second backup machine to ensure a seamless performance. Auto-switch between two 8 channel systems Expandable and remote controllable Mic and line level operation Transformer isolated XLR mic outputs Full manual override with foot control Using the SW8 is easy! Connect your two sync’d playback systems and record a steady drone on track-1. If the tone disappears, the SW8?s front panel red LED will illuminate to let you know trouble is at hand. If you like, have the SW8 trigger an alarm, trip a contact closure or have it automatically switch to your second machine. For larger systems, the SW8 may be expanded by linking machines together using a simple ¼" instrument cable. Housed in a heavy duty 14-gauge steel 19" enclosure, the Radial SW8 is equipped with choice of ¼" TRS or 25 pin D-Sub inputs and XLR or D-Sub outputs to handle just about any audio challenge, wardrobe malfunction or backing tape failure.

Rane ME60S Dual Band Equalizer $599 The Rane ME 60S is a two channel, 1/3-octave contstant Q micrographic equalizer. The ME 60S utilizes compact 20 mm sliders. Two adjustable band-limiting filters add to each Channels’ versatility. The Low Cut filter has a range from 10 Hz to 250 Hz, and the High Cut filter sweeps from 3 kHz to 40 kHz, rolling off unwanted frequencies at both ends of the spectrum. The active filter sections feature Rane’s innovative constant-Q (constant bandwidth) design. This means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts. Front panel controls and indicators, aside from the sliders, include an overall Level control for each Channel as well as Overload indicators and passive Bypass switches. The rear of the unit provides 1/4? Tip-Ring-Sleeve phone, RCA phono, and XLR connectors for each of the Inputs and Outputs. The Inputs and Outputs are fully actively balanced (except the RCA’s). Unbalanced sources may be connected through the use of either mono 1/4? TS connectors or by tying the ring to the sleeve on 1/4? TRS plugs.

Rane MP 44 Club Mixer $1499 The MP 44 Mixer supports DJ creativity, while club Sound quality and equipment remain intact. The MP 44s unique set of features combine with superior Audio performance to provide unparalleled value. Two Auxiliary Inputs are provided. Aux Input A is unbalanced, while Aux Input B is balanced. Each Input features off to +6 DB Level controls. Two Auxiliary Outputs are provided. Aux Output A is unbalanced. Aux Output B is balanced. Each Output features off to +6 dB Level controls. Each Output may be assigned Pre-Master Effects loop, Post-Master Effects loop or Post Master Effects loop plus Mic. These features provide the flexibility to use the Aux Outputs for Recording or additional zones. High performance VCA level controls are used for House and Booth level, providing very low travel noise and long life. A Master left/right balance control and recessed Master Mono Switch with LED indicator are provided. A high-performance Master Limiter with true RMS detectors limits both House and Booth maximum levels. The rear panel threshold control range is ?20 dBu. Threshold indicators are provided on both the front and rear panels. -Two Mic Inputs: -Combination XLR / TRS input jacks -Full range fader control -3-band tone controls -Effects insert with Engage switch -12 dB auto Booth Ducking -Blue Mic-On indicator -Main Mic: -Studio-grade Integrated Microphone preamplifier -Gain range 15 dB to 60 dB -Selectable 12 volt phantom power -Aux Mic: -Balanced input -Mic or Line-level input -Mic Gain Range 30 to 60 dB -Line Gain Range 0 to 30 dB -Monitoring: -An improved Headphone monitor allows Panning between Cue and House signals-Engage the Monitor Mono switch to Pan between Mono Cue and Mono Master (pre-house fader)-MP 44 uses a high-current, low-noise headphone amplifier, of course-Versatile metering: -Stereo House output -Mono-Cue / Mono-Master -+4 dBu or -10 dBV sensitivity (switchable) -Light Trigger Output: -Balanced output (no transformer) -Rear panel Level control-MP 44 features

Roland Fantom-G6 61-Key Keyboard Workstation – FREE Sinevibes Download Roland Rebate Available $2799 Roland Fantom-G6 Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL? expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer and more. Purchase a Roland Fantom-G, JUNO-STAGE or JUNO-G keyboard workstation and get the Sinevibes introductory patch collections FREE! Experience the power and creativity of Sinevibes sounds, from one of the world’s leading developers of dedicated sound libraries for Roland synthesizers. Offer available to all new and current Roland Fantom-G, JUNO-STAGE and JUNO-G keyboard workstation owners!    Features: Advanced sound engine with double wave capacity of previous flagship workstations 2 x ARX expansion with SuperNATURAL? – the world’s greatest performance-expression technology Graphic user interface with extra-large 8.5" wide color LCD and mouse connectivity Newly developed onboard audio/MIDI sequencer with 128 tracks, including 24 audio tracks Multi-FX for each part; up to 22 effects routings can be programmed simultaneously Top-of-the-line keyboard action; weighted PHA II "Ivory Feel" keyboard on Fantom-G8 Heavy-duty casing with aluminum panel Advanced Sound Engine Driven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation. SuperNATURAL? ARX Expansion Fantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis. Power Sequencer Onboard The Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input. Luxurious Extra-Wide LCD One look and touch and you’ll know that the Fantom-G is an instrument without equal. Only the highest-quality materials have been used to create this dream synth, with a stylish, futuristic design that will turn heads. Front and center is the extra-large 8.5" wide TFT color LCD for enhanced productivity. A first-class assortment of hands- on controls is provided as well, including eight sliders, four knobs, and ten buttons below the LCD. Amazing FX Fantom-G is loaded with a state-of-the-art effects engine, with multi-effects available for each Fantom-G sound/part. In 16-part multi-timbre mode, up to 22 effect routings can be used simultaneously. Create complex setups with 16 insert effects per multi-timbral patch group, plus global reverbs and choruses. Mastering effects are provided for polishing songs created with the onboard sequencer.

Roland Fantom-G8 88-Key Keyboard Workstation $3999 “Roland Fantom-G8Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL? expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer, first-class “”Ivory Feel”" weighted keys (Fantom-G8) and more.Features: Advanced sound engine with double wave capacity of previous flagship workstations 2 x ARX expansion with SuperNATURAL? – the world’s greatest performance-expression technology Graphic user interface with extra-large 8.5″” wide color LCD and mouse connectivity Newly developed onboard audio/MIDI sequencer with 128 tracks, including 24 audio tracks Multi-FX for each part; up to 22 effects routings can be programmed simultaneously Top-of-the-line keyboard action; weighted PHA II “”Ivory Feel”" keyboard on Fantom-G8 Heavy-duty casing with aluminum panel Advanced Sound EngineDriven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation.SuperNATURAL? ARX ExpansionFantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis.Power Sequencer OnboardThe Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input.Luxurious Extra-Wide LCDOne look and touch and you’ll know that the Fantom-G is an instrument without equal. Only the highest-quality materials have been used to create this dream synth, with a stylish, futuristic design that will turn heads. Front and center is the extra-large 8.5″” wide TFT color LCD for enhanced productivity. A first-class assortment of hands- on controls is provided as well, including eight sliders, four knobs, and ten buttons below the LCD.Amazing FXFantom-G is loaded with a state-of-the-art effects engine, with multi-effects available for each Fantom-G sound/part. In 16-part multi-timbre mode, up to 22 effect routings can be used simultaneously. Create complex setups with 16 insert effects per multi-timbral patch group, plus global reverbs and choruses. Mastering effects are provided for polishing songs created with the onboard sequencer.Supreme Keyboard Feel & ActionThe Fantom-G8 is outfitted with Roland’s top-of-the-line PHA II “”Ivory Feel”" keyboard. This amazing keyboard technology reproduces the real surface feel of ivory acoustic piano keys providing a familiar stability and comfort to the pianist. The white keys have a two-piece structure which reduces the developed keyboard surface material is designed to absorb moisture, ensuring a secure, slip-proof feel that your fingers will love.”

Roland Fantom-G8 88-Key Keyboard Workstation – B-Stock $3150 “Condition Notes: This keyboard is a B-Stock model that has a few small scratches on the top, but is in otherwise excellent condition!Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer, first-class “”Ivory Feel”" weighted keys (Fantom-G8) and more. Features: Advanced sound engine with double wave capacity of previous flagship workstations 2 x ARX expansion with SuperNATURAL – the world’s greatest performance-expression technology Graphic user interface with extra-large 8.5″” wide color LCD and mouse connectivity Newly developed onboard audio/MIDI sequencer with 128 tracks, including 24 audio tracks Multi-FX for each part; up to 22 effects routings can be programmed simultaneously Top-of-the-line keyboard action; weighted PHA II “”Ivory Feel”" keyboard on Fantom-G8 Heavy-duty casing with aluminum panel Advanced Sound Engine Driven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation. SuperNATURAL-ARX Expansion Fantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis. Power Sequencer Onboard The Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input. Luxurious Extra-Wide LCD One look and touch and you’ll know that the Fantom-G is an instrument without equal. Only the highest-quality materials have been used to create this dream synth, with a stylish, futuristic design that will turn heads. Front and center is the extra-large 8.5″” wide TFT color LCD for enhanced productivity. A first-class assortment of hands- on controls is provided as well, including eight sliders, four knobs, and ten buttons below the LCD. Amazing FX Fantom-G is loaded with a state-of-the-art effects engine, with multi-effects available for each Fantom-G sound/part. In 16-part multi-timbre mode, up to 22 effect routings can be used simultaneously. Create complex setups with 16 insert effects per multi-timbral patch group, plus global reverbs and choruses. Mastering effects are provided for polishing songs created with the onboard sequencer. Supreme Keyboard Feel & Action The Fantom-G8 is outfitted with Roland’s top-of-the-line PHA II “”Ivory Feel”" keyboard. This amazing keyboard technology reproduces the real surface feel of ivory acoustic piano keys providing a familiar stability and comfort to the pianist. The white keys have a two-piece structure which reduces the developed keyboard surface material is designed to absorb moisture, ensuring a secure, slip-proof feel that your fingers will love.”

Roland Tri-Capture: 3-Channel USB Audio Interface $129 The new head of its class is the multifaceted TRI-CAPTURE USB interface ? a unique, compact audio interface optimized for personal and mobile recording, vocal and guitar recording, and streaming-internet applications. With its mixer-like design and dedicated front-panel controls, TRI-CAPTURE makes it easy to mix, control, and monitor a variety of signals. Plug a microphone into the XLR input, an instrument into the 1/4-inch jack, and a stereo instrument or device into the AUX input. The unique REC MODE section provides instant selection of recording scenarios, including LOOP BACK for web streaming applications. TRI-CAPTURE is full-featured yet portable, and is USB bus powered for a clean, simple setup.Features: Affordable, easy-to-use interface for guitarists, vocalists, and other musicians Also works great for video production, web streaming, and creating podcasts with unique LOOP BACK function XLR mic input with phantom power, plus 1/4-inch input with Hi-Z switch for connecting a guitar directly Stereo AUX input with dedicated volume control Balanced 1/4-inch TRS outputs and headphone jack Low-latency ASIO driver; recording and playback at rates up to 24-bit/96 kHz USB bus powered with 24-bit/96 kHz operation Cakewalk SONAR X1 LE included

Roland UA-55 Quad-Capture Audio Recording $269 Roland Authorized Dealer – N030273YWith a pair of premium VS Preamps onboard, plus superb 24-bit/192 KHz Audio quality, ultra-low latency performance, and convenient USB Bus power, QUAD-CAPTURE sets a new standard for portable USB2 audio interfaces. Its compact, durable design and pristine Sound makes it the perfect foundation for portable, multichannel computer-based productions on the go. With quality and performance that far exceeds its size and price, QUAD-CAPTURE stands at the Head of its class.-Features: Two combo XLR/TRS inputs with premium MIC preamps (VS Preamps), two TRS outputs, coaxial I/O, Headphone out, and MIDI I/O; Graphical Control Panel Software provides fast, intuitive control of the VS Preamps; Phantom power, ground lift, and Hi-Z switches; One-click AUTO-SENS function intelligently sets optimal input levels for the preamps; Extreme low-latency VS Streaming driver; Low-noise, wide-range power supply; Compact with durable aluminum body and Direct Box functionality; Bundled with Cakewalk SONAR X1 LE-Features: -Number of Audio Record/Playback Channels < Sampling Frequency = 96 kHz, 48 kHz, 44.1 kHz > Recording: 4 channels, Playback: 4 channels < Sampling Frequency = 192 kHz > Recording: 2 channels, Playback: 2 channels -Signal Processing PC interface: 24-bit, AD/DA Conversion: 24-bit, Internal: 40-bit -Sampling Frequency AD/DA Conversion: 192 kHz, 96 kHz, 48 kHz, 44.1 kHz, Digital (IN/OUT): 96 kHz, 48 kHz, 44.1 kHz -Nominal Input Level Input jacks 1-2 (XLR type): -60 to -6 dBu, Input jacks 1-2 (1/4-inch TRS phone type): -50 to +4 dBu -Nominal Output Level OUTPUT 1-2: +0 dBu (balanced) -Input Impedance Input jacks 1-2 (XLR type): 4.8 kO (balanced), Input jacks 1-2 (1/4-inch TRS phone type): 15 kO (balanced) -Output Impedance OUTPUT 1-2: 2 kO (balanced), PHONES: 47 O -Frequency response 192.0 kHz: 20 Hz to 90 kHz (+0/-8 dB), 20 Hz to 60 kHz (+0/-2 dB), 96.0 kHz: 20 Hz to 40 kHz (+0/-2 dB), 48.0 kHz: 20 Hz to 22 kHz (+0/-2 dB), 44.1 kHz: 20 Hz to 20 kH

Roland VB-99 V-Bass System, Bass Guitar Effect Processor $1499 Stunning New Possibilities in Bass Recording and PerformanceWhen Roland introduced the original V-Bass System, serious bass players worldwide took notice. Now, we are proud to introduce the VB-99 V-Bass, which delivers three times the sonic firepower of the original model! Based on an all-new custom processing engine and 10 years of research and development, the VB-99 serves up a wide range of inspiring new COSM® bass and amplifier models, powerful polyphonic effects, new string modeling technology, dual independent signal paths for blending sounds, and new controllers. It also features a host of thoughtful improvements that bassists demanded, such as bass-to-MIDI converters, streaming audio via USB, and much more.Features: Most advanced bass processor ever Dozens of COSM® instrument models, including coveted vintage and modern basses, amps, synth basses, effects and even electric guitars Converts bass to MIDI and streams audio via USB Dual independent stereo signal paths can be layered or switched: allows two different virtual sounds at the same time Allows users to play polyphonic synth bass sounds without tracking issues Table top configuration, rack mountable, or stand mountable Stereo XLR, stereo 1/4", MIDI, SP/DIF and USB outputs Advanced new realtime controllers: D-Beam, ribbon and V-Link Specifications: AD Conversion: 24 bits + AF method DA Conversion: 24 bits Sampling Frequency: 44.1 kHz Program Memories: 400: 200 (User) + 200 (Preset) Nominal Input Level: BASS INPUT: -10 dBu Input Impedance: BASS INPUT: 2.2 M ? Nominal Output Level: MAIN OUT: -10 dBu, SUB OUT (XLR): +4 dBu, BASS OUT: -10 dBu Output Impedance: MAIN OUT: 1 k ?, SUB OUT (XLR): 600 ? Dynamic Range: 100 dB or greater (IHF-A) Controls Top Panel: OUTPUT LEVEL knob, Function knobs x 6 (F1?F6), BALANCE knob, V-BASS LEVEL knob, V-LINK button, DIRECT PATCH, buttons x 5 (1?5), CONTROL buttons x 2 (1, 2), COSM BASS buttons x 2 (A, B), BASS DIRECT button, POLY FX A/B buttons x 2 (A, B), FX buttons x 2 (A, B), COSM AMP buttons x 2 (A, B), MIXER buttons x 2 (A, B), DELAY/REVERB button, DYNAMIC button, CHAIN button, CONTROL ASSIGN button, NAME/KEY/BPM button, Function buttons x 6 (F1?F6), EXIT button, WRITE button, PAGE buttons x 2 (Left, Right), BASS TO MIDI button, SYSTEM button, GLOBAL button, TUNER button, CATEGORY button, PATCH/VALUE dial, Power switch, D BEAM (D Beam Controller, PITCH button, FILTER button, ASSIGNABLE button) RIBBON CONTROLLER Ribbon Controller, PITCH button, FILTER button, ASSIGNABLE button, Rear Pane: Ground Lift switch (SUB OUT) Display: 240×64 dots graphic LCD (with backlit) Connectors: Top Panel: GK IN connector (13-pin DIN type), Rear Panel: BASS INPUT jack (1/4" phone type), BASS OUTPUT jack (1/4" phone type), SUB OUT jacks x 2 (L, R) (XLR type), MAIN OUT jacks x 2 (L/MONO, R) (1/4" phone type), PHONES jack (Stereo 1/4" phone type), DIGITAL OUT jack (Coaxial type, conforms to IEC60958-3), EXP PEDAL jack (1/4" TRS phone type), CTL 3,4 jack (1/4" TRS phone type), USB connector (B type), RRC2 IN connector (RJ45 type), MIDI connectors x 2 (IN, OUT) (5-pin DIN type), DC IN jack Power Supply AC Adaptor (PSB-1U) Current Draw: 1.3 A Dimensions: 384.0 (W) x 218.0 (D) x 93.5 (H) mm, 15-1/8 (W) x 8-5/8 (D) x 3-11/16 (H) inches * EIA-5U rack mount type: optional rack mount adaptor RAD-99 Weight: 2.1 kg / 4 lbs 11 oz (excluding AC Adaptor) Accessories: Owner’s Manual, GK cable (5 m), USB cable, RRC2 cable, VB-99 Software CD-ROM, AC adaptor (PSB-1U), Knob Bolt x 4

Roland VB-99 V-Bass System, Bass Guitar Effect Processor, with GK-3B Divided Pickup $1599 Stunning New Possibilities in Bass Recording and PerformanceWhen Roland introduced the original V-Bass System, serious bass players worldwide took notice. Now, we are proud to introduce the VB-99 V-Bass, which delivers three times the sonic firepower of the original model! Based on an all-new custom processing engine and 10 years of research and development, the VB-99 serves up a wide range of inspiring new COSM® bass and amplifier models, powerful polyphonic effects, new string modeling technology, dual independent signal paths for blending sounds, and new controllers. It also features a host of thoughtful improvements that bassists demanded, such as bass-to-MIDI converters, streaming audio via USB, and much more.Features: Most advanced bass processor ever Dozens of COSM® instrument models, including coveted vintage and modern basses, amps, synth basses, effects and even electric guitars Converts bass to MIDI and streams audio via USB Dual independent stereo signal paths can be layered or switched: allows two different virtual sounds at the same time Allows users to play polyphonic synth bass sounds without tracking issues Table top configuration, rack mountable, or stand mountable Stereo XLR, stereo 1/4", MIDI, SP/DIF and USB outputs Advanced new realtime controllers: D-Beam, ribbon and V-Link Specifications: AD Conversion: 24 bits + AF method DA Conversion: 24 bits Sampling Frequency: 44.1 kHz Program Memories: 400: 200 (User) + 200 (Preset) Nominal Input Level: BASS INPUT: -10 dBu Input Impedance: BASS INPUT: 2.2 M ? Nominal Output Level: MAIN OUT: -10 dBu, SUB OUT (XLR): +4 dBu, BASS OUT: -10 dBu Output Impedance: MAIN OUT: 1 k ?, SUB OUT (XLR): 600 ? Dynamic Range: 100 dB or greater (IHF-A) Controls Top Panel: OUTPUT LEVEL knob, Function knobs x 6 (F1?F6), BALANCE knob, V-BASS LEVEL knob, V-LINK button, DIRECT PATCH, buttons x 5 (1?5), CONTROL buttons x 2 (1, 2), COSM BASS buttons x 2 (A, B), BASS DIRECT button, POLY FX A/B buttons x 2 (A, B), FX buttons x 2 (A, B), COSM AMP buttons x 2 (A, B), MIXER buttons x 2 (A, B), DELAY/REVERB button, DYNAMIC button, CHAIN button, CONTROL ASSIGN button, NAME/KEY/BPM button, Function buttons x 6 (F1?F6), EXIT button, WRITE button, PAGE buttons x 2 (Left, Right), BASS TO MIDI button, SYSTEM button, GLOBAL button, TUNER button, CATEGORY button, PATCH/VALUE dial, Power switch, D BEAM (D Beam Controller, PITCH button, FILTER button, ASSIGNABLE button) RIBBON CONTROLLER Ribbon Controller, PITCH button, FILTER button, ASSIGNABLE button, Rear Pane: Ground Lift switch (SUB OUT) Display: 240×64 dots graphic LCD (with backlit) Connectors: Top Panel: GK IN connector (13-pin DIN type), Rear Panel: BASS INPUT jack (1/4" phone type), BASS OUTPUT jack (1/4" phone type), SUB OUT jacks x 2 (L, R) (XLR type), MAIN OUT jacks x 2 (L/MONO, R) (1/4" phone type), PHONES jack (Stereo 1/4" phone type), DIGITAL OUT jack (Coaxial type, conforms to IEC60958-3), EXP PEDAL jack (1/4" TRS phone type), CTL 3,4 jack (1/4" TRS phone type), USB connector (B type), RRC2 IN connector (RJ45 type), MIDI connectors x 2 (IN, OUT) (5-pin DIN type), DC IN jack Power Supply AC Adaptor (PSB-1U) Current Draw: 1.3 A Dimensions: 384.0 (W) x 218.0 (D) x 93.5 (H) mm, 15-1/8 (W) x 8-5/8 (D) x 3-11/16 (H) inches * EIA-5U rack mount type: optional rack mount adaptor RAD-99 Weight: 2.1 kg / 4 lbs 11 oz (excluding AC Adaptor) Accessories: Owner’s Manual, GK cable (5 m), USB cable, RRC2 cable, VB-99 Software CD-ROM, AC adaptor (PSB-1U), Knob Bolt x 4